From Publishers Weekly
This outspoken, splendidly rambling memoir is the great British director's (d. 1990) follow-up to his A Life in the Movies. While the earlier volume discusses the making of the eccentric and opulent Red Shoes (1948) and Black Narcissus (1947), Powell chronicles here a career in decline, one bottoming out with the much-derided Peeping Tom (1960), a study of voyeurism to be celebrated only by a later generation of filmmakers-among them Francis Ford Coppola, who serenaded a delighted Powell in a Manhattan restaurant, and Scorsese, who spurred reappraisal of Powell's career. To Powell, Hollywood executives were "chair polishers" myopically focused on the bottom line; he and collaborator Emeric Pressburger, on the other hand, were artists for whom the box-office "grosses are too gross." The book is buoyant and unpretentious, full of affectionate anecdotes about actors Jennifer Jones, Michael Redgrave and Dirk Bogarde; larger-than-life producers Samuel Goldwyn and Alexander Korda; and figures great and obscure-Henri Matisse, Hitchcock, even Powell's beloved dogs, who take over the narration at strategic points-that reflect Powell's exuberance and generosity. Photos not seen by PW.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
British film director Powell is best known for The Red Shoes (1948), made, as virtually all his important films were, in close collaboration with writer Emeric Pressburger. The second volume of Powell's memoirs (the first was A Life of Movies: An Autobiography, LJ 4/1/87) begins in 1948 as the Archers (as Powell and Pressburger called their company) was riding high after the success of The Red Shoes. Unfortunately, Powell's career then began a downward spiral, hastened in 1960 by the scathing reception accorded Peeping Tom (1959). Later appreciation by American cineastes such as Martin Scorsese (who provides an introduction here) revived Powell's reputation. Powell, who died in 1990, is a witty and literate memoirist who might well be remembered for these books as mcuh as for his films. For larger film collections.
Thomas Wiener, formerly with "American Film"Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.