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Milton's Peculiar Grace: Self-representation and Authority
 
 
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Milton's Peculiar Grace: Self-representation and Authority [Paperback]

Stephen M. Fallon (Author)

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Book Description

August 1, 2008
Despite writing about himself extensively and repeatedly, John Milton, the archetypal Puritan author, resolutely avoids the obligatory Augustinian narrative of sinfulness, conviction of sin, reception of the Word, regeneration of the spirit, and sanctification. The doctrine of fall, grace, and regeneration, so well illustrated in Paradise Lost, has no discernible effect on Milton's overt self-representations. Exploring this anomaly in his new book, Stephen M. Fallon contends that Milton, despite his deep engagement with theology, is not a religious writer.

Why, Fallon asks, does Milton write about himself so compulsively? Why does he substitute, for the otherwise universal theological script, a story of precocious and continued virtue, even, it seems, a narrative of sinlessness? What pressures does this decision to reject the standard narrative exert on his work?

In Milton's Peculiar Grace, Fallon argues that Milton writes about himself to gain immortality, secure authority for his arguments, and exert control over his readers' interpretations. He traces the return of the repressed narrative of fallenness in the author's unacknowledged and displaced self-representations, which in turn account for much of the power of the late poems. Fallon's book, based on close readings of Milton's "self-constructions" in prose and poetry throughout his career, provides a new view of Milton's life and his importance for contemporary literary theory-in particular for continued questions about authorial intention.


Editorial Reviews

Review

'Cogently argued and clearly written, Milton's Peculiar Grace makes a solid contribution to scholarship. While informed by contemporary theory, the book wears its critical vocabulary lightly: an exercise in good old-fashioned philology, Fallon puts the Milton canon in dialogue with its predecessors in self-fashioning, both classical and Judeo-Christian: Jeremiah and Isaiah; Cicero; Augustine; Calvin and Arminius, Baxter and Bunyan. Students interested in Milton's life, his prose polemics, and his complex theology will wish to grace their shelves with this book.'--James S. Baumlin, The Review of English Studies, November 2007



'Though Milton never wrote a full-fledged autobiography, he did incorporate into his various works many instances of self-representation. Identifying and interpreting these passages, Fallon offers a biographical reading of autobiographical passages in Milton's prose and poetry. . . . Keying onto certain telltale signs in the text-whether a contradiction, an elision, or convoluted rhetoric-Fallon offers a persuasive and clearly written postmodern biography or psychobiography that is always insightful and often brilliant. This is a Milton who appears to vacillate between certain antinomies-e.g., confidence and despair, perfectionism and error, and the like-a Milton suited to present-day sensibilities, a Milton who is a kaleidoscopic character, not a stable construct. Essential.'--Choice



'The long conversation about Milton's works has acted like a test case-or, in recent years, a control group-for critical theories. For a while, the author was dead to hip literary analysis, but Milton remained unquestionably alive because his strong authorship presence was resistant to late twentieth-century theory. Forms of literary biography, including political and religious historicism, have remained central to Milton studies and have made, to varying degrees Milton himself the center of analysis still. Nevertheless, it did become harder for Miltonist to talk openly about what Miltonists do. Milton's Peculiar Grace has the strength and honesty to be completely open about its method. Stephen Fallon, a highly respected Miltonist, invites welcome debate about our relationship to Milton and his work. Fallon argues that Milton is always writing about himself. There is no doubt that Milton represents himself throughout his works, from his student exercises to the final poems that are burdened with and enriched by a life of hope an disappointment. Milton's Peculiar Grace succeeds brilliantly in returning our full attention to the presence of that overweening, irascible, proudly singular voice we call Milton.'--Ann Baynes Coiro, Rutgers University, Milton Quarterly




'Fallon does not pussyfoot about. . . . One immediately feels that Fallon is both brave and right: the Milton drive to self-justification and indeed self-aggrandizement is everywhere in the works, and the 'peculiar' self-referentiality of the Miltonic canon is something that we cannot and should not deny or avoid, especially now that the postmodern theories of the author as the (post-Enlightenment) invention of the reader have come to seem rather quaint. Fallon deals sensibly and briefly with the self-regarding circularities of Barthesian claims for the unknowableness and irrelevance of authorial intention. . . . Fallon has displayed impressive ambition and ensured that his book will immediately become a reference point for future work on Milton of just about any stripe.' --Nicholas McDowell, University of Exeter, The Seventeenth Century

From the Back Cover

"Emphasizing the significance of how Milton's sense of self evolved from the outset of his career to the final period of his writings, Milton's Peculiar Grace advances the ongoing discussion of self-representation and self-fashioning in the early modern period. Stephen M. Fallon demonstrates that Milton inscribed his selfhood throughout his works. The conclusions Fallon draws are at once timely and compelling; this book is a genuine pleasure to read."-Michael Lieb, University of Illinois at Chicago --This text refers to the Hardcover edition.

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Inside This Book (learn more)
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First Sentence:
Contemplating self-representation, the hyphenated word itself, can like Keats' urn tease us out of thought.  Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
mutual blamelessness, vulgar prophets, structural intentionality, selected heralds, ethical proof, divorce tracts, elect above the rest, rapt above the pole, autobiographical digressions, inward ripeness, common lump, brief epic, uncouth swain, divine muse, prophetic status, peculiar grace, hath time, heroic poet, verse paragraph
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Samson Agonistes, Defensio Secunda, New York, Nativity Ode, John Milton, Paradise Regained, Milton Studies, Pro Se Defensio, Attendant Spirit, William Kerrigan, Milton's Son, Michael Lieb, William Riley Parker, Alexander More, Eikon Basilike, Fides Publica, John Guillory, Maurice Kelley, Poetic Authority, Princeton University Press, Civil Power, Louis Martz, Milton's Good God, New Haven, Yale University Press
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