"Taussig's deeply informed anthropological readings present us with a contemporary cabinet of curiosities that informs the longstanding fascination with the primitive in the constitution of the modern, and shocks us, in the spirit of Benjamin, into reconsidering what we thought we had largely dismissed in our concerns with the politics of representation."
-George E. Marcus, Rice University
"In "Mimesis and Alterity Taussig investigates the contacts between anthropologists and subjects and the world created therein . . . his accounts have the tactility one gets from a good storyteller."
"This book can most profitably be read in conjunction with Taussig's provocatice and often original earlier works (e.g. "The Devil and Commodity Fetishism) since these provide the details of the historical and cultural stage of mimetic performance."
-"Bulletin of Society for the Anthropologyof Europe, October, 1993
From the Back Cover
In Mimesis and Alterity Taussig undertakes and eccentric history of the mimetic faculty. He moves easily from the nineteenth-century invention of mimetically capacious machines, such as the camera, backwards to the fable of colonial first contact' alleged mimetic prowess of primitives, ' and then forward to contemporary time, when the idea of alterity is increasingly unstable. Utilizing anthropological theory, Taussig blends Latin American ethnography and colonial history with the insights of Walter Benjamin, Adorno and Horkheimer. Vigorous and unorthodox, Taussig's understanding of mimesis in different cultures deepens our meaning of ethnography, racism and society.