Customer Reviews

Mimic

5 star:		(30)
4 star:		(27)
3 star:		(14)
2 star:		(5)
1 star:		(4)

 

 

"Life finds a way." Ian Malcom, "Jurassic Park"

This famous line from Steven Speilberg's dinosaur adventure has become a popular lesson of many science fiction films today. "Mimic," a film in which genetically altered insects become something never intended, is no exception to this particular lesson; in fact, the movie uses it to its advantage on numerous occasions, that, and some very sophisticated special effects and filmmaking techniques. Mexican director Guillermo del Toro, who directed "Cronos," turns what is a basic nature-gone-mad movie into something more terrifying, more chilling, and more suspenseful than anything we've ever seen done before.

That's not to say that "Mimic" is as fresh as a spring breeze. There are elements at work in the film that are all too familiar if you know your science fiction well. There's the obligatory explanation for the havoc surrounding the central characters, scenes involving them being trapped somewhere beyond any help, and a hero in the group that will devise all the plans for escape and the way in which to kill their opponent. But under a new premise, and some very strikingly intense moments, "Mimic" makes the old seem new again.

The hero (or heroine, in this case) is Dr. Susan Tyler (Mira Sorvino), who is called upon by the city of New York to find a cure for a fatal disease striking the city's children. Along with husband Peter Mann (Jeremy Northam), they create a genetically altered breed of insect (revealed as a cross between a cockroach and a praying mantis) to wipe out the disease-infested cockroaches underneath the city.

Of course, the bugs, named the "Judas" breed, were altered in ways that left them with a short life expectancy of only six months, plus a sterile female so that no mating will take place. But, after three years have passed, Susan encounters a bug closely resembling the "Judas" breed insects, and it becomes apparent to her that they have survived.

How did they survive? The movie never explains it, which is best; it's better left as a mystery. It also leaves room for the ensuing action sequences, as Susan and Peter, along with a police officer (Charles Dutton), make their way into the underground subways and abandoned facilities beneath the city streets.

This is where things get really interesting, as del Toro works his magic on us. A simple scene in which Susan attempts to retrieve a flashlight by sticking her hand in a dark hole is full of suspense, while a claustrophobic intensity permeates sequences involving an abandoned subway car where the group seeks refuge from their predators. Accompanying all of this is a heightened sensory perception. Del Toro toys with shadow and light, along with sight and sound, to add an atmospheric feel to each setting. Not since "Seven" have I seen a film that uses this technique so masterfully.

And the message behind it all? It's one we're well familiarized with, that playing God gets us nowhere. Sure, Susan's intentions were in the right place, and we even understand her reasons after an early shot of her in a hospital ward filled with sick children. I think the general theme behind all of the mayhem is not one of toying with science, but one on the many ways that life can change, and evolve into something previously unknown.

"Mimic" has a good cast in its favor. Mira Sorvino shines in a role that differs from others roles of her career, such as "Mighty Aphrodite." But she proves herself able to play a convincing character in any situation. Jeremy Northam is the last person you'd expect to see running through tunnels and putting himself in dangerous situations, but he pulls it off. F. Murray Abraham makes an appearance as Susan's mentor, Dr. Gates, playing the well-educated man to perfection, while Charles Dutton is superbly comical and heroic as Leonard, the police officer.

"Mimic" is a dazzlingly intense adventure that is genuinely suspenseful and totally entertaining. It's ability to tighten the intensity surrounding its sequence of events is a trait rare to this genre, as is its ability to bring us into the atmosphere of the film's murky settings. Del Toro has fashioned a new evolution of sci-fi out of old-school tricks; I highly recommend this film.

I enjoy "Mimic," the movie. I have owned it on VHS, DVD, and now on this nice Director's Cut Blu Ray (Best Buy started selling the Blu Ray on September 6 . . . everyone else will have it on September 27). I am happy with my purchase and I will keep my Blu Ray of "Mimic" because the movie is kind of awesome in that science gone wrong giant bug sort of way.

My three stars for this review are strictly based off of the fact that this Blu Ray release is marketed as a Director's Cut and every single movie website, fan site, movie reviewer site (I think you are getting my drift) has been overjoyed in the fact that Guillermo Del Toro is finally given the chance to "reclaim" "Mimic." There is this whole back story involving executive producers, movie studio big wigs, and creative differences that plagued the development of "Mimic" (It is one of those typical Hollywood stories). It became such a problem, that Del Toro believed "Mimic" was not really his movie, he lost control of it, and did not like the outcome - this is all pretty much stated within the new "Reclaiming Mimic" featurette found on the Blu Ray. With a back story such as this, yes, people should be excited for a Director's Cut . . . Del Toro finally gets to reinstate his vision - or, at least, what's left of it being that he cannot go back and re-shoot the movie. But, as stated in the "Reclaiming Mimic" featurette, Del Toro is finally happy with the movie's Director's Cut. Without re-shooting the entire film, this is the cut of the movie Del Toro wants the audience to experience.

See, there's a lot of hype. Del Toro did not like the original cut, but is more than happy with his own cut. The studio was too hands on the first time around and completely changed his vision. With all of this promise behind Del Toro reinstating his vision, to me, I was somewhat just disappointed when the movie really wasn't all that . . . different.

(Vague spoilers below . . .)

The action remains the same. There is no alternate ending. There are more character scenes, which are always made to make you feel more for the characters' situations, but . . . I already felt for the characters. So the scenes did not make me "feel more" about them because I already liked them (originally). There are scenes which help to fill in some of the timeline of the narrative and I enjoyed those because they filled in some of the gaps. But again, it doesn't make "Mimic" the Director's Cut a wholly different experience. And that is why this Director's Cut is disappointing and a little bit over-hyped. With all the problems happening behind the scenes of the original, this Director's Cut had a lot of weight behind it, but, if this is all the Director's Cut is, it makes me wonder why exactly Del Toro didn't like the original movie because his vision is really not all that different from what the studio saw.

(Ok, so this review is getting long and I'm going to wrap it up.)

My final word on the subject is this: Buy this movie in order to have a good science versus nature movie on Blu Ray, but do not expect the "Director's Cut" to be a miracle or even all that different, because it is not.

This may be a very personal thing, but my cousin once saw Mira Sorvino in a karaoke bar in Kyoto five years ago. I still regret that she (my cousin) didn't have my phone number to invite me.

Anyway, Mira Sorvino was here in Japan for the promotion of this creep film "Mimic." It was a bit surprise she took the role of entomologist Dr. Tyler, because it was soon after she got an Oscar for that Woody Allen film. But she judged right for this film turned out successful, being directed by Guillermo Del Toro, later to direct "Blade 2."

The story is, in my opinion, another clever look on urban legend. In New York, a deadly disease carried by roaches burst out, and many children suffer from that, most cases leading to death. Entomologist Susan Tyler (Sorvino), asked by CDC specialst Peter (Jeremy Northan, of "Emma" and "The Net"), embarks on a plan based on releasing a genetically enhanced new spieces. It worked; the disease soon is gone, but that's only the beginning of another plague that is more deadly.

And that is THE Thing, that acts like humans, but in fact, lethal enemy to us. They inhabit in a disused subway constructions where unlucky characters have to be trapped. Though the story seems derailed in the final chapter of the film, the film, as a whole, maintains its creepy atomosphere throughout, and those weird feelings that some people might get when they watch insects -- something akin to awe and fear -- are tactfully expressed in the darkly images of the underground world.

The cast is also superb; besides intelligent Sorvino, you see Charles S. Dutton ("Alien 3"), Josh Brolin ("NIghtwatch"), F. Murray Abraham ("Amadeus") and Giancorlo Giannini ("Hannibal"). And some may be amuzed by the stylish opening title sequence by Kyle Cooper, who did his job in "Se7en." and many others.

Basically, love or hate film, "Mimic" will engage the heart of the people who love the kind of film like David Cronenberg. The story's defect is obvious (and the film at several points resembles that of underrated John Sayles film "The Alligator"), but if you go in for an eerie feelings of his films, it is worth a look.

A terrific if flawed fantasy/horror film, "Mimic" suffered from studio interference as the film was taken away from Guillermo Del Toro prior to release and recut. In the wake of his success with "Pan's Labrynith", Del Toro was given the opportunity to recut the film, alter the pacing and tone of the film to reflect as much of his original vision as possible and that included reinstating some scenes cut prior to release.

Unfortunately, the meddling began well before the film went before cameras and the pre-production screenplay truly represents the "Director's Cut" of the film but, sadly, that film was never shot. As it stands though "Mimic" is still a terrific fantasy/horror/thriller even if it isn't what he had originally hoped for.

Shot for less than $8 million the film did decent business at the box office (well enough to inspire two sequels that Del Toro wasn't involved in)making $25 million. This new Blu-ray release sparkles with a sharp, nice looking transfer. The film has always looked dark and the Blu-ray gives this film the visual depth that it has always needed and this is a much needed upgrade from the rather murky looking DVD released in 1998.

The presentation isn't perfect however but it still looks exceptionally good particularly compared to what has come before and kudos must be given to Lion's Gate for allowing Del Toro the opportunity to return to this film and improve it. The film has always looked quite grainy and the Blu-ray remains true to the "look" of Del Toro's conception.

Special features include an introduction from Del Toro and a commentary track where the director discusses the challenges he faced making the film from pre to post-production. We also get a fine featuette on the creature design and "Reclaiming Mimic" covers some of the same ground as the commentary track. "Back into the Tunnels" demonstrates what a shoddy DVD we got in the beginning as it provides us with lots of behind-the-scenes footage about the production of the film (the original DVD was virtually bare bones). Finally we get a gag reel, deleted scenes, animatics and the threatrical trailer (outside of a "digitial" copy of the film).

Although compromised (to some degree from the very beginning), "Mimic" has a marvelous idea and the re-editing does a nice copy of capturing the creepy mood that Del Toro was going for as well as restoring some of his original intent in making the movie. We'll never truly get a "Director's Cut" of the film because, quite frankly, there was a lot of stuff that was never shot for the film. Still, what Del Toro has done here has improved the film and the extras go a long way to explaining what went wrong (Miramax and the Weinsteins)during the shooting.

The bottom line: While much remains the same about "Mimic" there's enough change to the structure of the over all film that improves it. Lion's Gate does a great job with the transfer considering the source and the extras are top notch. My only complaint is that for comparison purposes we should have gotten both cuts on Blu-ray.

Director: Guillermo del Toro
Cast: Mira Sorvino, Jeremy Northam, Alexander Goodwin, Giancarlo Giannini, Charles Dutton, Josh Brolni, Alix Koromzay, F. Murray Abraham, James Costa.
Running Time: 105 minutes
Rated R for terror/violence and language.

"Mimic", like all great genre pictures, exists comfortably in two spheres: on the simple level, it speedily entertains as a gory fright film imbued with mordant humor; on the more difficult level, it provides symbolism and thematic undertow. Best of all, these two levels often work at the same time, such as when an old priest gets tossed off a building by one of the creatures, plummeting past a neon "Jesus Saves" sign, and crashing to a gory death on the pavement. A little while later, the creature drags the dead body into the gaping black maw of an open sewer. The latter is what "Mimic" is really really for: the importance of breeding and offspring. The movie's surreal opening, with its rows of linen-canopied hospital beds all in a row like so many little coffins, shows us sick children, gasping for air because a cockroach-borne disease is carrying them off. The battle lines are drawn in the first few moments: Us versus Them. Scientists Mia Sorvino and Jeremy Northam glean the cure for the dread disease by concocting a genetically-altered bug whose secretions kill off the diseased cockroaches; "Judas Breed", as it's called, will be the only true breed this couple will engender: Sorvino fails pregnancy tests at home, while their creature, supposedly unable to reproduce, grows apace underneath Manhattan's fallopian sewers. It merely seems like "nature's way" that the Judas Breed has mutated to the size of six feet, and can mimic standing upright like their human prey, It's also fitting that these creatures instinctively hone in on the vulnerability of children: they viciously rip apart two kids, and befriend another who has managed to communicate with them by clicking soup-spoons together.

This is an atmospheric thriller from Guillermo del Toro, director of "The Devil's Backbone" and "Cronos", who manages to mix great direction with good old fashioned monster horror to great effect. The concept itself is clever, even if the idea of bugs evolving to look very like humans is a little fa-fetched; however, once the action moves to the subway the fact that the bugs are clearly lethal no matter what they look like, makes this less important. The film is quite short and makes the action come quicker and seem more urgent. Several people get killed by the bug that wouldn't usually get killed in this sort of horror (children for example), this is very effective as it is quite scary to see the unexpected happen. The mood is dark throughout and Del Toro uses the sewers and subway to great effect, creating a real sense of claustrophobia, like the humans have entered the bug's world and not the other way round. The bugs are shown early on in the film - usually not a good idea (keep it hidden in the "Jaws" way), but here the special effects are good enough to make the bug really believable, yet the horror is not in seeing the bugs but in they way they hunt and kill, but the fear is in what could happen. The cast are great, Sorvino especially is very good in the lead. Jeremy Northam and Charles S. Dutton are good in support and Abraham Murray adds a bit of cameo class (though his role is quite unnecessary). The director is the real star, adding some genuine scares and real mood to a film that could have easily been just another creature-feature that goes straight to video and straight to the back of your mind. Overall a superior creature horror film.

I liked a lot about this movie when I saw it, but I wasn't surprised when I heard Del Toro say the studio had basically ruined his movie. If there is the material to complete the film correctly, then a director's cut is in order. I can't say if this would make it one of his best films, but it has great potential.

A definite upgrade from the SD DVD. A full two minutes for start up. Might not seem long if you're working, or on the phone, but if you're sitting in front of your TV, having inserted the disc, waiting, it's a long time. I began to wonder if I had a problem disc. Then, you get 16 minutes of promo's. It's nice that this product is reasonably priced. I guess it's a trade. Just keep a finger on the chapter skip button during the promo blitz. PQ is quite a good upgrade, handling the dark scenes well. The audio is reference quality, I mean if you have a home theater surround system, you're in for a treat. The director's cut version is enjoyable as well, with added footage, and a smooth, flowing re-editing job. The SD DVD had no bonus features. This new blu-ray is well equipped with excellent bonus features. Highly recommended for fans of this movie, and priced so cheap, a worthy buy for first time viewers as well.

The idea of a genetic mutation miscalculation which leads to the higher evolution of insects to adopt human ways is not impossible. Del Toro took a very X-file-ish theme and created a very enjoyable sci-fi thriller. The movie was very fast paced and both the horror and suspense elements were done just right, not too little and not too overdone.

A few things I didn't like about this film was some of its more subtle things. Mira Sorvino was playing an entomologist, yet when she studies or investigate specimens, she takes no logical safety precautions. The same recklessness occurs repeatedly for her and every other cast throughout movie. Things like touching bugs that likely carry unknown diseases with your bare hands, or when they go underground to hunt for the roaches without any type of scientific or safety equipments is just very illogical to me. To think that in the beginning of the movie, the city undergone a catastrophic epidemic that were spread by roaches and for them to go on the rest of the movie every time without any planning or taking precaution is just unthinkable. The plot was nicely written and the story flowed well, but the reckless actions from supposedly "experts" just kills it. It doesn't just happen once or twice, but every single time. A number of scenes also seemed very forced and felt like they were put there just so the story can continue the way the director wanted, yet they made no logical sense.

Despite the few imperfections, this movie is still a great watch. I definitely recommend a rental if you are looking for a nice action thriller to kill a saturday night.

Mimic is an extremely smart movie that respects the intelligence of its audience,and that may be its greatest downfall.
I won't go into the atmosphere and effects, all of which are excellent. The other reviews here pretty much cover that gambit to good effect. It's a great horror flick, crawling with the sort of subtle and interesting touches that give good movies that 'something extra'.
My peeve isn't with the movie itself, but rather with the "dumbed-down" advertising and descriptions that lead to all sorts of miscomprehensions in reviews, not to mention a couple of bad sequels that took off in a very-wrong direction.
If one were to read and accept these reviews, and had any understanding of genetics or evolution, they'd be prone to dismiss the movie off-hand. Don't make that mistake. The story simply went over their head.
This isn't a dumb monster flick. Much the opposite, it's so smart the copywriters and reviewers didn't "get" some of its more intelligent aspects.

Just see it!

In 1997, Guillermo del Toro was not a rising legend in the movie business -- in fact, he was a relative newbie.

So obviously the sci-horror flick "Mimic" was an attempt to forge roads in the rough world of Hollywood. It's a flawed gem among horror movies -- it builds up a sense of slow, shadowy horror based on what could happen if humans play God, loaded with symbolism and eerie clicking noises. But it also has an insane climax, and Del Toro's direction often gets buried under the scares.

In the near future, children are ravaged by a cockroach-carried disease. Dr. Susan Tyler (Mira Sorvino) creates a solution -- a sterile mantis/termite crossbreed that will destroy the cockroaches, then die.

A few years later, Susan buys bugs from some street kids -- and finds a Judas larva among them (which promptly vanishes). Then the kids go missing... as do the subway dwellers. When an enormous dead insect is found washed into the water treatment plant, Susan knows for sure that the Judas bug has not only survived and reproduced -- but it's evolving at a ghastly rate.

Meanwhile, her hubby Peter Mann (Jeremy Northam), subway cop Leonard (Charles Dutton) and an immigrant (Giancarlo Giannini) looking for his autistic son all venture down into the deserted subways. But Susan has run afoul of the Judas insects -- and as all the humans huddle in an abandoned subway car, she finds that the insects have evolved even further than she thought.

The filming of "Mimic" was apparently a pretty bad one -- Bob Weinstein and Del Toro apparently argued a lot, and Del Toro later compared the final film to a pretty girl with her arms chopped off. Sadly, a lot of Del Toro's unique style was stripped from it, since the creep factor (an autistic boy wanders through a ruined chapel) and religious symbolism get smothered in lots of "boo!" bug scares.

But he does give "Mimic" a lot of atmosphere -- it's cloaked in a bleak, grimy, rainy atmosphere, full of decayed old subways and tangles of rusty pipes. While the science is sketchy at best, Del Toro manages to give the vaguely humanoid bugs a special quality of horror -- though the idea of insects mimicking a coated, hat-wearing man sounds silly, their crusty eyeless "faces" are pretty ghastly.

The first half of the movie is something of a bio-mystery, slowly building the suspense about where these bugs are, and how much they've evolved. Then the story explodes into a "Night of the Living Dead"-style horror flick, with the fearful humans trapped in a small space with bugs about to smash inside, and picking them off if they venture out.

The biggest problem? The ending. Both Susan and Peter face off against the bugs in a literally explosive finale -- the events of which stretch credibility until it snaps and zings you in the face. Really quite bad.

Sorvino and Northam are a bit stiff at first, but both blossom when one of the bugs carries her off into the tunnels -- after that their performances are full of barely-restrained hysteria. Charles S. Dutton is the scene-stealer here as a blues-singing, sharp-tongued cop who finds himself in over his head, and ends up being the most heroic of them all.

Buried under the surface of "Mimic" is a brilliant horror film, but the plot is dragged down by a hokey ending and mutilated direction. Maybe we'll get lucky and have a "director's cut."