From Publishers Weekly
Mimmy and Sophie, young sisters in Depression-era Brooklyn, are the subjects of four semi-autobiographical stories. Cohen (Will I Have a Friend?) injects a hearty dose of charm into the low-key, slice-of-life-style plot lines through her sympathetic and well-trained recall for children's voices and perceptions. The first story, for example, concerns itself simply with the purchase of two Popsicles from the street vendor, but manages to convey the depth of Mimmy and Sophie's feelings for each other as well as their distinct personalities. The other stories recount the girls' trip to their Russian immigrant grandparents ("Everybody loved Gramma's potatoes and meat and carrots in brown gravy. Mimmy and Sophie would rather have a baloney sandwich, but they would never say that"); a sibling squabble; and a family picnic on the Brooklyn Bridge. Young readers will appreciate the way the details in the different episodes intersect and layer one another; the whole is indeed greater than the sum of its parts. Yezerski (Together in Pinecone Patch) captures the period with panels of watercolors in a faded palette and liberal cross-hatching. He avoids nostalgia by stylizing the characters; unfortunately, their odd proportions can be jarring. The appealing design, however, compensates for the off-putting figures: with blocks of text set into the panel illustrations, the format is extremely well suited to those not quite ready to tackle chapter books. Ages 5-up.
Copyright 1999 Reed Business Information, Inc.
From School Library Journal
PreSchool-Grade 2-Four nostalgic stories about sisters, aged four and six, living in Depression-era Brooklyn show how life used to be, with its pleasures simple yet satisfying, and stress how love is the real heart of happiness. At a time when nickels are hard to come by, Mimmy and Sophie let their precious popsicles melt while they search the wrappers to see if they won a contest, and the kindly vendor gives them new ones. When the family visits Gramma and Grampa, the children learn how their grandparents suffered deprivation in Russia and quickly offer to share their charlotte russes. When her best friend takes up with a new girl, an angry Mimmy reacts by tormenting Sophie, but eventually the sisters reconcile as together they draw pictures on the sidewalk. When the other children brag about vacation plans, the girls' parents take them on a special trip to picnic on the Brooklyn Bridge. A childlike innocence suffuses the soft-toned pen-and-ink and watercolor pictures, which are arranged in blocks like sections of a large comic strip. The girls have big, expressive faces and short bodies, making them appear especially vulnerable. The city scenes are carefully detailed, and the artwork enhances the tender stories.
Patricia Pearl Dole, formerly at First Presbyterian School, Martinsville, VACopyright 1999 Reed Business Information, Inc.