| ||||||||||||||||||||||||||||||||||||||||||
|
Browse our Bookshelf Favorites store for big savings on popular fiction, nonfiction, children's books, and more. |
In a plain, matter-of-fact style that readers will recognize from her mysteries, she reflects on the question of free will and miracle, evil, and, ultimately, "the worth of the work." It is especially here, I think, in this final chapter that the book remains both timeless and profoundly timely. The artist stands for the true worker, she writes, who, while requiring payment for his work, as an artist "retains so much of the image of God that he is in love with his creation for its own sake." So too, ultimately, should it be for all human work: "That the eyes of all workers should behold the integrity of the work is the sole means to make that work good in itself and so good for mankind. This is only another way of saying that the work must be measured by the standard of eternity." --Doug Thorpe --This text refers to an alternate Paperback edition.
Product Details
Would you like to update product info or give feedback on images? |
Sayers' main thesis is that spiritual metaphors, such as the Trinity, are facts which explain how the world functions. Sayers then shows how spiritual metaphors can be understood as metaphors of the artist's creative activity.
Of special note: her theodicy is one of the strongest I've read, and her suggestions for the redemptive value of art (at the end of the book) are superb. If you're a Christian, this is worth your time. If you're not, but are willing to be challenged, you'll probably like this book too.