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Mingus Ah Um [Extra tracks, Original recording reissued, Original recording remastered]

Charles MingusAudio CD
4.8 out of 5 stars  See all reviews (90 customer reviews)

Price: $6.99 & FREE Shipping on orders over $35. Details
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MP3 Music, 12 Songs, 1999 $8.99  
Audio CD, Extra tracks, Original recording reissued, 1999 $6.99  
Vinyl, Import, 2010 $31.33  
Audio Cassette, 1987 --  

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Product Details

  • Audio CD (February 16, 1999)
  • Original Release Date: 1987
  • Number of Discs: 1
  • Format: Extra tracks, Original recording reissued, Original recording remastered
  • Label: Sony
  • ASIN: B00000I14Z
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (90 customer reviews)
  • Amazon Best Sellers Rank: #3,195 in Music (See Top 100 in Music)

1. Better Git It In Your Soul
2. Goodbye Pork Pie Hat
3. Boogie Stop Shuffle
4. Self-Portrait In Three Colors
5. Open Letter To Duke
6. Bird Calls
7. Fables Of Faubus
8. Pussy Cat Dues
9. Jelly Roll
10. Pedal Point Blues
11. GG Train
12. Girl Of My Dreams

Editorial Reviews

Mercurial bassist and bandleader Charles Mingus was signed to Columbia Records for the briefest of time during 1959. His Columbia recordings, however, remain some of the most inspired, mood-jumping jazz in history. The flowing sadness of "Goodbye Porkpie Hat" (unedited here for the first time on CD!) rings like a funeral chorus that pitches headlong into a celebration of Lester Young's life and improvising flexibility, rather than his death. And there's the funky furnace blast of "Boogie Stop Shuffle" (also unedited!), which reaches its glory with Booker Ervin's Texas tenor sax, wrapped tight in bluesy tone. With the index of emotions captured, these songs nail why Mingus is possibly the most relevant jazzer for the '90s generation. He swings and shouts and hollers and somersaults. His tunes either induce foot-stomping with their intensity or reach for poignant yearning with their lyrical tapestry of orchestral colors. --Andrew Bartlett

Product Description

Customer Reviews

Most Helpful Customer Reviews
83 of 85 people found the following review helpful
5.0 out of 5 stars A classic. August 16, 2005
Format:Audio CD
In 1959, Charles Mingus was at the height of his powers-- in the midst of a roll from a stream of fine music on Atlantic, he signed to Columbia and delivered his first album in early 1959, "Mingus Ah Um". Perhaps the best album Mingus ever recorded, Mingus augments his working band (saxaphonists John Handy and Booker Ervin, pianist Horace Parlan, and drummer Dannie Richmond) with reedman Shafi Hadi and either trombonist Willie Dennis or Jimmy Knepper, and produced an album of such startling variety and briliant performance that it demands attention.

To this day, when someone curious about Mingus' music asks me for a recommendation, without hesitation, I immediately suggest this album. From the opener, it all works-- Mingus' racing "Better Git It In Your Soul" is a gospel shout masked as a jazz piece-- featuring the leader on rambling vocals, a gospel shout theme, a jaw dropping solo by Booker Ervin (under which the rest of the band claps rhythm) and just stunning and sensitive drumwork from Richmond that puts the exclamation mark on the piece-- this really is about half of what Mingus has to offer as a musician. The other half comes in funereal ballad "Goodbye Pork Pie Hat", second track on the album. A tribute to departed saxophonist Lester Young, Mingus evokes raw mourning in his sax line, and Handy's solo and Mingus' support of it are nothing short of astonishing (check Mingus' echo of Handy's fluttering for evidence of this).

By the time you've finished these two tracks, if it's not working for you, Mingus probably isn't for you, and the rest of the record isn't going to change anything.
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106 of 112 people found the following review helpful
5.0 out of 5 stars Completely Satisfying�A Work of Genius July 7, 2000
Format:Audio CD
The first track says it all: "Better get it into Your Soul." This is soul-stirring, head-thumping, body-shaking stuff. Insistent, penetrating, simply inspired. Hard to compare it to anything, really, although it has elements of bebop, blues, gospel, and that crazy no-holds-barred spirit of funk. One of my top ten jazz cuts.
The famous "Goodbye Porkpie Hat," a tribute to Lester Young, is a quieter blues-based piece, centered around soulfully played sax. Emotionally, it's both sad and affectionate. "Boogie Stop Shuffle" sounds like the soundtrack to some weird 60's spy movie --with Mingus, expect the unexpected! Excellent piano by Horace L. Parlan, Jr. driven along by the lionesque Mingus on bass. Self-portrait in "Three Colors" and "Open Letter to Duke" feature brilliant Ellingtonian arrangements and warm colors. The latter piece has superb boppish sax-riffs, settles into a richly colored niche, and then breaks into some rhythmic and melodic audacity.
Mingus' brilliant, daring "Fables of Faubus" retains its mocking tone, but is less political than the vocal version on the magnificent "Live at Antibes." It's an interesting contrast to his bold (courageous, even) attack on Governor Faubus in the live version, and, again, shows Ellington's influence in its beautifully complex arrangement. "Pussy Cat Dues" and "Jelly Roll" deliver a New Orleans laid-back sound. On `Dues,' Mingus lays down some languid, monumental bass effects. It's thick luxurious sleaze, sliced through with the purity and strength of the sax.
One of the best of the studio albums, although, frankly, I like them all. An innovator, an explorer, a trailblazer, he is truly a genius. You'll find more and more to appreciate with every listening. Most highly recommended to the Mingus fan as well as the most hesitant newcomer
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67 of 71 people found the following review helpful
Format:Audio CD
i admit it...charles mingus has always intimidated me...i have other music by him, a live disc that even his die-hard fans have criticized and a compilation of blues and ballads that i only enjoy in spurts...
...nothing that i have bragged about to others...just kinda ho-hum...
but mingus has always remained one of those musicians that i have felt compelled to dig into to find out what all of the fuss was about...i'm glad i kept diggin and didnt stop with those other recordings because this is some truly enjoyable music being played here! for those of yall with similar encounters with mingus as i, or if you are just looking for that first album of his for you to get into, then let me recommend this one for you; you'll either be satisfied and stop with this purchase or very pleased and urged (as i) to dig deeper into his other classics...
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23 of 23 people found the following review helpful
4.0 out of 5 stars Uh Huh April 21, 2001
Format:Audio CD|Verified Purchase
This is pure 1950s Jazz, the kind that makes you feel like a filterless cigarette might be a good idea.
The playing is flawless, the recording sterling, the swing endless.
If I have one complaint here, it is Mingus's bass being hidden in a forest of other superb players. The first few bars of the record, just Mingus on bass, then piano, then horns and the rest, had me eager for a bass-heavy experience. It's all great stuff, but I wanted to hear the standup.
This is a classic that any Jazz fan should own.
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20 of 23 people found the following review helpful
5.0 out of 5 stars Indispensable June 3, 2001
Format:Audio CD
Ah Um is one of Charles Mingus's most richly textured albums, dense and dynamic all at once. It is almost as if the whole of the jazz tradition to that date, and some vision of its immediate future, were crammed into three-quarters of an hour. It is not as ambitious as The Black Saint and the Sinner Lady (1963) and still retains some measure of conventionality in the structures of some of its constituent pieces: introduction, ensemble statement of the theme, solos, development, recapitulation, closing statement.
Peculiar wails weave themselves in and out of ironic quotations from Ellington, from Mingus, from the blues, all cloaked in the enormity of the Mingus sound, thrust forward by rhythms and counter-rhythms tightly driven by Dannie Richmond. It contains the passionate, aching "Goodbye Pork Pie Hat". An indispensable album.
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Most Recent Customer Reviews
5.0 out of 5 stars One would hope that the day will come when the majority race...
Outstanding, in every respect. One would hope that the day will come when the majority race recognizes that jazz is God's beloved music and he was smart to bequeath it to the... Read more
Published 14 hours ago by C. Garmon
5.0 out of 5 stars Remarkable Originality
For a master recorded in 1959, or at anytime, this CD is jaw-dropping in it's originality. An off-kilter journey reminiscent of Ellington at times, gospel at others, with a streak... Read more
Published 18 days ago by SRJ
5.0 out of 5 stars Five Stars
Classic stuff, the disc spends a lot of time in the player.
Published 1 month ago by Philip Spampinato
5.0 out of 5 stars Five Stars
Great CD. I highly recommend it.
Published 1 month ago by jeriful
4.0 out of 5 stars Unique Classic
This is probably the easier of the Mingus albums to get into (the other being the more difficult "The Black Saint and the Sinner Lady"). Read more
Published 1 month ago by Blake Strouse
5.0 out of 5 stars Well, it's Mingus
Still one of my favorites. . .
Published 1 month ago by J. Robb Wilson
5.0 out of 5 stars Five Stars
Classic record from a master!
Published 1 month ago by Lloyd Holmes
3.0 out of 5 stars it is OK
I just bought this one because it was kind of next to the one I wanted which turned out to be useless and unplayable.
Published 3 months ago by James H Gundlach
5.0 out of 5 stars Classic album, classic format
I have nothing bad to say about what is certainly one of the best jazz recordings of all time. This is an album that is praiseworthy within the jazz community and a gateway into... Read more
Published 4 months ago by Matt B.
5.0 out of 5 stars Top notch recording
There has been much said about this great album. I just want to add that when Mingus got to Columbia he was being recorded by the best engineers in the business with years of... Read more
Published 5 months ago by R. Baker
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