Mingus Ah Um [EXTRA TRACKS] [ORIGINAL RECORDING REISSUED] [ORIGINAL RECORDING REMASTERED]

Charles Mingus

Product Details

• Audio CD (February 16, 1999)
• Original Release Date: February 16, 1999
• Number of Discs: 1
• Format: Extra tracks, Original recording reissued, Original recording remastered
• Label: Sony
• ASIN: B00000I14Z
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.8 out of 5 stars See all reviews (54 customer reviews)
• Amazon.com Sales Rank: #966 in Music (See Bestsellers in Music)

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Editorial Reviews

Amazon.com
Mercurial bassist and bandleader Charles Mingus was signed to Columbia Records for the briefest of time during 1959. His Columbia recordings, however, remain some of the most inspired, mood-jumping jazz in history. The flowing sadness of "Goodbye Porkpie Hat" (unedited here for the first time on CD!) rings like a funeral chorus that pitches headlong into a celebration of Lester Young's life and improvising flexibility, rather than his death. And there's the funky furnace blast of "Boogie Stop Shuffle" (also unedited!), which reaches its glory with Booker Ervin's Texas tenor sax, wrapped tight in bluesy tone. With the index of emotions captured, these songs nail why Mingus is possibly the most relevant jazzer for the '90s generation. He swings and shouts and hollers and somersaults. His tunes either induce foot-stomping with their intensity or reach for poignant yearning with their lyrical tapestry of orchestral colors. --Andrew Bartlett

Product Description
Limited Millennium Edition. Packed in a Heavy Weight Card Wallet that Faithfully Recreates the Original Vinyl Sleeve, Right Down to the Inner Bag. The Wallet Will Come in a Plastic Cover. --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Most Helpful Customer Reviews

84 of 89 people found the following review helpful:

5.0 out of 5 stars Completely SatisfyingA Work of Genius, July 7, 2000

By	M. Allen Greenbaum (California) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

The first track says it all: "Better get it into Your Soul." This is soul-stirring, head-thumping, body-shaking stuff. Insistent, penetrating, simply inspired. Hard to compare it to anything, really, although it has elements of bebop, blues, gospel, and that crazy no-holds-barred spirit of funk. One of my top ten jazz cuts.

The famous "Goodbye Porkpie Hat," a tribute to Lester Young, is a quieter blues-based piece, centered around soulfully played sax. Emotionally, it's both sad and affectionate. "Boogie Stop Shuffle" sounds like the soundtrack to some weird 60's spy movie --with Mingus, expect the unexpected! Excellent piano by Horace L. Parlan, Jr. driven along by the lionesque Mingus on bass. Self-portrait in "Three Colors" and "Open Letter to Duke" feature brilliant Ellingtonian arrangements and warm colors. The latter piece has superb boppish sax-riffs, settles into a richly colored niche, and then breaks into some rhythmic and melodic audacity.

Mingus' brilliant, daring "Fables of Faubus" retains its mocking tone, but is less political than the vocal version on the magnificent "Live at Antibes." It's an interesting contrast to his bold (courageous, even) attack on Governor Faubus in the live version, and, again, shows Ellington's influence in its beautifully complex arrangement. "Pussy Cat Dues" and "Jelly Roll" deliver a New Orleans laid-back sound. On `Dues,' Mingus lays down some languid, monumental bass effects. It's thick luxurious sleaze, sliced through with the purity and strength of the sax.

One of the best of the studio albums, although, frankly, I like them all. An innovator, an explorer, a trailblazer, he is truly a genius. You'll find more and more to appreciate with every listening. Most highly recommended to the Mingus fan as well as the most hesitant newcomer

38 of 38 people found the following review helpful:

5.0 out of 5 stars A classic., August 16, 2005

By	Michael Stack (North Chelmsford, MA USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

In 1959, Charles Mingus was at the height of his powers-- in the midst of a roll from a stream of fine music on Atlantic, he signed to Columbia and delivered his first album in early 1959, "Mingus Ah Um". Perhaps the best album Mingus ever recorded, Mingus augments his working band (saxaphonists John Handy and Booker Ervin, pianist Horace Parlan, and drummer Dannie Richmond) with reedman Shafi Hadi and either trombonist Willie Dennis or Jimmy Knepper, and produced an album of such startling variety and briliant performance that it demands attention.

To this day, when someone curious about Mingus' music asks me for a recommendation, without hesitation, I immediately suggest this album. From the opener, it all works-- Mingus' racing "Better Git It In Your Soul" is a gospel shout masked as a jazz piece-- featuring the leader on rambling vocals, a gospel shout theme, a jaw dropping solo by Booker Ervin (under which the rest of the band claps rhythm) and just stunning and sensitive drumwork from Richmond that puts the exclamation mark on the piece-- this really is about half of what Mingus has to offer as a musician. The other half comes in funereal ballad "Goodbye Pork Pie Hat", second track on the album. A tribute to departed saxophonist Lester Young, Mingus evokes raw mourning in his sax line, and Handy's solo and Mingus' support of it are nothing short of astonishing (check Mingus' echo of Handy's fluttering for evidence of this).

By the time you've finished these two tracks, if it's not working for you, Mingus probably isn't for you, and the rest of the record isn't going to change anything.

Mind you, the rest is pretty good too, alternately energetic and explosive ("Bird Calls") and mellow and beautiful ("Self-Portrait in Three Colors") with at least one stunning arrangement ("Open Letter to Duke") and another bonafide classic in "Fables of Faubus". Composed about the then-governer of Arkansas and his segregation policies, "Fables" originally had vocals, but Columbia censored Mingus, fearing the outcome of such a move (check out "Charles Mingus Presents Charles Mingus" on Candid for the uncensored version of the piece). The resulting piece has to rely on horns only for sarcasm and bitter exposition, which it does remarkably well, and it is full of bluesy solos, including a Mingus solo that is as biting as any vocal could be.

The reissue features pristine sound-- it certainly could have been recorded yesterday, and three additional tracks that were unearthed in the '70s. All three (particularly "Pedal Point Blues") are fine material nad well worth having. Included in the liner notes are two essays-- the original album notes and a new one, both of which are interesting reads.

"Mingus Ah Um" is one of the classics of Charles Mingus' catalog, and is on the short list of essential jazz listening. Highly recommended.

46 of 48 people found the following review helpful:

5.0 out of 5 stars the 1 cd beginners should start their mingus collection with, October 17, 2001

By	R. Davis "upfromsumdirt" (louisville, ky) - See all my reviews (REAL NAME)

i admit it...charles mingus has always intimidated me...i have other music by him, a live disc that even his die-hard fans have criticized and a compilation of blues and ballads that i only enjoy in spurts...
...nothing that i have bragged about to others...just kinda ho-hum...
but mingus has always remained one of those musicians that i have felt compelled to dig into to find out what all of the fuss was about...i'm glad i kept diggin and didnt stop with those other recordings because this is some truly enjoyable music being played here! for those of yall with similar encounters with mingus as i, or if you are just looking for that first album of his for you to get into, then let me recommend this one for you; you'll either be satisfied and stop with this purchase or very pleased and urged (as i) to dig deeper into his other classics...