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Minimum [Hardcover]

John Pawson (Author)
3.8 out of 5 stars  See all reviews (20 customer reviews)


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Hardcover, Abridged $15.61  
Hardcover, October 1996 --  
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Book Description

October 1996
This work is an essay by the architect John Pawson, both expressing and embodying the ideas of reduction, of simplicity, of austerity, of repetition. The pages reveal stark but beautiful images of architecture and engineering, of ceramics and furniture, of photography and works of art, from many periods and cultures, that all combine to express the idea of simplicity. As the author explains in a brief introduction, these ideas find their expression in art and design, and have their beginnings in the realms of religious and philosophical convictions. The austerity of a Cistercian monastery or the simplicity of a Zen garden are both emanations of the same urge to reduce, to make clear, to unburden. Through a sequence of carefully orchestrated pictures, this book clarifies the way in which this mode of thinking has inspired the work of artists and architects from Ancient Egypt to contemporary Mexico or Japan. Possibly most of all, this text is a work of art in its own right as its design and production values reinforce the ideas of the author.

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Editorial Reviews

Amazon.com Review

From the ancient Egyptians to the Shakers to Louis Kahn, there's always been something fascinating about the power and purity of minimalist architecture. John Pawson calls it "the excitement of empty space," and this important book displays it on every page. Pawson breaks down the elements of minimalism into mass, light, structure, ritual, landscape, order, containment, repetition, volume, essence, and expression, and his clean photographs both enliven and exemplify his principles. It's a book every architecture buff will want to study and enjoy.

From Library Journal

From its translucent dust jacket and warm gray ink to its embossed linen cover and 145 superbly printed photographs, this elegantly designed and handsomely produced volume is presented as the bibliographic embodiment of the author's architectural philosophy. Pawson uses a photographic essay to develop a comprehensive definition of the minimalist sensibility. For the examples, he draws not only from the history of art, architecture, and design but also from the natural landscape. Each of the 11 chapters explores an aspect of design, such as mass, light, or structure. While the introductory essay serves as an argument for Pawson's own work, the captions provide thoughtful and insightful interpretations of the objects and images reproduced. His analysis of Mies van der Rohe's Farnsworth House, illustrated with a three-leaf gatefold, for example, provides a concise but substantive perspective on the relation of this modern monument to its site. Aspects of Minimal Architecture (Academy Editions, 1994) has a similar purpose and even includes one of Pawson's designs but does not equal this volume in breadth, graphic quality, or singularity of vision. Highly recommended for all architecture and design libraries.
Paul Glassman, Pratt Inst. Lib., New York
Copyright 1996 Reed Business Information, Inc.

Product Details

  • Hardcover: 271 pages
  • Publisher: Phaidon Inc Ltd (October 1996)
  • Language: English
  • ISBN-10: 0714832626
  • ISBN-13: 978-0714832623
  • Product Dimensions: 11.6 x 10 x 1.2 inches
  • Shipping Weight: 4.9 pounds
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (20 customer reviews)
  • Amazon Best Sellers Rank: #549,033 in Books (See Top 100 in Books)

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Customer Reviews

20 Reviews
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Average Customer Review
3.8 out of 5 stars (20 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

10 of 10 people found the following review helpful:
4.0 out of 5 stars Well-done look at minimal architecture and use of space, June 30, 2000
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For anyone interested in what space (not outer-space, but the space we live in) could look like if we'd but show the courage to get rid of trinkets, bric-a-brac, and other clutter, this is the perfect book. And for those who already embrace the simplicity of minimalism, this is a wonderful picture book of great minimalist spaces, and other flowing, graceful geometries. It is not a textbook or text-based lesson on minimalism, but instead a visual guide - nearly every page is a picture of a minimalist scene. The photography and the reproduction are done amazingly well, and the subjects chosen are varied and represent many forms of minimalist thinking/viewing. It's printed on great quality paper with a nice binding and cover. But, I can give it only 4 stars because, as other reviewer mentioned, Pawson adds lots of unnecessary (and unhelpful and inappropriately leading) captioning. The book is a slick little well-made art-piece itself, too.
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19 of 22 people found the following review helpful:
3.0 out of 5 stars "minimum" should take it's own advice, March 11, 1999
By A Customer
As a designer who surrounds herself with "things that I find compelling" as sort of religion, I found John Pawson's "minimum" an homage to the simplicity and grace that is everywhere, and is especially apparent in the finest of the modern masters. Unfortunately, Pawson chose to clutter his minimalist essay with unnecessary words in the form of individual captions, statements like "Agnes Martin's heartfelt expression of calm," describing her composition of fine horizontal line groupings against a grey tonal canvas, or "The moon on the sea at night - a picture of tranquility and calm." The work is better served when he leaves out the excessive adjectives and stays with the concrete, which is where the minimalist work truly belongs - material, light, space, line, form - such as his simple caption "Wall, ramp and stair flow into one another at Versailles." Any one of the captions on it's own would, perhaps, be fine, but page after page they become shallow and irritating, given the strength of the images. I found the introduction a bit on the trite side, as well. Pawson should follow one of his own maxims more closely -the power of silence. I would still recommend the book, however, as his choice of images is superb - and pulls from art as much as architecture, including a look at the abstraction of line made by-of all things-a stealth bomber in the sky. Best looked at as a secret treasure trove for designers and laymen alike, the images are undeniable in their economy-one of the mainstays of the poetic and the backbone of minimalism.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars m i n i m u m' s .m a x i m u m .i m p a c t ., December 10, 1998
the true beauty of Pawson's quiet polemic is his restraint. remaing true to the theme, little text is offered, save a small elaboration for each image included as an appendix. the other refreshing aspect is his control in image selection. little of his work appears, and when it does, he only credits himself in the appendix. i can appreciate this approach to an architecture book. it is obviously not a monograph or end-table book as is Richard Meier Architect. instead, it is a 'this is what i like around me' book. the inclusion of non-architectural images (note the B-2 bomber and a three-prong fork) reinforces the theme of the truly powerful restraint that could exist in all design.
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