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| 1. Bangs |
| 2. Cyclops Rock |
| 3. Man, It's So Loud In Here |
| 4. Mr. Xcitement |
| 5. Another First Kiss |
| 6. I've Got A Fang |
| 7. Hovering Sombrero |
| 8. Yeh Yeh |
| 9. Hopeless Bleak Despair |
| 10. Drink! |
| 11. My Man |
| 12. Older |
| 13. Mink Car |
| 14. Wicked Little Critta |
| 15. Finished With Lies |
| 16. She Thinks She's Edith Head |
| 17. Working Undercover For The Man |
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--This text refers to an out of print or unavailable edition of this title.With the exception of those two songs, however, you've got to applaud the Giant's latest-and-greatest, as there are some really excellent tracks included. "Man, It's So Loud in Here" is an incredible burst of techno orgasma and now ranks as one of my favorite TMBG tracks, ever. "Wicked Little Critta" drips with stereotypical NY accenting and is utterly hilarious (as any song with a chorus that includes the word "critta" is destined to be). Equally admirable is Soul Coughing's Mike Doughty on "Mr. Xcitement", somewhat of a rap vaguely reminiscent of high school cheering squads.
"Bangs" - a haircut love song - and "Working Undercover for the Man" are equally illustrious. Hurrah!
Could easily go on and on about "Mink Car"s merits, but - for the sake of brevity - will conclude with this: a damn good album. Perhaps one of the Giant's finest. Whatever the case, definitely worth the... investment.
Mink Car has clearly found the Johns and the Dans striving for different things... experimenting with Doughty and mock-dance (that ain't "techno" on "Man It's So Loud In Here," folks... buy a CD from Moby or Orbital), toning down their usual pantented sound ("Another First Kiss," when I heard it in concert, was such a typical TMBG-sounding song... as did "I've Got a Fang," which is still offbeat, but MY GOD, it sounds like John and John dumped the song in some mad scientist vat of chemicals for a few months before letting it onto this album). At times the album feels like a compilation of parallel universe TMBGs that might have been; each song has such a completely different feel, but each one of them is pretty damn solid, and makes sense coming from the band.
This album is SUPPOSED to sound very, very different from their previous stuff, that is not a mistake. I think TMBG don't want to be stuck in a rut, any more than they were when it was just John, John, and the drum machine. I've been listening to them and loving them since Flood came out, and I loved this album on the first listen... I think the fans who hated it might find it growing on them in time. Even if they don't, I'd encourage the band to continue going where they headed with this album, because it rocks.
Other highlights are the 'lite' version of 'Another First Kiss,' also with great harmony and a cool acoustic guitar; 'Hovering Sombrero' and 'Bangs,' both in old 'Lincoln' style; "Yeh Yeh," just as fun as "No One Knows My Plan"; and the title track, with one of the greatest lyrics ever: "The silver chauffer says it's all in your head, when you're 24-karat dead." Also, "Hopeless Bleak Dispair" is quite good. However, "Mr. Excitement" has immediately become only the second TMBG song to exist that I won't listen to (the other being 'You'll Miss Me' from 'Lincoln.'). 'Cyclops Rock' also [isn't good].
TMBG fans will have heard many of these songs before, such as "Drink!", "Older," "Working Undercover for the Man," "Cyclops Rock" and "I've Got a Fang," all of which I heard in concert this summer.
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