From Publishers Weekly
British master Vine (aka Ruth Rendell) explores life among the Cosways, a country gentry clan that makes the
Wuthering Heights crowd look wholesome. Kerstin Kvist, a young Swedish nurse, takes a job at Lydstep Old Hall caring for John Cosway, a mathematical prodigy now labeled by his family as schizophrenic. In addition to John, there are four obsessive sisters ruled by their scarecrow-like matriarch. Gradually, Kerstin suspects that John is being drugged so that his mother and sisters can remain in their estate under the terms of a disputed trust. Vine creates a family and village, Windrose, so vivid you're tempted to book a B and B and investigate things yourself. Some scenes involving John's behavior—his fits and his family's reactions—seem abrupt to the point of being bizarre, but Vine is describing a man hijacked from rationality, through a narrator whose first language isn't English. When murder finally happens, it's simultaneously shocking yet inevitable. Though less elegantly written than 2002's
The Blood Doctor, this delivers a more palpable, and thus satisfying, crime.
(Mar.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Hardcover
edition.
Barbara Vine is the pen name of Ruth Rendell. It's odd to think that such an acclaimed and public figure as Rendell (who has won almost every mystery award in the genre) would assume a pen name, until you notice the differences in the novels appearing under the Rendell and Vine names. Rendell writes precision mysteries, as spare and gaunt as an iron fence. But Vine is Rendell's exuberant other half. Vine thrillers are almost rococo in the expanse of plot and character, skirting close to self-indulgence at times. In the latest Vine, a Swedish nurse named Kirstin Kvist looks back at the central mystery of her life, something that happened back in the 1960s, when she journeyed to crumbling Lydstep Old Hall in Essex, England, to care for a melancholy 39-year-old man with a puzzling ailment. The tale starts as a medical mystery, with Kvist trying to determine what is wrong with the heir to the family fortune. It segues into a Victorian novel of manners when Kvist discovers a plot to wrest the fortune away, a plot that predictably leads to murder. This is very satisfying reading, a sort of blend of Edgar Allan Poe and Anthony Trollope. Readers of both Rendell and Vine will love this expansive excursion.
Connie FletcherCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.