PreS-Gr. 2. Oppenheim found the kernel of this story while researching a book about Christmas. She expanded it into the tale of Juanita, who is anxious about Christmas Eve,
La Noche Buena. Her father is unemployed, and the family struggles. There will be no gift for baby Jesus at midnight Mass. Oppenheim seems to stretch the story as Juanita wanders through the market place, then home, and finally to church, empty-handed. But it's an uplifting moment when a stone angel in the church courtyard tells Juanita to bring a profusion of greens into church, where they miraculously turn into red poinsettias. Whatever small flaws there are in the text are balanced by Negrin's fabulous pictures, executed in watercolors, colored pencils, and oil pastels. The scenes, in full pages and blocks, are infused with color--the tomato red of the market, the ethereal blue-green of evening, the holy, gold lighting of the church. The sturdy figures have a statue-like dignity in a glowing evocation of old Mexico. Spanish words are well integrated, and there is also a glossary.
Ilene CooperCopyright © American Library Association. All rights reserved
Review
"A Christmas gem." --Kirkus Review"Negrin's illustrations are richly colored, in pomegranate reds and burnished golds. Even the endpapers are a lush, double-spread explosion of deep red poinsettias from edge to edge. His pictures tell the story at least as eloquently as the text, and add a dimension of magic and beauty that raises 'The Miracle of the First Poinsettia' above the ordinary." --Boston Sunday Globe "Negrin's mixed-media art creates a lush, dreamlike environment where anything seems possible." --Publishers Weekly"Negrin's mixed-media art creates a lush, dreamlike environment where anything seems possible." --Publishers Weekly
"A Christmas gem." --Kirkus Review
"Negrin's mixed-media art creates a lush, dreamlike environment where anything seems possible." --Publishers Weekly