From Publishers Weekly
Tool of the devil, luxury item, optical device, decorative accessory, humble grooming aidAthe mirror, so commonplace today, has meant many things through the ages. This erudite meditation on the development and marketing of the mirror, and on its social and psychological implications, reveals how significantly the mirror has influenced Western culture. In its capacity both to reflect and to distort, to reproduce and to fragment, the mirror profoundly changed both notions of physical space and ideas of the self. Medieval thinkers feared the mirror's power to distort and to provoke pride and vanity; later, the looking glass was considered an aid for reaching self-knowledge. At the Court of Louis XV at Versailles, mirrors made social life "a theater of reflection and artifice"; by the 18th century, "the utopia of transparency helped to foster the birth of an egalitarian ideology." Mirrors opened up dark interiors, revealing hiddenAand sometimes troublingApoints of view, enabled artists to create self-portraits and confronted individuals with modern questions of self and image. Drawing on history, philosophy, theology, art, psychology and literature, Melchoir-Bonnet establishes the mirror's central contribution to visual culture. Her decision to organize her material thematically rather than chronologically sometimes compromises the clarity of her presentation, which will appeal most readily to those with a solid background in European history and thought. Nevertheless, this beautifully illustrated study offers so many intriguing glimpses into the meanings of reflection that it will reward anyone who peers beneath its surface.
Copyright 2000 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
Imagine life without mirrors. It wasn't long ago that only the wealthy could check their appearances, Melchoir-Bonnet explains in this brisk, surprising, and enjoyable history. She describes the small and precious polished stone and metal mirrors of antiquity and the crafting of the first sizable glass mirrors in sixteenth-century Venice, where a mirror cost nearly three times as much as a painting by Raphael. Mirrors quickly became all the rage among European nobility, and Melchoir-Bonnet relates some amazing tales of industrial espionage and skullduggery associated with France's effort to establish its own mirror-making factories to meet the decadent demands of Louis XIV. Melchoir-Bonnet also explores the profound symbolism associated with the looking glass in a richly metaphorical inquiry that illuminates the realms of religion, magic, philosophy, literature, art, and science. Socrates encouraged people to learn from what they saw in the mirror; the church warned against vanity and lasciviousness; while writers and artists celebrated beauty even as they pondered the pitfalls of illusion and the valuing of image over substance.
Donna SeamanCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.