As its title, moving cannily from mischief and caprice to the sterner strategies, clearly implies, this is an anthology based on the premise that a good poem is the fruit equally of play and work. Paul Valéry famously hypothesized that verse is as ludic as prose is laborious, but he knew deep down the two qualities are inextricable for the poet. Indeed, the infinitive to play derives from an Indo-European root, plegan, which also produces to pledge and covers the spectrum of meanings allowed by to exercise oneself. Work and orgy come from the same linguistic source; the worst puns can bring out the best in us; and rules can lead us into a delightful labyrinth. Each of these poets will confirm the point made by Rhoda Janzen that Idling would stall any engine but mine, and all of them will recognize the relevance of effortful ease in Kate Gale s identification of herself and her poem with a rainbow dragon kite / with a long tail (though no one else here can offer such a doubly rhyming last name in evidence). This collection reminds us of what we cannot be too often reminded, that writing poems is (in Marianne Moore s words) the Mogul s dream: to be intensively toiling at what is pleasure. description by Stephen Yenser
