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Les Miserables - The Original French Concept Album
 
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Les Miserables - The Original French Concept Album [Soundtrack]

Maurice Barrier, Jacques Mercier, Claude-Michel Schonberg, Rose Laurens, Alain Boublil, Les Miserables (Related Recordings)Audio CD
4.6 out of 5 stars  See all reviews (40 customer reviews)


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Audio CD, Import, Cast Recording, 2003 $14.96  
Audio CD, Soundtrack, 1991 --  
Vinyl, 1990 --  
Audio Cassette, Soundtrack, 1990 --  

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Product Details

  • Audio CD (July 1, 1991)
  • Original Release Date: January 31, 1989
  • Number of Discs: 2
  • Format: Soundtrack
  • Label: Relativity
  • ASIN: B000003C5B
  • Also Available in: Audio CD  |  Audio Cassette  |  Vinyl
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (40 customer reviews)
  • Amazon Best Sellers Rank: #194,964 in Music (See Top 100 in Music)

Disc: 1
1. Journée Est Finie
2. L 'Air de la Misére
3. Les Beaux Cheveux Que Voilà
4. J'Avais Rêvé d'une Autre Vie
5. Dites-Moi Ce Qui Se Passe
6. Fantine et Monsieur Madeleine
7. Mon Prince Est en Chemin
8. Mam'zelle Crapaud
9. La Devise du Cabaretier
10. Valjean Chez les Thénardier
See all 14 tracks on this disc
Disc: 2
1. A l Volonté du Peuple
2. Cosette: Dans la Vie
3. Marius: Dans la Vie
4. Voilà le Soir Qui Tombe
5. Le Coeur au Bonheur (Cosette et Marius)
6. L 'Un Vers l'Autre
7. La Faute à Voltaire
8. La Nuit de l'Angoisse
9. Demain
10. Ce N'Est Rien
See all 18 tracks on this disc

 

Customer Reviews

40 Reviews
5 star:
 (30)
4 star:
 (6)
3 star:
 (2)
2 star:
 (2)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.6 out of 5 stars (40 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

36 of 37 people found the following review helpful:
5.0 out of 5 stars If you're loyal to Les Miserables, better own this one!, April 19, 2002
By 
max saravia (houston, tx United States) - See all my reviews
This review is from: Les Miserables - The Original French Concept Album (Audio CD)
This is the one that got the whole thing started!

For all the loyal fans of Les Miserables, this is a must own. Even if you do not speak French, this album is a real jewel. I found that, as I suspected, the French version's songs are much nicer, more natural, and have better rhymes. Among my favorites: La Journée Est Finie (At the end of the day), J'Avais Rêvé d'Une Autre Vie (I dreamed a dream), Mon Prince Est en Chemin (Castle in the cloud), La Devise du Cabaretier (Master of the House), Le Coeur au Bonheur (A heart full of love) to mention just a few.

This recording became the first version of the stage show in Paris in 1978, long before Schonberg (music) and Boublil (lyrics) ever imagined that a French musical could be adapted for the English speaking world, to later become a multinational, multi-language phenomenon. For obvious reasons, in order to adapt it for the English play, the original concept had to be modified . Segments and songs were added to familiarize the English speaking public with a novel that is standard reading in any French school, and considered by many as the second most read book in history (after the Bible).

The work is faithful to Hugo's novel which was first published in France and Belgium in 1862. Although the novel is very lengthy and rich in infinitesimal details, the main plot around Fantine, Cosette, Valjean, Marius, Javert and others remains truly genuine; unlike the English version, this one does not have the climatic ending.

For a complete history of the making and evolution of Les Miserables from the time of Victor Hugo to the Broadway musical, I recommend "The Complete Book of Les Miserables" by Edward Behr, <ISBN: 1559701560>

The black and white picture on the cover of this CD depicting Cosette is a copy of an original illustration by Emile Bayard (1837-1891) who was Victor Hugo's favorite illustrator. That drawing would later be used for the universally celebrated picture of Cosette which became the musical's logo. Additionally, condensed french language lyrics are included.

The original work in French remains the forerunner of any other versions. As Boublil noted on the back cover of this CD: "..before London, before Broadway, before the Tony Awards and the Grammys 1987,...there was this album."

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21 of 22 people found the following review helpful:
5.0 out of 5 stars Fans owe themselves this recording!, February 17, 2001
By 
Wayne Rossi (Mount Holly, NJ United States) - See all my reviews
(REAL NAME)   
This review is from: Les Miserables - The Original French Concept Album (Audio CD)
I only know a handful of words in French. However, this does not stop me from knowing a great recording when I hear it. And this is a great recording.

For me, the highlights of this 2-disc Boublil & Schönberg masterwork are "L'Air De La Misère," "J'avais Rêvé D'Une Autre Vie," "A La Volonté du Peuple," "L'Un Vers L'Autre," and "La Faute A Voltaire." "L'Air..." was sung beautifully by Fantine here, though it would go on to be the intimately familiar "On My Own" in the English version, sung by Éponine. Fantine got to keep "J'avais Rêvé..." as "I Dreamed A Dream," though it also contains a snippet that would be used as the basis for "Lovely Ladies." In my opinion, "A La Volonté du Peuple" will never be eclipsed by its English counterpart "Do You Hear the People Sing?", much as I love the latter. "La Faute A Voltaire" was based on poetry by Victor Hugo, and the main theme will run under "Little People" in the show.

It's a fundamentally different piece than the Cameron Mackintosh production, but I think it is also an absolutely perfect complement to the various recordings of the stage version. The orchestrations are interesting, as there is no readily apparent synthesizer (and the stage versions would use them heavily). As a whole, it perfectly preserves the spirit of Victor Hugo's massive novel.

Highest honor in this album goes to Rose Laurens as Fantine, with close seconds going to Michel Sardou for Enjolras and Marie (this is the only name the notes give) as Éponine. Jacques Mercier is a very cool Javert, particularly in "Dites-moi Ce Qui Se Passe," proving he has a great edge in his acting. Maurice Barrier is a slightly weak Valjean, though, and Richard Dewitte is a decent Marius. And last but not least, Yvan Dautin seems to lack the slimy persona that the later Thenardiers would seem to possess naturally.

In any case, it's a great Les Miz album. If you're a fan, you owe it to yourself to get a copy and hear how it was originally intended.

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22 of 25 people found the following review helpful:
5.0 out of 5 stars Interestingly enough, my favourite Les Miz recording, May 21, 2000
By A Customer
This review is from: Les Miserables - The Original French Concept Album (Audio CD)
I love this CD. Although I am not a fan of concept albums in general, and always prefer cast recordings, this one is filled with simply wonderful voices and touching performances. The lyrics are good and sound enchanting in French.

While a lot is obviously missing from this CD-- many songs were later added such as "Bring him home"-- I was absolutely amazed by the quality of the performances. I am not certain of all the names of the performers, so I'll refrain from mentioning them, so as not to make a mistake.

Fantine on this record is incredible-- her songs are so touching and emotional she can rival any of the best stage Fantines, and then some. And I like "L'air de la misere" which later obviously became Eponine's "On my own" much better in this format.

Valjean doesn't have many parts strangely enough, but I always thought a tenor Valjean was a bit strange. Here, he is a baritone, who sounds his age, and is very touching.

I love the "Master of the House"!-- this song and the singer fit together so well here, it's definitely the best version I have ever heard. The overreacting and oversinging of this song in the other Les Miz recordings goes on my nerves, and the exaggerated English and wacky voices that are somehow always employed make it sound like Muppet Show. Here, it's fantastic.

The young Cosette and Gavroche are exeptional. And the song which later became "Castle on a cloud" is just more heartfelt than in the other versions I have heard (make that 'all the other CDs'). I also love the Eponine and older Cosette here, while Enjolras's voice completely blew me away (very powerful). Marius is the only, well, not 'mediocre' performer, but he sounds like most other Mariuses I have heard since then. I prefer Michael Ball.

I would highly recommend this CD. While it's an absolute MUST for Les Miz fans, I think others would also enjoy the beautiful interpretations and language.

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