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Misery Kindle Edition

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Length: 356 pages Word Wise: Enabled Enhanced Typesetting: Enabled
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Editorial Reviews

Amazon.com Review

If Misery loves company, it's found a friend in Academy Award nominee Lindsay Crouse (The Verdict, Places in the Heart). King's ghoulish tale of psychotic "number one fan" Annie Wilkes holding her favorite author, Paul Sheldon, prisoner, unfolds in perfect pitch. Crouse switches from Sheldon to Wilkes (think Kathy Bates) to narrator with smooth, flawless transitions, making the unabridged, 12-hour reading of a writer's hell a listener's paradise. (Running time: 12 hours, eight cassettes)

From Publishers Weekly

King's new novel, about a writer held hostage by his self-proclaimed "number-one fan," is unadulteratedly terrifying. Paul Sheldon, a writer of historical romances, is in a car accident; rescued by nurse Annie Wilkes, he slowly realizes that salvation can be worse than death. Sheldon has killed off Misery Chastain, the popular protagonist of his Misery series and Annie, who has a murderous past, wants her back. Keeping the paralyzed Sheldon prisoner, she forces him to revive the character in a continuation of the series, and she reads each page as it comes out of the typewriter; there is a joyously Dickensian novel within a novel here, and it appears in faded typescript. Studded among the frightening moments are sparkling reflections on the writer and his audience, on the difficulties, joys and responsibilities of being a storyteller, on the nature of the muse, on the differences between "serious" and "popular" writing. Sheldon is a revealingly autobiographical figure; Annie is not merely a monster but is subtly and often touchingly portrayed, allowing hostage and keeper a believable, if twisted, relationship. The best parts of this novel demand that we take King seriously as a writer with a deeply felt understanding of human psychology. One million first printing; $400,000 ad/promo; BOMC main selection.
Copyright 1987 Reed Business Information, Inc.

Product Details

  • File Size: 1119 KB
  • Print Length: 356 pages
  • Publisher: Signet; Reissue edition (June 3, 1988)
  • Publication Date: June 3, 1988
  • Sold by: Penguin Group (USA) LLC
  • Language: English
  • ASIN: B002SKZBTK
  • Text-to-Speech: Enabled
  • X-Ray:
  • Word Wise: Enabled
  • Lending: Not Enabled
  • Enhanced Typesetting: Enabled
  • Amazon Best Sellers Rank: #10,960 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Most Helpful Customer Reviews

58 of 60 people found the following review helpful By Cynthia K. Robertson TOP 1000 REVIEWERVINE VOICE on February 4, 2006
Format: Mass Market Paperback
I have never read anything written by Stephen King as I don't particularly like that genre. But a friend insisted that I read Misery, and I was astounded by King's talents. I was hooked from the very first page, and Misery is a book that will haunt yours days and nights long after you've finished.

Paul Sheldon is a popular writer celebrating the completion of a new book, when his car goes off a mountain road in a snowstorm. He finds himself with shattered legs, being held captive by a former nurse, Annie Wilkes. Ironically, Wilkes just happens to be his number one fan. While she's nursing him back from near death, Wilkes reads his latest book, where he kills off his popular character, Misery Chastain (a sappy, high-drama character whom Sheldon has come to loathe). She decides that Sheldon will write a new novel (just for her), in which he brings Misery back from the dead. And believe me-Wilkes has her methods to keep Sheldon writing! Sheldon soon discovers that he's like Scheherazade, and the best way to stay alive is to keep the stories coming. Wilkes is a true psychopath, and the mind games that Sheldon plays will have you riveted. His ultimate goal is to escape, but Wilkes is one shrewd character, and his getting out alive is slim at best.

Misery succeeds on so many different levels. The characters are so very well developed. In trying to figure out how to deal with Hurricane Annie, Paul also learns much about himself while he is trying to survive. Misery is filled with lots of symbolism-especially in the writing of his new book, Misery Returns. King also gives us a good look at the art of writing. He talks about the difference between a hack, a popular writer and a literary writer.
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33 of 34 people found the following review helpful By D. Mikels on March 20, 2007
Format: Mass Market Paperback Verified Purchase
It's common knowledge Stephen King can take a simple idea and turn it into a 500,000 word marathon; it's one of the reasons MISERY is one of my favorite King novels, because--for a change--King gets into the meat and potatoes of his story from the first page (and he doesn't let up until the last). Consequently, the novel is one of his shorter works.

The beauty of this book is not so much the helplessness and horror of being captive to Annie Wilkes as it is the inner workings of Paul Sheldon's brain. Bestselling author of the Misery Chastain series (a character he has come to loathe), Paul talks to himself throughout his ordeal in Annie's Rocky Mountain hellhole. This self-dialoge is riveting, entertaining, and often downright funny. In fact, the humorous undertow throughout the book makes Annie's "behaviour" even more alarming and frightful. Nothing like copping a chuckle while Annie is wielding an axe or being destructive on a riding lawnmower; yet King pulls it off, page after page.

I'm an allegorical kind of guy, and I can't help but think MISERY is a novel about Stephen King himself and the hell he was putting himself through during his substance abuse days. Writing, euphoria, pain, addiction, terror: all were in vogue for both Paul Sheldon and Stephen King in the 1980s. MISERY is King at his dysfunctional best.
--D. Mikels, Author, THE RECKONING
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19 of 21 people found the following review helpful By VJ on August 20, 2001
Format: Mass Market Paperback
This is my first Stephen King novel and I have to say, I loved it.
SUMMARY: Paul Sheldon, a bestselling novelist gets into a car accident. His NUMBER ONE FAN, Annie Wilkes, takes him into her home and nurses him back to health. In a way. Holding him captive, she makes him write his greatest novel just for her.
UPS: This book has a lot of detail and really makes you feel like you're right there with Sheldon, keeping you on your toes. It is suspensful the whole way through and gets even more spine-chilling towards the end.
DOWNS: About 40 pages of the book is the book that Paul Sheldon is writing. It gets a little boring reading these parts and there doesn't seem to be any importance in reading them.
OVERALL: This book is hard to put down, indeed. Even though I haven't seen the movie, the mental image I had of Annie Wilkes was exactly that of Kathy Bates. It took me only a few days to read and I really enjoyed it. I recommend this book to anyone who's going for a good horror novel.
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9 of 9 people found the following review helpful By Edward Aycock on November 29, 1999
Format: Mass Market Paperback
Well, back when "Misery" was first published, I had no interest in it at all. I was more of a fan of King's horror/ghostie stuff, and the premise when described to me (I was all of 15 at the time) sounded like a major snooze. I finally got around to reading this book last week, and I have to say, "Misery" is probably King's equivalent of Shakespeare's famous tragedy that begins with "M" whose full name we dare not invoke due to the curse. "Misery" is lean, yet muscular. It is a book with tunnel vision, it does not digress from the major plot, but rather keeps the reader staring straight ahead and biting their nails. Annie Wilkes has to be King's most monstrous (yet ironically, literally the "least" monstrous) creation he ever dared breathe life into. As such, after a while the reader, like Paul Sheldon wants to take Noveril to take us out of the realm of Annie, yet unlike Paul, we just can't WAIT to see what Annie will do next. King replicates the formula of "person trapped in a small space trying to escape" in other books (most notable in Gerald's Game) but this is truly his finest hour at getting the reader into Paul's head, and feeling his pain (and as I said before, his drugged bliss on Noveril). I even give credit to King for making us just as excited as Annie to see how Paul will resolve bringing Misery back from the dead. It's in the story within the story that shows that King is a master of his game, deftly parodying the gothic romance drama, while at the same time, presenting it in a very straightfaced manner. This is definitely the book that I would say defines King and his body of work. And the fact that it's a not so gentle look at the limits of fandom that make this a book that you won't put down.
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