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Cate Blanchett blazes through
The Missing, a new Western directed by Ron Howard (
A Beautiful Mind,
Apollo 13). The camera truly loves the planes of her face; even dusty and bedraggled, she radiates star power--which is good, because
The Missing needs it. When her daughter is kidnapped by renegade Indians, Maggie Gilkeson (Blanchett) is forced to turn to her estranged father (Tommy Lee Jones,
Men in Black,
The Fugitive), a man who abandoned her as a child to join an Indian tribe. Together, they pursue a malignant
brujo (or witch), who sells young girls in Mexico.
The Missing features solid supporting performances from Evan Rachel Wood, Eric Schweig, Aaron Eckhart, Val Kilmer, and feisty young Jenna Boyd as Maggie's youngest daughter Dot, who refuses to be left behind. Despite the cast and some gorgeous cinematography, though,
The Missing never finds its stride.
--Bret Fetzer
Ron Howard gets down and dirty with a skillfully directed but rather sadistic Western about a vicious Apache
brujo (Eric Schweig), or witch, who hangs rattlers in the trees, throws vile colored powders into people's mouths and eyes, and captures young white virgins whom he then sells as slaves to laughing Mexicans. No such trade existed in New Mexico in 1885, but Howard deals in such authentic trials as bullets removed from flesh and teeth pulling. Cate Blanchett is the tough frontier woman whose daughter (Evan Rachel Wood) is kidnapped by the Apaches, and Tommy Lee Jones plays Blanchett's muttering reprobate of a father, who long ago "went Injun" and understands their savage ways. The movie might be seen as a degraded version of the 1956 John Ford classic, "The Searchers." -David Denby
Copyright © 2006
The New Yorker