Distributed to 1,700 small and mid-size newspapers across North America, Bendib's cartoons are the only widely circulated editorial cartoons free of the usual corporate narrative and they offer a radical, indigenous perspective in a visual medium accessible to all. Bendib's cartoons shine a light on such topics as the corrupting influence of money on democracy, African-American and immigrant issues, environmental degradation, labor and class struggles, U.S. imperialism and Zionism, the scapegoating of Arabs, Muslims and other people of color, as well as the complicity of our Orwellian mass media in maintaining the status quo.
Bendib's cartoons are very popular with legions of alternative, educated, left-of-center readers (especially in the Bay Area, Los Angeles, New York and campus towns across the USA, as well as much of Canada, the UK and Australia) hungry for humorous voices of dissent and with many forgotten constituencies in this country, which are slowly becoming a majority: African-Americans, Muslims, Arabs, South Asians, Latinos, immigrants of all stripes, worldwide indigenous communities ravenous for edgy humor reflecting their specific concerns.
The son of survivors of the Algerian war of independence, Khalil Bendib was born in Paris during the Algerian revolution and grew up in Morocco and Algeria before coming to California at the age of 20. After an eight-year stint with the Gannett Newspapers (based at the San Bernardino County Sun), in 1995 Khalil weaned himself from a steady paycheck by resigning in disgust over increasing censorship of his work.
