Amazon.com Review
This collection of essays, drawn mainly from
The New York Review of Books, will appeal to readers interested in the Far East, especially Japan. Ian Buruma writes of Europe's very particular fascination with Asia, and makes clear that this is what attracted him, too:
Neither puritanism nor sensuality was ever unique to East or West, yet, on the whole, it is for the latter that Westerners have looked East. There has been a sensual, even erotic, element in encounters--imaginary or real--between East and West since the ancient Greeks. The European idea of the Orient as female, voluptuous, decadent, amoral--in short, as dangerously seductive--long predates the European empires in India and Southeast Asia.
Yet an unexpected reversal has upset this mode of thought. "From the official point of view of China, Singapore, Malaysia, South Korea, and Japan," writes Buruma, "Europe and the United States are now models not of masculine vim but, on the contrary, of decadence, libertinism, and sloth."
The best essay in The Missionary and the Libertine builds off this observation by examining Lee Kuan Yew's repressive Singapore and the "Asian values" debate. Startling anecdotes spring from the page (in this selection as well as the others), such as the employment ad Buruma shares from a Singapore daily: "Filipino. Hardworking. No day off." Buruma is more than just an observer; he's also an analyst. The very concept of "Asian values" rings untrue, he believes, because the phrase "only really makes sense in English. In Chinese, Malay, or Hindi, it would sound odd. Chinese think of themselves as Chinese, and Indians as Indians (or Tamils, or Punjabs). Asia, as a cultural concept, is an official invention to bridge vastly different ethnic populations living in former British colonies." Buruma also writes about Pakistan's Benazir Bhutto, the Philippines' Cory Aquino, V.S. Naipaul, the Seoul Olympics, the debate over the bomb in Japan, and so on. The book is a grab bag of literature and culture, and fans of Buruma will be delighted to have it all packed together in a single volume. --John J. Miller
From Publishers Weekly
Buruma (Anglomania) first became fascinated with the East in 1971 during a Japanese theater show in Amsterdam, and he has maintained this interest ever since. Here, in a collection of essays on the cultural interplay between Asia and the West (several of which first appeared in the New York Review of Books), he discusses topics as far-ranging as Indonesian history and popular Japanese writersAall with ease and dexterity. At their best, as in a piece on Michael Crichton's novel Rising Sun, these essays, which exhibit an old-fashioned, impressive erudition throughout, illuminate the cultures of both hemispheres. Buruma deftly picks apart the common Western paranoid view of the Japanese and compares it to the parallel fear of Americans (and Jews) depicted in a contemporary Japanese book. Along the way, BurumaAwho was educated in both Holland and JapanAdoes not shy from criticizing the East: his compelling essay on the 1988 Seoul Olympics, for example, deftly highlights the rabid nationalism that accompanied South Korea's staging of that international event. In another piece, he lambastes the treatment of gaijin (foreigners) who come East to play Japanese baseball. Sometimes, however, his summing up overgeneralizes, as when he describes Japanese postwar culture as a trip "from student activism to pornography to show-business dandy." (Aug.)
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