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27 of 29 people found the following review helpful:
5.0 out of 5 stars
Another fine addition to a great historical mystery series, May 10, 2002
Steven Saylor's "Roma Sub Rosa" stories, the adventures of Gordianus the Finder, continues to be one of the very best historical mystery series ever written. Not only is the history accurate (the First Century BCE as the Roman Republic shatters), the characters are three-dimensional and convincing, and the reader cares what happens to them. Often a mystery series will grow tired after several books, the plots becoming predictable and the relationships among the characters increasingly trivial. Not so with the "Roma Sub Rosa" tales. We continue to care about Gordianus the Finder and his family, even as new tensions tear them apart. "A Mist of Prophecies" takes place against a backdrop of the war between Julius Caesar and Pompey the Great. Although these two rivals are off stage in this novel, their agents are active in Rome, creating a dangerous urban jungle. And perhaps even more perilous for Gordianus the Finder, the chaos unleashed by the war has prompted others to also grab for power, whatever Caesar and Pompey might do. Into this turmoil steps the beautiful, mad seer Cassandra who proves irresistable to Gordianus, beset by financial ruin, family discord, and the mysterious illness of his wife. As much as I like this novel, I must discourage readers unfamiliar with Saylor's books from beginning with "A Mist of Prophecies." This is a series where the characters grow and their relationships evolve. So, start with "Roman Blood" and go through the rest in chronological order. And when you finish "A Mist of Prophecies," then you can wait with me for the next!
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12 of 13 people found the following review helpful:
5.0 out of 5 stars
Different to the rest, May 21, 2002
Saylor's latest offering is remarkably different to the rest of the Sub Rosa series. The format, the prose-style, the characterisation and the historical basis move well away from the preceding set. Indeed this is the first of the novels that doesn't directly use a 'mystery' set in actual fact. At the time of the novel Caesar was about to meet Pompey at Pharsalus in 48 and Saylor only uses the references to the relatively unstable calm to place a date for this mystery. There is some dragging of historical 'fact' of the praetor Caelius in this year before Caesar's dictatorship and in some respects the tired old man ambience that permeates the entire book could be seen as echoing the sudden death of the Republic. The book takes the form of alternating chapters set in the present, as Gordianus investigates the poisoning of the ex-troupe artist/seer 'Cassandra' and the past with a series of snapshots of Gordianus' interactions with her. The denouement is reversed, actually taking place at the beginning of the novel with the mundus (Saylor actually gives some subtle direction as to where the guilty party lies) and then moves on to explain what happened. As in most of Saylor's novels it is the motive that is of utmost importance, that and Gordianus' relationship to both deceased and affiliators. We see a man struggling to accept his age and he changing times he lives in. His relationships and his reality are laid open bare to see. I suspect that Meto will make a 'return' to good graces in the future, Davus is broadly hinted at as possessing acute mental faculties and the continuance of Hieronymous is excellent. Bethseda's illness neatly places a sense of pathos into the proceedings. So, the novel: very different, as excellent as ever. However, you can't help wondering what is going to happen to the Sub Rosa series as time continues to pass for Gordianus.
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10 of 12 people found the following review helpful:
5.0 out of 5 stars
A superior blend of history and imagination., June 1, 2002
In the hotbed of intrigue that is Rome in 48 BC, Caesar is away chasing Pompey in their struggle for Empire, the populous is divided in their allegiances and life goes on. The wives, daughters, lovers and family members of the power brokers of Rome are all caught up in this most recent tale of Gordianus the Finder. It is a departure from the last two books in the Roma Sub Rosa series that concentrated on political maneuverings and military operations, now returning to a more "human" centered tale involving the women of Rome; giving a face to historical figures that went without more than casual mention in the histories written by men, for men, about men. This is probably Steven Saylor's most non-linear novel to date. It weaves back and forth through the events surrounding the murder of his latest case, who also happens to be his mistress. The story telling has been taken to a new level in this novel, and Steven Saylor deserves the highest accolades for his work here. Am I being too enthusiastic? I think not. A truly wonderful tale that is highly recommended.
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