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Product Details

  • Paperback: 288 pages
  • Publisher: Cengage Learning PTR; 3 edition (April 9, 2013)
  • Language: English
  • ISBN-10: 128542087X
  • ISBN-13: 978-1285420875
  • Product Dimensions: 10.7 x 8.4 x 0.8 inches
  • Shipping Weight: 1.8 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (44 customer reviews)
  • Amazon Best Sellers Rank: #39,865 in Books (See Top 100 in Books)

Editorial Reviews

Review

PART I: INTRODUCTION. 1. Some Background. 2. Mix Preparation. 3. The Mechanics of Mixing. 4. The Balance Element - The Mixing Part of Mixing. 5. The Panorama Element - Placing the Sound in the Soundfield. 6. The Frequency Element - Equalizing. 7. The Dimension Element - Adding Effects. 8. The Dynamics Element - Compression and Gates. 9. The Interest Element - The Key To Great Mixes. 10. Monitoring. 11. The Master Mix. 11. Mixing In The Box. 12. Mixing In Surround. PART II: THE INTERVIEWS. Joe Chiccarelli. Jimmy Douglass. Benny Faconne. Jon Gass. Don Hahn. Ken Hahn. Andy John. Kevin Killen. Bernie Kirsh. Nathanial Kunkel. George Massenburg. Greg Penny. David Pensado. Elliot Scheiner. Ed Seay. Allen Sides. Don Smith. Ed Stasium. Bruce Swedien. Bob Bullock. Ken Scott. David Leonard. Chris Lord Alge. Andrew Sheps. ADDENDUM 1 - Delay Time Chart. ADDENDUM 2 - Mixdown Formats. ADDENDUM 3 - Surround Information. Glossary. Index.

About the Author

A long-time music industry veteran, Bobby Owsinski started his career as a guitar and keyboard player, songwriter and arranger, eventually becoming an in-demand producer/engineer working not only with a variety of recording artists, but on commercials, television and motion pictures as well. One of the first to delve into surround sound music mixing, Bobby has worked on over a hundred surround projects and DVD productions for a variety of superstar acts. Combining his music and recording experience with an easy-to-understand writing style, Bobby has become one of the best-selling authors in the music recording industry with 19 books that are now staples in audio recording, music, and music business programs in colleges around the world, including the best-selling Mixing Engineer's Handbook, Recording Engineer's Handbook, and Music 3.0:A Survival Guide For Making Music In The Internet Age. A frequent moderator, panelist, and program director for a variety of industry conferences, Bobby has served as the longtime producer of the annual Surround Music Awards, and is one of the creators and executive producers for the "Guitar Universe" and "Desert Island Music" television programs. Visit Bobby's production blog at bobbyowsinski.blogspot.com/, his Music 3.0 blog at music3point0.blogspot.com, and his website at bobbyowsinski.com.

More About the Author

A long-time music industry veteran, Bobby Owsinski started his career as a guitar and keyboard player, songwriter and arranger, eventually becoming an in-demand producer/engineer working not only with a variety of recording artists, but on commercials, television and motion pictures as well. Living in Los Angeles and always being on the cusp of the latest technology, he was one of the first to delve into surround sound music mixing, and has worked on over a hundred surround projects and DVD productions for a variety of superstar acts including Jimi Hendrix, The Who, Willie Nelson, Neil Young, Iron Maiden, The Ramones, and Chicago among many others.

Combining his music and recording experience along with an easy to understand writing style, Bobby has become one of the best selling authors in the music recording industry with 19 books that are now staples in audio recording, music and music business programs in colleges around the world including the best selling "Mixing Engineer's Handbook," "The Recording Engineer's Handbook," "How to Make Your Band Sound Great," "Music 3.0:A Survival Guide For Making Music In The Internet Age," and "Social Media Promotion for Musicians."

Bobby's keeps a busy schedule giving keynote addresses, master classes and workshops at various colleges around the world. A frequent moderator, panelist and program director for a variety of industry conferences, Bobby has served as the longtime producer of the annual Surround Music Awards, and is one of the creators and executive producers for the "Guitar Universe" and "Desert Island Music" television programs.

Customer Reviews

4.7 out of 5 stars
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Lots of great info,it was written very well.
Christian
I would absolutely recommend this book to anyone who wants to understand what makes a great mix!
Mike Hughes
I know too that as I mix more for myself I will be referring to this book over and over.
Earl W Green

Most Helpful Customer Reviews

9 of 10 people found the following review helpful By Jolly Roger on July 28, 2013
Format: Kindle Edition
I found this book very insightful. I use Logic Pro X for my Digital Audio Workstation, and I need all the help I can get when it comes to mixing. So far, I've read another book dedicated to mixing, and I've read a couple of books that just touched on the topic of mixing. There is SO much to know about mixing, I find myself being overwhelmed. It is a tall challenge for any author to teach mixing in its entirety.

I felt that the pace this author went in the book was very good for me. He defines most things in the book, which is very helpful to someone getting into mixing and trying to learn this vast universe of mixing. Additionally, this book has a glossary, unlike many other music books I've read...again, something I really appreciate.

Mixing is also a very subjective art...what might be used by one mixer, may not be used by another. Mr. Owsinski, I think, does a great job of objectively explaining mixing, and then providing some techniques that he found helpful and/or that other mixers have found helpful.

I personally liked how there wasn't a lot of "fluff" in the book. There was some history of how various things progressed, such as delays, reverbs, etc. I found that to be in a good amount, and helpful to what is being used today. Each chapter is "to the point," which is helpful to me since I'm not an avid reader. Additionally, it was not too technical, which I found another book to be that I read.

There are many tools, tips and techniques in the book, as well as explanations of essential mixing items, such as removing noise, delays, reverb, equalization, compression, etc. There is also an explanation of the various important parameters with this tools, such as what "attack" and "release" are with compression, and how they work.
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3 of 3 people found the following review helpful By Mr. Cohen on June 12, 2013
Format: Paperback Verified Purchase
Packed with a lot of information. This has been a tremendous help as it pertains compressors and limiters and just overall information.
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1 of 1 people found the following review helpful By Mike Hughes on November 16, 2013
Format: Paperback
I would absolutely recommend this book to anyone who wants to understand what makes a great mix! Bobby O lays out everything you need to know, how to set reverbs, delays, compressions, eq, etc. But more, this book will help you *think* like a mixing engineer. There are principles and rules of thumb throughout to help you learn. The interviews with the great mixers, like Ken Scott or Dave Pensado, are fantastic as they explain how they mixed the records you love. There's so much new material in the 3rd edition, it's definitely worth the update!
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1 of 1 people found the following review helpful By Johandy Urena on November 16, 2013
Format: Paperback
This book is like a journal from some of the best mixong engineers of all times. Everything you need to know about mixing is in this book. Highly recommended for everyone in the audio field...from entry level to advanced.
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1 of 1 people found the following review helpful By Zikomo on November 15, 2013
Format: Paperback
I own several books on mix engineering, but this book is the one that I most frequently find myself going back to for reference. There are so many brilliant ideas in the book and the thing that I truly appreciate is the voice it is written in. Bobby Owsinski seems to understand that in mixing there is no clear "right" or "wrong" and that it is a subjective process. He provides great theoretical and practical advice, useful to both the novice and the more experienced engineer alike.
The second half of the book features interviews with many of the top engineers in the business. When I'm feeling like my mixing is becoming boring and I'm running out of ideas, I like to read through several interviews for inspiration.
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1 of 1 people found the following review helpful By Rolland DeGard on November 15, 2013
Format: Paperback
Simply put,this book is great.I have it sitting open my mix desk while I'm working on a song and it feels like Bobby is sitting there with me.Everything is laid out clear and he references songs so you can put a record on and hear exactly what he is describing.This is a wonderful tool for anyone who wants to understand the dynamics of mixing.
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1 of 1 people found the following review helpful By D. Cole on November 15, 2013
Format: Paperback
Bobby has such a wonderful "bedside manner". His explanations are simple, to the point, and thorough. The fact that he polled dozens of first rate engineer/mixers gives this book a diverse look at the art and craft of mixing. This is not just a "here's how I do it" type book, but rather a presentation of many different perspectives on the same tasks.

Mixing is something you have to develop and if you have the benefit of looking over the shoulder of some great engineers, you can learn quite a bit. Having many shoulders to look over here helps tremendously. Don't think you can just take the recipes from this book and become a hit mixer. It takes time and practice. Bobby covers the topic thoroughly and presents the material in an easy to read manner. I'm a fan of his books and use this one to teach mixing.
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1 of 1 people found the following review helpful By Beau Dobbin on November 15, 2013
Format: Paperback
Bobby Owsinski's books are such gems. The author has found a variety of great engineers, from a variety of genres, time periods, and styles, and asked them important questions that I would want to ask. He then steps aside and lets their gold drip from the pages. All of the engineers have so many great ideas and tricks, from a variety of perspectives. There are plenty of nitty-gritty technical tricks that can be applied to any piece of gear in any mixing situation. Anyone interested in recording music, from absolute beginners to seasoned professionals, can benefit greatly from his books.
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