Moanin in the Moonlight & Howlin Wolf

Howlin' Wolf | Format: Audio CD

Product Details

• Audio CD (October 25, 1990)
• Number of Discs: 1
• Label: Chess
• ASIN: B000002O3I
• Also Available in: Audio CD  |  MP3 Download
• Average Customer Review: 4.9 out of 5 stars  See all reviews (32 customer reviews)
• Amazon Best Sellers Rank: #2,542 in Music (See Top 100 in Music)
  • #7 in Music > Blues > Chicago Blues
  • #13 in Music > Blues > Traditional Blues
  • #16 in Music > Blues > Regional Blues

Editorial Reviews

No Description Available
No Track Information Available
Media Type: CD
Artist: HOWLIN' WOLF
Title: HOWLIN' WOLF/MOANIN' IN THE MO
Street Release Date: 01/01/1987
Domestic
Genre: BLUES TRADITIONAL

Customer Reviews

Most Helpful Customer Reviews

32 of 32 people found the following review helpful:

5.0 out of 5 stars Essential Wolf, November 25, 2004

By 

Laurence Upton (Wilts, UK) - See all my reviews
(REAL NAME)   

This review is from: Moanin in the Moonlight & Howlin Wolf (Audio CD)

This is the most essential single Howlin' Wolf CD there could possibly be and would make an excellent first purchase for a Howlin' Wolf novice. It comprises The Wolf's first two long-player releases, both what we would now regard as compilations, and was put out by Chess/MCA in 1986.
Moanin' In The Moonlight came out in America in 1959 and was made up of 12 selected A-sides and B-sides from the many 78's he released between 1951 and 1958, all monaural, including such classics as Smokestack Lightnin' and I Asked For Water (She Gave Me Gasoline). The LP kicks off with Moanin' At Midnight and How Many More Years, comprising both sides of his first Chess single, recorded in Memphis by Sam Phillips at what would become the Sun studios, long before Howlin' Wolf moved to Chicago. The songs on this LP are among the most elemental, eerie and powerful pieces of music ever committed to tape.
Equally compelling is the second collection, usually known as the Rocking Chair album, released in the US in January 1962, when the genre was presented as the root of "Music Americana". It contained 3 previously unreleased songs recorded between May and December 1961, and 9 that were on 45's released in 1960 and 1961 (though two were recorded in 1957), but all in stereo.
Famous songs include The Red Rooster, Wang Dang Doodle, Back Door Man and the Wolf's famous variation of Spoonful (he would have learned the original, fairly dissimilar Spoonful Blues from Charlie Patton) - though all staple fare for a million blues and rock bands ever since, none could match the intensity and darkness of these originals (although the Rolling Stones' Little Red Rooster came close). Most were written by Willie Dixon, who plays bass throughout, though there are a couple credited to Howlin' Wolf and a cover of St Louis Jimmy Oden's Goin' Down Slow, on which, unusually, the recitation is spoken by Willie Dixon.
The division of stereo and mono recordings is not declared anywhere on the CD and seems somewhat arbitrary, especially since Who's Been Talkin' (stereo), Tell Me (stereo) and Somebody In My Home (mono) were all recorded on 24 June 1957.
A note in the sleeve reads, "In our effort to bring you the originals for the cost of a single CD, we have omitted one selection due to the length of the combined original albums." Given the playing time of 66 minutes this is a very irritating message, but in my quest to discover the identity of the missing selection, after consulting several online discographies as far as I can tell it seems that all tracks are present and correct

12 of 12 people found the following review helpful:

5.0 out of 5 stars Maybe the best buy you'll ever do, August 18, 2000

By 

Jostein Berntsen "jostber" (Porsgrunn, Norway) - See all my reviews
(REAL NAME)   

This review is from: Moanin in the Moonlight & Howlin Wolf (Audio CD)

Here are two classic Howlin' Wolf original albums collected on one CD, and it is some of the best blues music ever recorded. The Rocking Chair album must certainly have been one of Stevie Ray Vaughan's favourite album, because he recorded several songs from this one. I beleive this must be the best chicago blues album of all time. Moanin the Blues is just as great with songs as 'Evil', 'All night boogie' and 'Smokestack Lightning'. I have been a fan of Howlin' Wolf since I started listening to the blues in my teens, and his music continues to thrill and amaze me. I think you get your money's worth and more so if you get this one.

9 of 9 people found the following review helpful:

5.0 out of 5 stars Wolf at his best, October 2, 2004

By 

Docendo Discimus (Vita scholae) - See all my reviews

This review is from: Moanin in the Moonlight & Howlin Wolf (Audio CD)

You could say that MCA/Chess' various Wolf compilations ("His Best", "His Best vol. 2", "The Genuine Article") have made this twofer-CD obsolete, but as an introduction to the great Howlin' Wolf it still ranks among the best.

The sound quality is not stellar (no remastering), and neither is the packaging, but the songs certainly are.
"Howlin' Wolf / Moanin' In The Moonlight" brings together Wolf's first two LPs, one of them being the self-titled one usually called "The Rockin' Chair Album" due to the peaceful-looking picture on the cover of a rocking chair with an acoustic guitar propped up against it...misleading cover art if I ever saw it!
One song has been omitted due to the lenght of the original albums, the liner notes say. A completely meaningless excuse since this CD only runs for 65 minutes, but what's even more odd is that the material from Wolf's first album comes after the songs from his second one, putting latter-day Willie Dixon-penned material before early Wolf-penned songs (these two albums were not conceived as such; they were merely collections of previously issued singles as was customary at the time).

But those are minor quibbles. This certainly isn't everything you could ever want from the Wolf, but it is an excellent place to start. Many of his most accessible "mainstream" blues tunes are here, often written by Willie Dixon: "The Red Rooster" with its muscular, slinky slide guitar riff, the propulsive "Down In The Bottom", the gleeful "Back Door Man", the catchy hard-rocking "Howlin' For My Darlin'" (erroneously titled "Howlin' For My Baby"), and the slightly-too-cute "Wang Dang Doodle", which became very popular even though Wolf himself didn't like the song.
But Wolf's own compositions are here as well, and plenty of them, and those remain his most powerful: From the Rockin' Chair album comes the swaggering groove of "Tell Me", one of the most underexposed Wolf singles, and the Chicago blues classic "Who's Been Talking", a supremely funky arrangement with some powerful, syncopated drumming from Earl Phillips and a great piano part by Hosea Lee Kennard.

And "Moanin' At Midnight" is almost all Wolf, opening with his first hit single, the monster combination of the smouldering, piano-driven "How Many More Years" and the eerie "Moanin' At Midnight". The classic "Smokestack Lightnin'" is here, one of the pillars of early electric blues singles, and so is the menacing "Forty-Four", Wolf's take on Tommy Johnson's desperate "Cool Drink Of Water Blues" (retitled "I Asked For Water"), and a slew of rough, tough lesser-known songs like "I'm Leavin' You" (later covered by J.B. Hutto), "Somebody In My Home", "Baby How Long", and the wonderful early Dixon-composition "Evil".

Howlin' Wolf might not have caried himself with the statesman-like dignity of Muddy Waters, but his performances were the stuff of legend. A huge, intimidating man with a voice like heavy machinery operating on a gravel road, Wolf's early Chicago sides are some of the most awesome electric blues ever recorded, and no-one could match the Wolf when it came to rocking the house down to its foundations (and scaring the audience out of their wits at the same time).

Wolf is not for everyone...even if you like a good dose of Muddy Waters, you may still be turned off by Wolf's glass-gargling roar of a voice and sometimes bleak - or downright frightening - lyrics. But if you are interested in prime time Chicago blues, Wolf's classic Chess sides are a must-own. Chester Burnett in his prime remains the most overwhelming performer the genre has ever seen - alongside Son House, of course.