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Modern Art


Price: $11.88 & FREE Shipping on orders over $35. Details
Includes FREE MP3 version of this album.
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Audio CD, September 27, 2011
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Frequently Bought Together

Modern Art + Sunshine Lies + In Reverse
Price for all three: $51.76

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Product Details

  • Audio CD (September 27, 2011)
  • Original Release Date: 2011
  • Number of Discs: 1
  • Label: Missing Piece
  • ASIN: B005FG3BTQ
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (22 customer reviews)
  • Amazon Best Sellers Rank: #80,945 in Music (See Top 100 in Music)

1. Oh, Oldendaze!
2. Ivory Tower
3. She Walks The Night
4. When Love Lets Go I m Falling
5. Ladyfingers
6. A little death
7. Late Nights With The Power Pop
8. Baltimore
9. My Ass Is Grass
10. December Dark
11. Modern Art
12. Sleeping

Editorial Reviews

Throughout a career that stretches back to the mid-'80s, Matthew Sweet has never followed trends, though his landmark 1991 album Girlfriend was responsible for starting one; in fact, many critics note that most power pop records made during the '90s owe a tremendous debt to Sweet. Two decades after the release of that iconic album, Sweet has once again swung for the fences and connected with the boldly experimental, yet deeply personal Modern Art.

Defiantly unorthodox, but often playfully so, Modern Art features 12 new compositions of Sweet's trademark wistful, yearning pop that recall some of Sweet s touchstones: the Beatles, Beach Boys and Big Star. ''She Walks the Night'' is reminiscent of earlyperiod Byrds, while ''Ladyfingers'' stomps along with the authority of T. Rex. Other standout tracks include the swirling, psychedelic ''Oh, Oldendaze!,'' the ruggedly assertive ''Late Nights With the Power Pop,'' the acerbically witty ''Evil By Design, Goodbye Nature'' and the sweetly soulful ''Modern Art.''

Longtime musical cohort Ric Menck (Velvet Crush) does all the drumming on the album (except for ''Ivory Tower,'' which is built on a random drum pattern supplied by Sweet's friend, actor/musician Fred Armisen). Dennis Taylor s deft and urgent guitar lines serve as a running commentary to Sweet s introspective singing. Finished by mastering engineer Glenn Schick, Modern Art promises to be another trend-setting release by Sweet.

Customer Reviews

The rest of the album is so boring that I can't remember any of it.
Secret Shopper
Lloyd doesn't use "guitar pedals" which add fuzzy or bright sorts of distortion; the pedally-tones on this record jarred me a little bit, but it's a minor complaint.
Johann Cat
That being said, I put this on for the first time since it came out, and have to say it's not quite as much of a mess as I originally thought.
B. Hoffman

Most Helpful Customer Reviews

8 of 8 people found the following review helpful By Thomas R. Cravens on January 6, 2012
Format: MP3 Music
Those of you that don't "get" this album need to understand that this isn't Matthew Sweet in his usual "hooky, power-pop, formulaic arrangements" form. The title itself should clue you in. This album is intended to be a bit abstract, with unusual arrangements, melodies and arrangements. It isn't intended to catch your ear on first listen. In short: it's an experimental record.

If you're looking for yet another version of "Girlfriend" you will be sorely disappointed. However, these songs reveal new layers of richness on each play and rewards those with the patience to really listen (more than once). There is definitely a trend toward melancholy here (When Love Lets Go, A Little Death, Modern Art), but it's also not without it's share of great rockers (Ladyfingers, Late Nights With The Power Pop, and the Byrds-like, She Walks The Night).

Granted, some of the experiments here don't always pay off, but what we have here is a mostly wonderful album for those with an appreciation for the abstract in music and the patience to give it a real listen.

By the way, if you think 100% was the last good Matthew Sweet album, you should probably stay away or buy the deluxe edition of Girlfriend instead.
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15 of 19 people found the following review helpful By Kevin S. Danahy on October 5, 2011
Format: Audio CD
I find all these negative reviews perplexing. I just don't hear it...and I'm not someone who tolerates musicians when they get too self indulgent. Sure there is some experimentation going on here, but I find it makes the album more interesting when listened to as a whole. Some have suggested that all the songs are weak and not memorable. As far as I'm concerned this just isn't the case. Several songs are instantly enjoyable. She Walks the Night, Oh Oldenaze, When Love Lets Go I'm Falling, Modern Art, Ladyfingers, Baltimore are songs that you don't have to struggle to like. They don't need to grow on you. They jump out as strong songs, performed interestingly with cool melodies and nice harmonies. The album has its own sound. It's not Girlfriend, 100% Fun, Altered Beast or In Reverse. It's Modern Art -- a strong new album with a solid song set and touches of experimental production. The production and arrangments are akin to the loose expirmental techniques the beatles and beach boys invented back in 1967/68 that were later used by groups like XTC. There's no reason to shy away from catchy and interesting music like this.
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6 of 7 people found the following review helpful By Robert West on October 8, 2011
Format: MP3 Music
After several listens, I think MODERN ART is in fact one of Sweet's best albums. The songs have *great* melodies, there are hooks all over the place, Sweet's tenor is as solid as ever (his falsetto is also still remarkably strong), and his vocal harmonies are terrific. The instrumentation is typical for him: mostly guitar-bass-drum, with one song (the title track) relying on piano. As usual, Sweet plays guitar, bass, and keyboards, and ace drummer Ric Menck is back again. The new lead guitarist, Dennis Taylor, also performs brilliantly, and at various points he could easily be mistaken for one of his predecessors (Richard Lloyd, say, or Robert Quine). This is an excellent Matthew Sweet album that fits in very neatly with Sweet's previous work, yet somehow after all these years he avoids repeating himself.

Though he *isn't* repeating himself, to help out fellow longtime fans who have been discouraged by some disapproving reviews of this album (reviews I'm bewildered by), I'd offer these reference points. If you like "I've Been Waiting" and "Your Sweet Voice" from GIRLFRIEND, "Life Without You" and "Reaching Out" from ALTERED BEAST, "Walk Out" and "I Almost Forgot" from 100% FUN, "Hide" and "Worse to Live" from IN REVERSE, "Warning" and "Love is Gone" from KIMI GA SUKI*RAIFU, "You're Not Sorry" and "Season Is Over" from LIVING THINGS, and "Byrdgirl" and "Feel Fear" from SUNSHINE LIES, I'd say odds are very good you'll enjoy MODERN ART.
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11 of 15 people found the following review helpful By tetsuojin on November 27, 2011
Format: Audio CD Verified Purchase
Like many others, I'm considered a passionate Matthew Sweet enthusiast and own all of his albums. I considered him a power pop genius and superb song smith whose melodies can be measured with the best of them, even the Beatles. The release of a new Matthew Sweet album is always an event for me; I'll end up playing his albums throughout each 2-3 year period between albums. IMHO, He has never failed to deliver a great album...until now.

I understand the need for artists to evolve and mix things around so that material doesn't seem stagnant/boring and that there is artistic growth. However, Modern Art, although a viable musical experiment, just doesn't work. It doesn't feel genuine or honest. It seems as if he decided to go into the studio and jam with a few hooks and let the song meander into whatever. Call it free form musical structure, but I think it just an unlistenable mess. There is definitely potential in some of these songs, with a few strong melodies, but unfortunately, he doesn't carry them into fruition and instead, they evolve into a meandering mess. Other Matthew Sweet fans may argue that listeners just don't get Modern Art, due to their absence of musical maturity; personally, I don't buy that notion. I heard the same arguments by fervent fans over REM albums like Up, Adventures in HiFi and Around the Sun, and guess what? Those albums are unilaterally considered REM's worst albums. And unfortunately, that's what we have here, folks: Matthew's worst album by far. I hope he doesn't end up in 4 album funk like REM and slowly fade away from even his most loyal followers.
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