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Modern Drama in Theory and Practice: Volume 2, Symbolism, Surrealism and the Absurd (Modern Drama in Theory & Practice)
 
 
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Modern Drama in Theory and Practice: Volume 2, Symbolism, Surrealism and the Absurd (Modern Drama in Theory & Practice) [Paperback]

John L. Styan (Editor)

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Book Description

0521296293 978-0521296298 July 29, 1983
The theories of Wagner and Nietzsche provide the basic principles for this volume, disseminated by the work of Appia and Craig, and affecting the later plays of Ibsen, Maeterlinck, and Lugné-Poe's Théatre de Le'Oeuvre. Jarry is seen as the precursor of surrealism; later symbolist elements are found in the plays of Claudel, Giraudoux, Yeats, Eliot, Lorca and Pirandello. Artaud's theatre of cruelty is related to the work of Peter Brook. The theatre of the absurd is illustrated in Sartre, Beckett, Pinter and Ionesco. Recent avant-garde theatre in America and Britain also reveals elements of symbolism.

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Modern Drama in Theory and Practice: Volume 2, Symbolism, Surrealism and the Absurd (Modern Drama in Theory & Practice) + Modern Drama in Theory and Practice: Volume 3, Expressionism and Epic Theatre (Modern Drama in Theory & Practice) + Modern Drama in Theory and Practice: Volume 1, Realism and Naturalism (Modern Drama in Theory & Practice)
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Inside This Book (learn more)
First Sentence:
When Quince, the amateur producer in A Midsummer Night's Dream, assembles his actors in the palace wood for their rehearsal of 'Pyramus and Thisbe', he finds that there are 'two hard things' for the play to get across ti its audience. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
symbolic theatre, symbolist drama, symbolist theatre, realistic theatre, symbolist movement
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Royal Court, Open Theatre, Living Theatre, Peter Brook, Roger Blin, The Balcony, Vieux Colombier, Bernarda Alba, David Hare, Jean-Louis Barrault, The Maids, Alan Schneider, Blood Wedding, Hedda Gabler, Jean Martin, Mercury Theatre, Mme Irma, After Artaud, Alfred Jarry, Arts Theatre, Charles Marowitz, First World War, Les Cenci, Performance Group
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