This volume presents more than 1,000 exemplary twentieth-century Japanese woodblock prints, from the collection of Carnegie Museum of Art in Pittsburgh. Taken together, the collection reflects the stylistic movements, aesthetic directions and historic changes of the past century, with particular emphasis on two significant movements: sosakuhanga (creative prints), represented by in-depth selections by Hiratsuka Un'ichi, Onchi Koshiro and Munakata Shiko; and shin-hanga (new prints), with works by Kawase Hasui and Hashiguchi Goyo. Carnegie Museum of Art also possesses several complete series of prints produced in such limited numbers that they are rarely seen today, including One Hundred Views of New Tokyo created between 1929 and 1932. In addition, an essay on the history and significance of the collection provides a brief introduction to Japanese printmaking in the twentieth century, making this illustrated guide an invaluable reference for researchers, curators, collectors and general enthusiasts of Japanese art.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Good overview of Japanese 20th woodblock artists,
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This review is from: Modern Japanese Prints (Paperback)
The book shows the Japanese woodblock print collection of the Carnegie Museum of Arts, mostly coming from a private collector. The prints are arranged by artist's name in alphabetical order with full details. Interestingly there are also preparatory sketches and watercolors next to the finished prints, thus giving an interesting perspective between the original work and its rendition as woodblock print.
The prints are well rendered with good colours, although they are reproduced in small format. Absolute recommendation for anyone interested in modern Japanese prints
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