5 of 6 people found the following review helpful:
5.0 out of 5 stars
From an artist's perspective..., January 17, 2008
This review is from: Modern Masters Volume 15: Mark Schultz (Modern Masters (TwoMorrows Publishing)) (Paperback)
After picking this up yesterday I was very surprised by the books' choices of art to be displayed. We have early efforts all the way up to recent studies, designs and finished drawings. The interview is enaging and the artist is quite candid. His struggles with the medium, meeting deadlines and the heartbreak of having to set your heart's desire aside to earn a living are all very well presented from the artist's perspective. The heartbreak is not a sob story but an underlying thing, a private thing that is not worn on his sleeve. Economics and art are often at odds with one another and Mark Schultz makes a valiant effort to keep driving himself to projects that are rewarding to his artist's and storyteller's soul, like his current scripting of Hal Foster's Prince Valiant drawn with expert passion by his friend and series creative heir, Gary Gianni (another artist worth seeing to believe). To note the incredible changes in his style over the years as well as his passion for old school illustration and adventure themes is obvious. But there's also a very contemporary man there. He focused on the results of human arrogance long before Global Warming became a headline with his very evocative comic series Xenozoic Tales. He portrayed a world wounded and on a glorious but also dangerous, and very primal, rebound, where human's survived the global cataclysm only to find itself living on a precarious edge and very much smaller in number. This series is my all time favorite and I hope the day comes when he can return to it. How ironic is it that such a timely story has no one willing to publish it regularly?
Another treat is to see some of his full page, color, reproductions of his paintings for the now defunct, Wandering Star's publication of Conan of Cimmeria Vol. 1 (of 3) collecting Robert E. Howards original Conan stories of the northern barbarian who adventures in the jaded south and eventually becomes the king of ithat world's most powerful kingdom, Aquilonia. There are also vignettes as well as full page brush and ink drawings represented from that same volume, in this collection.
This volume of Modern Masters is the diamond of the lot, and that's not taking away from previous volumes. The entire series is a must for all artists, comic fans and readers as well as the casually curious who never, or, no longer read comics.
Of course, my opinion is that you start with Volume 15.
Also, check out the high production books from publisher John Flesk featuring Mark's work in three volumes titled "Various Drawings".
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Great Overview of Shultz's work and career., May 29, 2008
This review is from: Modern Masters Volume 15: Mark Schultz (Modern Masters (TwoMorrows Publishing)) (Paperback)
I've been a fan of Mark Shultz for many years now. I was first taken with his work when at an art demonstration, I watched him magically wisp his brush of ink across paper and turn a few flicks of the wrist into a beautifully rendered background. Since then, I have collected all of his Xenozoic Tales comics and have bought his "Various Drawings" collections. If you don't have any of his work, this is a great place to start. It covers a huge amount of his work and reproduces not only his black and white work for Conan, Aliens Vs. Predator, Cadillacs and Dinosaurs, and many others, as well as several color reproductions reproduced on a thicker glossy paper than the rest of the book. The interviews with Shultz are interesting and some of the work, even after collecting much of his published work, I've never seen.
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5.0 out of 5 stars
Like walking into artist's sketchbook, January 13, 2010
This review is from: Modern Masters Volume 15: Mark Schultz (Modern Masters (TwoMorrows Publishing)) (Paperback)
Having read most of Mark Scultz's work all the way back to Death Rattle, I was delighted to find that this book concentrates on little-seen works by the artist. It's filled to the brim with stunning work from sketchbooks to paintings. It's like flipping through his flat files or wandering his studio, I'd imagine. What wonderful wonderful work, handsomely reproduced and carefully researched.
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