All too often chess openings books consist of reams of variations and sub-variations and bracketed sub-sub-variations, with no apparent explanation for why a move is chosen or why one path deserves precedence over another. Golombek fought tenaciously against this denigration of his art, for he considered chess an art form. The Grandmaster Emeritus always sought to explain the ideas behind the moves and give the strategic justification for any course of action. For this reason alone Golombek's chief openings manual, reprinted here, will outlive the ephemera which largely characterise rival efforts to explain the entire gamut of openings available to the ambitious player. Armed with Golombek you will understand what you are doing -not just become a performing monkey which apes the movements of the masters!
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This review is from: Modern Opening Chess Strategy (Paperback)
First published in 1959. All too often chess openings books consist of reams of variations and sub-variations and bracketed sub-sub-variations, with no apparent explanation for why a move is chosen or why one path deserves precedence over another. Golombek fought tenaciously against this denigration of his art, for he considered chess an art form. The Grandmaster Emeritus always sought to explain the ideas behind the moves and give the strategic justification for any course of action. For this reason alone Golombek's chief openings manual, reprinted here, will outlive the ephemera which largely characterise rival efforts to explain the entire gamut of openings available to the ambitious player. Armed with Golombek you will understand what you are doing -not just become a performing monkey which apes the movements of the masters!
Harry Golombek was perhaps the king of chess writers. Chess correspondent for The London Times and The Observer, he possessed an unrivalled gift for transforming a chess game into an heroic saga with himself as the bard, singing the exploits of his chosen heroes of the mind. Several times British Champion, Golombek also played top board for England in the Olympiad and represented the British Chess Federation in the FIDE World Championship cycle. He was fluent in Russian and personally attended the World Chess Championships of 1954, 1957 and 1958 as a judge
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