A challenging exploration of the visual arts from 1880 through 1920, Modern Starts is an unconventional guide to the beginnings of modernism. Deliberately abandoning customary labels--such as Fauvism, Cubism, and Futurism--and accepted chronological ordering, Modern Starts offers many pathways, each independent and self-sufficient, intended to suggest fresh modes of looking at and thinking about works both very familiar and quite unfamiliar. Loosely organized into three thematic sections, the book begins with "People," treating the great period of early modern figurative art from Rodin and Matisse to Munch. "Places" features landscapes and cityscapes by such artists as Atget, Cazanne, de Chirico, and Lager. "Things" addresses the importance of object-like works, such as Duchamp's "Readymades" and Brancusi's sculptures; and representations of things from Picasso's still lifes to Lucian Bernhard's advertising posters. Provocative juxtapositions, new contexts, and inventive interplays of mediums provide a stimulating look at the beginnings of modernism. Published to coincide with MoMA2000, an 18-month series of exhibitions at The Museum of Modern Art, New York drawn from the Museum's incomparable collection. Modern Starts is the first in a series of three volumes focusing on distinct periods: 1880-1920, 1920-60, and 1960-2000.
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Editorial Reviews
Amazon.com Review
In ModernStarts, the first cycle of a three-part exhibition (on display until March 14, 2000) celebrating the art of the 20th century, New York's Museum of Modern Art explores the birth of modernism. Culling from its collection of works made between 1880 and 1920, and grouping them as "People," "Places," or "Things"--instead of placing them in a more traditional chronological arrangement--the exhibition and its companion book follow the three themes through their varied early incarnations and ultimate artistic legacies. For example, works by Picasso, Rodin, Matisse, and Munch illustrate the "Actors, Dancers, and Bathers" chapter of the "People" segment. Included, too, though, is a 1993 Rineke Dijkstra photo of a young man at the beach, set on a page facing Cézanne's The Bather, which he painted in 1885. The two compositions are so strikingly similar that one can't help but imagine that Cézanne's painting was on the photographer's mind as she captured her own bather more than a century later. Yet each image is distinctly a product of its creator's own vision.
"Places," as one might expect, explores locations that are both real and imagined through photos, architecture, and painting. Here again, artists practicing during the decades of nascent modernism--van Gogh, Gaugin, and art nouveau designer Hector Guimard, to name a few--are heavily represented. And here, too, later artists are mixed in to follow the trajectory of an idea: First Dream, a 1981 Bill Viola video set in the woods, is placed as a direct descendent of Eugène Atget's early-1920s images of trees in a suburban Parisian park.
"Things" is filled with objects raided from the museum's formidable design collection: Wright and Mackintosh chairs, a fireplace grille by Gaudí, a Tiffany lamp, a meat slicer designed by Egmont Arens in 1935, and Meret Oppenheim's fur-covered teacup set, along with representations of objects by the likes of Marcel Duchamp, Giorgio de Chirico, and, much later, Michael Craig-Martin. This innovative method of looking at relatively well known images will stimulate readers to rethink the artistically fertile period of the early 20th century and its continued relevance to today's art. ModernStarts is a thick volume stocked with many more artworks than can be described here--over 450 in all--and serves as an excellent record of the era in which artistic modernism found its footing. --Jordana Moskowitz
From the Publisher
Beginning in October 1999, The Museum of Modern Art, New York, launches MoMA2000, an 18-month series of exhibitions. Drawn from the museum's incomparable collection, the series includes three major exhibition cycles-and accompanying catalogues-focusing on distinct periods: 1880-1920, 1920-60, and 1960-2000. "ModernStarts," the first cycle, comprises three sections, People, Places, and Things. People treats the great period of early modern figurative art from Rodin and Matisse to Munch; Places features landscapes and cityscapes by such artists as Atget, Czanne, de Chirico, and Lger; Things addresses the importance of object-like works, such as Duchamp's Readymades, and representations of things from Picasso's still lifes to advertising posters. Innovative juxtapositions and contexts provide a stimulating look at the beginnings of modernism. The catalogues that will accompany People, Places, and Things will be available from Abrams in October 1999. For specifications, ISBNs, EANs, and prices, please see your Abrams sales representative.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
A new art history of old images,
This review is from: Modern Starts: People, Places, Things (Hardcover)
Walter Benjamin's "the object IS the theory" certainly complies with this marvellous book. Lots of pics and intelligent texts make a very important catalogue of new insights in art history. Although art historians know lots of the depicted art works already, this book re-orders them in quite a startling and refreshing way, telling the story of early modern art in a very concrete and no-nonsense, but richly articulated way. Wonderful imaginative associations with the classic moderns we all had are now elevated in this new canon. The theories on which this catalogue are based are simple and instructive, enlightening.
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