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Modern Theories of Performance: From Stanislavski to Boal [Paperback]

Jane Milling (Author), Graham Ley (Author)

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Book Description

March 14, 2001 0333775422 978-0333775424
The modern era in the theatre is notable for the influential role of theoretical practitioners whose writings have shaped a sense of the possibilities of performance. This book is a critical exploration of the theoretical writings of key modern theorists from Stanlislavski to Boal. It offers not only a summary of these theories but a critical commentary on their composition as discourses.


Editorial Reviews

Review

'This is a 'concentrated critical analysis' of the rhetoric of these writings about performance...Together with the generic frameworks of the theoretical text (dialogue, manifesto, history, and interview), the often problematic (and on occasion contradictory) operation of the dominant metaphors in each theorist's writing is examined...[This book] should not only stimulate 'further interest and enquiry' in the student but also refresh the perceptions of the experienced scholar.' - Paul Lawley, University of Plymouth, MLR 'The conciseness with which the book deals with very specific practitioners makes for a useful introduction to 1st year students, many of whom may not have studied Drama and Theatre Arts academically.' - Bella Martin, University of Birmingham

About the Author

Jane Milling and Graham Ley are both Lecturers in Drama at the University of Exeter.

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Inside This Book (learn more)
First Sentence:
Stanislavski (1863-1938) is one of the most familiar names in the modern theatre, and yet he is known primarily as a theorist. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
paratheatrical work, theoretical practitioners, synthetic theatre, poor theatre, theatrical theory, fairground booth, true theatre, historical scheme
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Moscow Art Theatre, Theatre of Sources, Vieux Colombier, Gordon Craig, Grotowski Sourcebook, Cambridge University Press, Drama Review, The Work of Living Art, Antonin Artaud, United States, Adolphe Appia, Ann Arbor, Arena Theatre, Nouvelle Revue Française, First World War, Latin America, The Rainbow of Desire, Theatre Laboratory, Alfred Jarry Theatre, Griboyedov's Woe, Image Theatre, Legislative Theatre, Objective Drama, Performing Arts Journal Publications
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