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Modernism, Mass Culture, and the Aesthetics of Obscenity
 
 
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Modernism, Mass Culture, and the Aesthetics of Obscenity [Hardcover]

Allison Pease (Author)

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Book Description

0521780764 978-0521780766 September 4, 2000
How did explicit sexual representation become acceptable in the twentieth century as art rather than pornography? Allison Pease answers this question by tracing the relationship between aesthetics and obscenity from the 1700s onward, focusing especially on the way in which early twentieth-century writers incorporated a sexually explicit discourse into their work. The book considers the work of Swinburne, Joyce and Lawrence and artist Aubrey Beardsley within the framework of a wide-ranging account of aesthetic theory beginning with Kant and concluding with F. R. Leavis, I. A. Richards and T. S. Eliot.

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Editorial Reviews

Review

"Pease's energetic writing style enlivens the impressively dense scholarship that underwrites the argument throughout her book...Modernism, Mass Culture, and the Aesthetics of Obscenity will speak to students and professors of aesthetics, philosophy, and literature, and it should serve as a model of interdisciplinary engagement for scholars throughout the humanities." South Central Review

"...Pease has produced a provocative book likely to stir some controversy in academic circles." Choice

"Pease contributes significantly to the study of this compelling topic." Modernism/Modernity

"This is an impressive book-elegantly conceived and suffused with intelligence...The book is meticulously researched and exceptionally well-documented, with clear, eloquently chiseled arguementation unusually strong in its logic and relatively free of obfuscating jargon...Throughout her study, she does an excellent job of positioning eighteenth-, nineteenth-, and twentieth-century aesthetic philosophies within the cultural politics of their respective times..." English Literature in Transition

"Modernism, Mass Culture, and the Aesthetics of Obscenity offers a rich addition to studies of the limits of representation and material culture in the late nineteenth and early twentieth century. ...provocative, highly persuasive..." The Wordsworth Circle

Book Description

How did explicit sexual representation become acceptable in the twentieth century as art rather than pornography? Allison Pease answers this question by tracing the relationship between aesthetics and obscenity from the 1700s onwards, focusing especially on the way in which early twentieth-century writers incorporated a sexually explicit discourse into their work. Richly illustrated, the book considers the work of Swinburne, Joyce and Lawrence and artist Aubrey Beardsley within the framework of a wide-ranging account of aesthetic theory beginning with Kant and concluding with F. R. Leavis, I. A. Richards and T. S. Eliot.

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Inside This Book (learn more)
First Sentence:
As aesthetic philosophy emerged and created the modern notion of the art object in the eighteenth century, so pornography as we understand it today came into prominence in the Age of Reason. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
pornographic tropes, penny fiction, pornographic narrative, sexualized representations, modern pornography, pornographic texts, chroniques scandaleuses, aesthetic consumption, pornographic works, sexual narrative, chronique scandaleuse, new reading public, sexual representation
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Aesthetics of Obscenity, Lady Chatterley, Alass Culture, Aubrey Beardsley, Fanny Hill, Secret Life, Alas Culture, Holywell Street, Lady Cliatterley's Lover, Stephen Dedalus, Lady Chatterlcy, Matthew Arnold, Terry Eagleton, The Savoy, Glass Culture, Henry Spencer Ashbee, Kant's Critique, Leopold Bloom, Linda Hutcheon, Osbert Burdett, Ronald Paulson, Sir Clifford, Stephen Hero, The Exquisite, The Toilet of Helen
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