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Modernism, Romance and the Fin de Siècle: Popular Fiction and British Culture
 
 
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Modernism, Romance and the Fin de Siècle: Popular Fiction and British Culture [Hardcover]

Nicholas Daly (Author)

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Book Description

February 13, 2000 0521641039 978-0521641036
Nicholas Daly explores the popular fiction of the "romance revival" of the late Victorian and Edwardian years, focusing on authors such as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Drawing on recent work in cultural studies, Daly argues that these adventure narratives provided a narrative of cultural change at a time when Britain was trying to accommodate the "new imperialism." The presence of a genre such as romance within modernism, he claims, should force a questioning of the usual distinction between high and popular culture.

Editorial Reviews

Review

"...a first-rate and much-needed model for work on the genre for years to come...While thus offering a highly original reading of modernism, Daly's book is nonetheless at its most impressive when tracing the intricate ideological maneuvers of the only apparently thin-whitted romances of Stoker and his peers...Daly both sets a new standard for work on this genre and requires that those working elsewhere-on domestic fiction, modernism, the history of the middle classes-reconsider it." Victorian Studies

"I nonetheless find The Spectale of Intimacy a stimulating and satisfying book... One of the satisfying qualities of The Spectale of Intimacy is that it preserves a nice balance between the general and the specific enough but not too much of either- that nicely replicates the very method of their exploration of the relationship between the public and the private in Victorian society." Studies in the Novel

Book Description

Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on authors such as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Drawing on recent work in cultural studies, Daly argues that these adventure narratives provided a narrative of cultural change at a time when Britain was trying to accommodate the 'new imperialism'. The presence of a genre such as romance within modernism, he claims, should force a questioning of the usual distinction between high and popular culture.

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Inside This Book (learn more)
First Sentence:
In the romances of the fin de siecle we have tended to see a literature of anxiety symptomatic of some more general cultural crisis. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
mummy fiction, shifting bog, mummy story, romance revival, mummy stories, imperial romance, modernist primitivism, imperial imaginary, commodity theory, own objectification, imperial space, soldier heroes
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Van Helsing, Conan Doyle, Rider Haggard, British Museum, Black Murdock, Dick Sutherland, Lord Godalming, New Woman, Lady Gregory, Sherlock Holmes, Arthur Severn, Brain Stoker, Irish Literary Revival, Nick Adams, Norah Joyce, Solomon's Alines, David Glover, Ernest Hemingway, Harold Perkin, Hand Evans, Protestant Ascendancy, Sir Henry Curtis, Thomas Richards
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