Edited by Peter Shapiro. Contributions by Iara Lee, David Toop. Text by Kodwo Eshun, Michael Berk, Tony Marcus, Kurt Reighley, Simon Reynolds, Michael Rubin, Chris Sharp, Rob Young.
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Most Helpful Customer Reviews
8 of 9 people found the following review helpful:
4.0 out of 5 stars
Highly recommended,
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This review is from: Modulations: A History of Electronic Music: Throbbing Words on Sound (Paperback)
This is a tremendously informative book. Densly packed with info, and a fascinating read. My only complaint is that, since chapters were contributed by different writers, there's no style that really permeates the book. The chapter on Techno, for example, does a great job at contextualizing the Detroit sound, pointing out the influences that led to the evolution of techno, from a musical perspective, as well as from a social and even economic perspective. Unfortunately not all chapters are written the same way. The chapter on House, for example, is a bit dizzying for readers unfamiliar with the sounds and beats being described. But nevertheless... READ IT. (And Dance to it, more importantly!)
7 of 9 people found the following review helpful:
4.0 out of 5 stars
Throbbing Words on Sound!,
This review is from: Modulations: A History of Electronic Music: Throbbing Words on Sound (Paperback)
Arty package with good content, I even mostly agree with the selected discography recommendations. Covering a nice time line from Stockhausen to present but the focus is mainly from early eighties onwards.A good read, that offers a reasonably balanced view. One of the best books on electronic music available today, not that there are many anyway.
2 of 2 people found the following review helpful:
3.0 out of 5 stars
Fun read,
By
Amazon Verified Purchase(What's this?)
This review is from: Modulations: A History of Electronic Music: Throbbing Words on Sound (Paperback)
A light engaging read. the subtitle 'a history of Electonic Music' must be taken with a grain of salt -- really it's a pop book about the electronic dance music craze and it's arty offshoots in electronica, as viewed from the mid-nineties. Because of its focus on artists popular at the time the book was compiled and since, at this writing, a decade has passed, it's a bit of a period piece.
'Downtempo' anyone?
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