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Mommy Dressing: A love story, after a fashion
 
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Mommy Dressing: A love story, after a fashion [Hardcover]

Lois Gould (Author)
4.3 out of 5 stars  See all reviews (7 customer reviews)


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Book Description

September 15, 1998
There is a photograph of her wearing my favorite of all her costumes: a long, shining robe that rippled with light when she moved...What I knew about her was only the dressing.  Nothing of the rest of her life was visible to me.  Unless the dressing was, in fact, the life.

Compelling and multilayered, Mommy Dressing recounts the author's bittersweet girlhood as the daughter of one of America's first star designers.  In the exquisite, focused prose that distinguishes Lois Gould's acclaimed novels, she now offers a memoir that is at once a personal history of her family and a fascinating portrayal of New York's emergence as the world's fashion and glamour capital.

Both stories revolve around the central figure of Jo Copeland, a brilliant artist and working mother whose career spanned four decades, from the birth of New York fashion in the 1920s to the close of her own design studio in the 1960s.  Lois Gould paints a mesmerizing and vivid portrait of the kingdom of movie stars, fashion shows, and steamer trunks her mother ruled, but always as she witnessed it: a lonely girl as painfully observant of her mother's world as she was painfully aware she could never enter it herself.

The story of Jo Copeland's rise to success--in the company of other such early designers as Hattie Carnegie, Claire McCardell, and Vera Maxwell--is also the story of the headstrong, difficult rise of American fashion.  And through the lens of Lois Gould's childhood, an interior world as remote and complex as the mother she strove to understand, readers are given a glimpse of the distant landscape of beautiful exteriors that her mother both created and inspired.  Featuring twenty-four period illustrations, including original sketches and designs by Jo Copeland, Mommy Dressing is as captivating and provocative as the women whose lives it portrays.

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Editorial Reviews

Amazon.com Review

Novelist Lois Gould pulls off an impressive balancing act in her memoir of life as the daughter of pioneering American fashion designer Jo Copeland. She unsparingly depicts Copeland as a distant, self-involved, critical parent ("I never perspire," she tells Lois. "Why must you?"), yet Gould is also sympathetic to her mother's point of view. The daughter of a garment jobber who nurtured her gifts but appropriated her earnings to pay for her brother's education, Copeland could escape only through marriage to a handsome cigar manufacturer. Unfortunately, Ed Regensburg found the talent and ambition he had admired in his fiancée irksome in a wife. He saddled Copeland with two children she didn't want, then moved out, leaving her to support them. Gould conveys the black humor implicit in her mother's horror of having her glamorous life spoiled by childish messiness--in one hilarious scene, Lois and her brother, sent to visit a friend's equally neglected son in the country so they won't spoil a fancy party, erupt into the living room, bedraggled from a long train ride, to announce indignantly, "Stevie Sondheim cheats!" She also appreciates Copeland's importance as one of America's first and best female designers (active from the 1920s through the mid-'60s). She was a pioneering career woman out of necessity and desire doing her best in a society that neither appreciated nor offered any help to working mothers. Gould's memoir is all the more poignant because it is clear-sighted and unsentimental. --Wendy Smith

From Publishers Weekly

Sixteen years after her mother's death, Gould (No Brakes) takes an intimate retrospective journey into her life as the daughter of Jo Copeland, America's first famous female fashion designer. Gould's smooth-talking, handsome father was the heir to the Regensburg & Son's cigar business, but her parents' marriage was deeply flawed and they would divorce when she was just three. According to Gould, in Copeland's "value system, a man like anything a woman was to be seen with, ought to enhance the ensemble." Her mother, who was famous for her elegantly seductive designs, felt that "sexy was wonderful, sex wasn't." There were reasons why Copeland feared intimacy, that distaste extended not only to her husband, but to her children as well. Gould's childhood reads like the proverbial poor-little-rich-girl story: although she appeared to have every possible advantage?beautiful home, cultural opportunities, travel and the best that money could buy?at heart this was a sad, confused, misunderstood and achingly lonely child. Neither of her parents ever attended a school play, assembly, PTA meeting or birthday party. While Joan Crawford and Tyrone Power were frequent guests at her mother's parties, Gould spent those glittering evenings alone. "[M]ostly I was confined to my room, supper at my school desk, facing the wall. While far away... my mother dined and lived with passing strangers." Gould's autopsy of a sad childhood on the outer fringes of that elegant world is portrayed with painstaking honesty that will be difficult for readers to forget.
Copyright 1998 Reed Business Information, Inc.

Product Details

  • Hardcover: 272 pages
  • Publisher: Doubleday; 1st Anchor Books ed edition (September 15, 1998)
  • Language: English
  • ISBN-10: 0385490534
  • ISBN-13: 978-0385490535
  • Product Dimensions: 7.6 x 5.3 x 1.1 inches
  • Shipping Weight: 12 ounces
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #967,439 in Books (See Top 100 in Books)

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Customer Reviews

7 Reviews
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4 star:
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3 star:
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Average Customer Review
4.3 out of 5 stars (7 customer reviews)
 
 
 
 
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3 of 3 people found the following review helpful:
4.0 out of 5 stars A Dark Look at the Life of a Celebrity's Child, January 13, 1999
By A Customer
This review is from: Mommy Dressing: A love story, after a fashion (Hardcover)
How often we might envy the lives of children of the rich, the talented and the famous. But Lois Gould's poignant memoir "Mommy Dressing" again underscores that a childhood lived in the shadow of glamor but without love and affection is no way to grow up. It is a dark moment when Gould asks her mother about a scar only to learn that her mother, who had a horror of doctors, had a rib surgically removed the better to wear the fashions of the 1920s. Gould's portrayal of herself as the gawky, awkward, intellectual daughter of a beautiful woman who dominated the American fashion industry for a time is reminiscent of Susan Cheever's recollections of her life as the daughter of novelist John Cheever. A quickly read but fascinating book.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars Further proof that real life is the stuff of novels, July 15, 1999
By 
Michelle B. Braverman (Houston, TX United States) - See all my reviews
(REAL NAME)   
This review is from: Mommy Dressing: A love story, after a fashion (Hardcover)
Lois Gould's biography of her mother, and in no small part her own autobiography, is written with the novelist's touch. The prose is spare but evocative; the observations through a child's eyes clear but heartbreaking. It's a beautiful "read" although a sad, sad story. Lois Gould, however, bears no malice and allows us to judge Jo Copeland, which we do ultimately with compassion.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Mommie Dressing, February 8, 2000
This review is from: Mommy Dressing: A love story, after a fashion (Hardcover)
This was a Christmas present last year that I just re-read and loved even more for the texture of Lois Gould's rarified existence and the terror and mystery of her mother's unbelievable life. All my favorite topics are combined in this remarkably dry-eyed memoir: fashion, mother-daughter relations, Park Avenue life, how to pack a steamer trunk when going off to the Paris collections...
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