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Mona Lisa Overdrive [Paperback]

William Gibson (Author)
4.2 out of 5 stars  See all reviews (57 customer reviews)


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Book Description

November 27, 1995
The last of the Sprawl trilogy: the AIs of Neuromancer have suffered a traumatized, cataclysmic coming to self-awareness and now haunt cyberspace as voodoo powers. Mona's pimp sells her to a plastic surgeon in New York and she's turned overnight into someone else. The pimp winds up dead. Mona weeps for him. She's a sweet, dumb girl! so far. Angie the famous Hollywood stim star has started remembering things. Despite the efforts of studio bosses to keep her in ignorance, Angie will discover who she really is! and why she doesn't need to jack into the Matrix in order to enter cyberspace. In the depths of the rustbelt, the ring of steel garbage and toxic waste surrounding the Sprawl, Gentry obsessively seeks the darkest secrets of the Matrix. Seeking rapture. When an impossibly tall and powerful skyscraper of data appears suddenly in the landscape of the Matrix, Gentry is ready for it, Angie is part of it, and Mona is set for overdrive. Rapture is on the agenda for all three, but others greedy for money and power will fight them to the death.

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Editorial Reviews

Amazon.com Review

Into the cyber-hip world of William Gibson comes Mona, a young girl with a murky past and an uncertain future whose life is on a collision course with internationally famous Sense/Net star Angie Mitchell. Since childhood, Angie has been able to tap into cyberspace without a computer. Now, from inside cyberspace, a kidnapping plot is masterminded by a phantom entity who has plans for Mona, Angie, and all humanity, plans that cannot be controlled...or even known. And behind the intrigue lurks the shadowy Yakuza, the powerful Japanese underworld, whose leaders ruthlessly manipulate people and events to suit their own purposes.

An over-the-top thrill ride sequel to Neuromancer and Count Zero. --This text refers to the Mass Market Paperback edition.

From Publishers Weekly

Gibson burst upon the scene in 1984 with Neuromancer, a revolutionary, innovative novel that not only gathered up just about every award in the SF field, but also virtually invented a new sub-genre, which has come to be called "cyberpunk." He followed it with Count Zero , set in the same neon-lit, over-urbanized, polluted, high-tech future; an even better novel, it was necessarily not as breathtakingly unfamiliar and inventive as the first. This new novel completes the series, following the lives of some of the characters from the previous books (Bobby Newmark, Count Zero himself, is here) as well as many new ones, particularly Angie Mitchell, star of simstims and idol of millions, who is intuitively sensitive to cyberspace and the vodun deities that are its manifestations. Told in a gorgeous, highly compressedalmost poeticstyle that requires the reader's attention and intelligence, this very satisfying novel can stand on its own. Major ad/promo; author tour.
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 320 pages
  • Publisher: Voyager (November 27, 1995)
  • Language: English
  • ISBN-10: 0006480446
  • ISBN-13: 978-0006480440
  • Product Dimensions: 7.8 x 5 x 0.9 inches
  • Shipping Weight: 7.5 ounces
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (57 customer reviews)
  • Amazon Best Sellers Rank: #418,073 in Books (See Top 100 in Books)

More About the Author

William Gibson was born in the United States in 1948. In 1972 he moved to Vancouver, Canada, after four years spent in Toronto. He is married with two children.

 

Customer Reviews

57 Reviews
5 star:
 (26)
4 star:
 (22)
3 star:
 (5)
2 star:
 (3)
1 star:
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Average Customer Review
4.2 out of 5 stars (57 customer reviews)
 
 
 
 
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37 of 42 people found the following review helpful:
4.0 out of 5 stars solid conclusion to the trilogy, December 16, 2003
First: read NEUROMANCER, and COUNT ZERO, also by Gibson. Then: read MONA LISA OVERDRIVE. Read the three books in that order, and without reading other books intermittently. Actually, consider them one large novel. This will increase your comprehension and enjoyment of these books, which have come to be called The Sprawl Trilogy.

MLO mainly follows the same pattern as COUNT ZERO. Several different characters are notable: Bobby Newmark, aka Count Zero, who is jacked into cyberspace. Kumiko, daughter of a Yakuza, supposedly protected in London. Sally Shears, aka Molly, who may attempt to kill or kidnap Angie Mitchell, a star of Internet simulation programs, and various other bit players. Of course there is Mona, an illegitimate human, since she exists without an ID number in the digital age. Mona is almost a street person, a nonentity, but she looks much like Angie Mitchell. Sinister persons have plans for Mona and Angie: they plot (apparently) to kidnap one and kill the other. Cyberspace cowboys, Yakuza, Londoner thugs, and weird freakish types populate the plot, with The Finn from COUNT ZERO playing a minor role in this novel as well. Gibson, as always, manages to make the various plots converge at the end.

Gibson's world is futuristic, both fantastic and somewhat scientifically plausible, dystopic and frightening. London is trapped in a time warp. Japan is shiny and ultra-modern. Cleveland is a dump. The Sprawl is forbidding, amazing, huge, and imposing. Cyberspace is where everyone wants to be. In MONA LISA OVERDRIVE, he mainly succeeds at delivering his vision and an entertaining plot. Kudos to Gibson for creating this amazing fictional universe; this is his forte. I found the novel's ending somewhat confusing and unsatisfying. Don't let me dissuade you! MONA LISA OVERDRIVE is a fine novel and a successful conclusion to The Sprawl Trilogy; however, if you're new to Gibson, start with BURNING CHROME (short stories) or NEUROMANCER.

ken32

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9 of 9 people found the following review helpful:
5.0 out of 5 stars What a way to pull it all together!, January 21, 2000
By 
The third in the Sprawl trilogy, I'd really recommend reading this but preferably if you've read Neuromancer and Count Zero first. It's an awesome book, but without the background knowledge from the two previous books it could be a struggle. The imagery Gibson concocts for us is exquisite, from the neon and chrome plated Sprawl, to the urban junkyard of the Factory, the dilapidated future London stuck in a time warp and of course the wonders of Gibson's Cyberspace, made even more fantastic here by some clever plot twists. It's all so real you're right there with his characters yet he doesn't bore you with over description - that's quite an achievement. His characters are complex and breathe life and aren't just mono dimensional cardboard cutouts - they each have their strengths and frailties. And by the end of the book it all makes sense .... almost .... but leaving you to ponder some aspects of the story. Which is just as it should be :) Well recommended.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars This book rocks. True Gibson artwork., November 4, 1998
By A Customer
I could seriously not put this book down. I read Neuromancer, which I thought was an awesome book, and I read Count Zero, which was good but sort of boring. Mona Lisa Overdrive however was a true masterpiece true to Gibson. The environment, so dark and un-organic paints a dark picture in your mind that is so real and tangible in a way. Cyberspace and the computer-driven networked world also played so much of a part in this simply amazing imaginary world. When it matches with the characters so nicely you can't discount the book because it's so enthralling. I loved this book and I know a lot of others that did too (although most of them tell me it's a cult following to like Gibson's work).
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piper hill, fighting fish, princess ballerina, apron bag, med tech
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