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Mona Lisa Overdrive Mass Market Paperback – February 6, 1997

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Frequently Bought Together

Mona Lisa Overdrive + Count Zero + Neuromancer
Price for all three: $21.57

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Product Details

  • Mass Market Paperback: 320 pages
  • Publisher: Spectra; Reissue edition (February 6, 1997)
  • Language: English
  • ISBN-10: 0553281747
  • ISBN-13: 978-0553281743
  • Product Dimensions: 0.9 x 3.9 x 6.6 inches
  • Shipping Weight: 5.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (93 customer reviews)
  • Amazon Best Sellers Rank: #56,841 in Books (See Top 100 in Books)

Editorial Reviews Review

Into the cyber-hip world of William Gibson comes Mona, a young girl with a murky past and an uncertain future whose life is on a collision course with internationally famous Sense/Net star Angie Mitchell. Since childhood, Angie has been able to tap into cyberspace without a computer. Now, from inside cyberspace, a kidnapping plot is masterminded by a phantom entity who has plans for Mona, Angie, and all humanity, plans that cannot be controlled...or even known. And behind the intrigue lurks the shadowy Yakuza, the powerful Japanese underworld, whose leaders ruthlessly manipulate people and events to suit their own purposes.

An over-the-top thrill ride sequel to Neuromancer and Count Zero.

From Publishers Weekly

Gibson burst upon the scene in 1984 with Neuromancer, a revolutionary, innovative novel that not only gathered up just about every award in the SF field, but also virtually invented a new sub-genre, which has come to be called "cyberpunk." He followed it with Count Zero , set in the same neon-lit, over-urbanized, polluted, high-tech future; an even better novel, it was necessarily not as breathtakingly unfamiliar and inventive as the first. This new novel completes the series, following the lives of some of the characters from the previous books (Bobby Newmark, Count Zero himself, is here) as well as many new ones, particularly Angie Mitchell, star of simstims and idol of millions, who is intuitively sensitive to cyberspace and the vodun deities that are its manifestations. Told in a gorgeous, highly compressedalmost poeticstyle that requires the reader's attention and intelligence, this very satisfying novel can stand on its own. Major ad/promo; author tour.
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

More About the Author

William Gibson was born in the United States in 1948. In 1972 he moved to Vancouver, Canada, after four years spent in Toronto. He is married with two children.

Customer Reviews

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Most Helpful Customer Reviews

50 of 55 people found the following review helpful By Ken Miller on December 16, 2003
Format: Mass Market Paperback
First: read NEUROMANCER, and COUNT ZERO, also by Gibson. Then: read MONA LISA OVERDRIVE. Read the three books in that order, and without reading other books intermittently. Actually, consider them one large novel. This will increase your comprehension and enjoyment of these books, which have come to be called The Sprawl Trilogy.
MLO mainly follows the same pattern as COUNT ZERO. Several different characters are notable: Bobby Newmark, aka Count Zero, who is jacked into cyberspace. Kumiko, daughter of a Yakuza, supposedly protected in London. Sally Shears, aka Molly, who may attempt to kill or kidnap Angie Mitchell, a star of Internet simulation programs, and various other bit players. Of course there is Mona, an illegitimate human, since she exists without an ID number in the digital age. Mona is almost a street person, a nonentity, but she looks much like Angie Mitchell. Sinister persons have plans for Mona and Angie: they plot (apparently) to kidnap one and kill the other. Cyberspace cowboys, Yakuza, Londoner thugs, and weird freakish types populate the plot, with The Finn from COUNT ZERO playing a minor role in this novel as well. Gibson, as always, manages to make the various plots converge at the end.
Gibson's world is futuristic, both fantastic and somewhat scientifically plausible, dystopic and frightening. London is trapped in a time warp. Japan is shiny and ultra-modern. Cleveland is a dump. The Sprawl is forbidding, amazing, huge, and imposing. Cyberspace is where everyone wants to be. In MONA LISA OVERDRIVE, he mainly succeeds at delivering his vision and an entertaining plot. Kudos to Gibson for creating this amazing fictional universe; this is his forte. I found the novel's ending somewhat confusing and unsatisfying. Don't let me dissuade you! MONA LISA OVERDRIVE is a fine novel and a successful conclusion to The Sprawl Trilogy; however, if you're new to Gibson, start with BURNING CHROME (short stories) or NEUROMANCER.
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11 of 11 people found the following review helpful By M Eager on January 21, 2000
Format: Mass Market Paperback
The third in the Sprawl trilogy, I'd really recommend reading this but preferably if you've read Neuromancer and Count Zero first. It's an awesome book, but without the background knowledge from the two previous books it could be a struggle. The imagery Gibson concocts for us is exquisite, from the neon and chrome plated Sprawl, to the urban junkyard of the Factory, the dilapidated future London stuck in a time warp and of course the wonders of Gibson's Cyberspace, made even more fantastic here by some clever plot twists. It's all so real you're right there with his characters yet he doesn't bore you with over description - that's quite an achievement. His characters are complex and breathe life and aren't just mono dimensional cardboard cutouts - they each have their strengths and frailties. And by the end of the book it all makes sense .... almost .... but leaving you to ponder some aspects of the story. Which is just as it should be :) Well recommended.
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11 of 11 people found the following review helpful By A Customer on November 4, 1998
Format: Mass Market Paperback
I could seriously not put this book down. I read Neuromancer, which I thought was an awesome book, and I read Count Zero, which was good but sort of boring. Mona Lisa Overdrive however was a true masterpiece true to Gibson. The environment, so dark and un-organic paints a dark picture in your mind that is so real and tangible in a way. Cyberspace and the computer-driven networked world also played so much of a part in this simply amazing imaginary world. When it matches with the characters so nicely you can't discount the book because it's so enthralling. I loved this book and I know a lot of others that did too (although most of them tell me it's a cult following to like Gibson's work).
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4 of 4 people found the following review helpful By Jacob Hoberg on November 30, 2001
Format: Mass Market Paperback
William Gibson has again proved himself an extraordinary writer with Mona Lisa Overdrive. The story takes place in a futuristic world where big corporations run everything and the entertainment business is the world's largest source of income. It is here that we meet Gibson's remarkable cast of characters including Angie, a famous "stim star" that has the ability to jack-in to cyberspace without any equipment, Slick Henry, an ex-con who seems to have an uncontrollable urge to create killing machines, Sally Shears, one of the few returning characters from Neuromancer, and Mona Lisa, a prostitute who bears an amazing resemblance to Angie.
The bulk of the book is the separate stories of these individuals, bringing them together in the end in a brilliant fashion. Through this format, Gibson is able to tell a nearly omniscient view of the story by giving not only the point of view of one character, but of all of the characters. This gives an overall effect that sucks you into the book, and doesn't let go. Gibson is also easily able to use this format to show what the characters themselves aren't able to figure out. He gives you bits of information from each of the characters, and you are able to put this together while the characters are clueless. Gibson does all of this and keeps the action rolling without any confusion that allows for a very quick read.
Mona Lisa Overdrive is the third installation in Gibson's series, preceded by Neuromancer and Count Zero. Although it is not necessary to read the first two before Mona Lisa Overdrive, I would recommend it. You will understand much more, and will be able to enjoy all of the little references to the previous two. Gibson truly is a great writer, and Mona Lisa Overdrive is his masterpiece.
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