William Gibson, author of the extraordinary multiaward-winning novel Neuromancer, has written his most brilliant and thrilling work to date . . .The Mona Lisa Overdrive. Enter Gibson's unique world--lyric and mechanical, erotic and violent, sobering and exciting--where multinational corporations and high tech outlaws vie for power, traveling into the computer-generated universe known as cyberspace. Into this world comes Mona, a young girl with a murky past and an uncertain future whose life is on a collision course with internationally famous Sense/Net star Angie Mitchell. Since childhood, Angie has been able to tap into cyberspace without a computer. Now, from inside cyberspace, a kidnapping plot is masterminded by a phantom entity who has plans for Mona, Angie, and all humanity, plans that cannot be controlled . . . or even known. And behind the intrigue lurks the shadowy Yazuka, the powerful Japanese underworld, whose leaders ruthlessly manipulate people and events to suit their own purposes . . . or so they think.
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Book Description
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Editorial Reviews
Amazon.com Review
Into the cyber-hip world of William Gibson comes Mona, a young girl with a murky past and an uncertain future whose life is on a collision course with internationally famous Sense/Net star Angie Mitchell. Since childhood, Angie has been able to tap into cyberspace without a computer. Now, from inside cyberspace, a kidnapping plot is masterminded by a phantom entity who has plans for Mona, Angie, and all humanity, plans that cannot be controlled...or even known. And behind the intrigue lurks the shadowy Yakuza, the powerful Japanese underworld, whose leaders ruthlessly manipulate people and events to suit their own purposes.
An over-the-top thrill ride sequel to Neuromancer and Count Zero.
From Publishers Weekly
Gibson burst upon the scene in 1984 with Neuromancer, a revolutionary, innovative novel that not only gathered up just about every award in the SF field, but also virtually invented a new sub-genre, which has come to be called "cyberpunk." He followed it with Count Zero , set in the same neon-lit, over-urbanized, polluted, high-tech future; an even better novel, it was necessarily not as breathtakingly unfamiliar and inventive as the first. This new novel completes the series, following the lives of some of the characters from the previous books (Bobby Newmark, Count Zero himself, is here) as well as many new ones, particularly Angie Mitchell, star of simstims and idol of millions, who is intuitively sensitive to cyberspace and the vodun deities that are its manifestations. Told in a gorgeous, highly compressedalmost poeticstyle that requires the reader's attention and intelligence, this very satisfying novel can stand on its own. Major ad/promo; author tour.
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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More About the Author
William Gibson was born in the United States in 1948. In 1972 he moved to Vancouver, Canada, after four years spent in Toronto. He is married with two children.
Customer Reviews
Most Helpful Customer Reviews
38 of 43 people found the following review helpful
Format:Mass Market Paperback
First: read NEUROMANCER, and COUNT ZERO, also by Gibson. Then: read MONA LISA OVERDRIVE. Read the three books in that order, and without reading other books intermittently. Actually, consider them one large novel. This will increase your comprehension and enjoyment of these books, which have come to be called The Sprawl Trilogy.
MLO mainly follows the same pattern as COUNT ZERO. Several different characters are notable: Bobby Newmark, aka Count Zero, who is jacked into cyberspace. Kumiko, daughter of a Yakuza, supposedly protected in London. Sally Shears, aka Molly, who may attempt to kill or kidnap Angie Mitchell, a star of Internet simulation programs, and various other bit players. Of course there is Mona, an illegitimate human, since she exists without an ID number in the digital age. Mona is almost a street person, a nonentity, but she looks much like Angie Mitchell. Sinister persons have plans for Mona and Angie: they plot (apparently) to kidnap one and kill the other. Cyberspace cowboys, Yakuza, Londoner thugs, and weird freakish types populate the plot, with The Finn from COUNT ZERO playing a minor role in this novel as well. Gibson, as always, manages to make the various plots converge at the end.
Gibson's world is futuristic, both fantastic and somewhat scientifically plausible, dystopic and frightening. London is trapped in a time warp. Japan is shiny and ultra-modern. Cleveland is a dump. The Sprawl is forbidding, amazing, huge, and imposing. Cyberspace is where everyone wants to be. In MONA LISA OVERDRIVE, he mainly succeeds at delivering his vision and an entertaining plot. Kudos to Gibson for creating this amazing fictional universe; this is his forte. I found the novel's ending somewhat confusing and unsatisfying. Don't let me dissuade you! MONA LISA OVERDRIVE is a fine novel and a successful conclusion to The Sprawl Trilogy; however, if you're new to Gibson, start with BURNING CHROME (short stories) or NEUROMANCER.
ken32
9 of 9 people found the following review helpful
Format:Mass Market Paperback
The third in the Sprawl trilogy, I'd really recommend reading this but preferably if you've read Neuromancer and Count Zero first. It's an awesome book, but without the background knowledge from the two previous books it could be a struggle. The imagery Gibson concocts for us is exquisite, from the neon and chrome plated Sprawl, to the urban junkyard of the Factory, the dilapidated future London stuck in a time warp and of course the wonders of Gibson's Cyberspace, made even more fantastic here by some clever plot twists. It's all so real you're right there with his characters yet he doesn't bore you with over description - that's quite an achievement. His characters are complex and breathe life and aren't just mono dimensional cardboard cutouts - they each have their strengths and frailties. And by the end of the book it all makes sense .... almost .... but leaving you to ponder some aspects of the story. Which is just as it should be :) Well recommended.
11 of 12 people found the following review helpful
Format:Mass Market Paperback
I could seriously not put this book down. I read Neuromancer, which I thought was an awesome book, and I read Count Zero, which was good but sort of boring. Mona Lisa Overdrive however was a true masterpiece true to Gibson. The environment, so dark and un-organic paints a dark picture in your mind that is so real and tangible in a way. Cyberspace and the computer-driven networked world also played so much of a part in this simply amazing imaginary world. When it matches with the characters so nicely you can't discount the book because it's so enthralling. I loved this book and I know a lot of others that did too (although most of them tell me it's a cult following to like Gibson's work).
Most Recent Customer Reviews
"Colin" in Mona Lisa Overdrive
The best thing in this book, as I recall, is the hand-held device which produces a induced vision of a young companion named "Colin. Read more
Published 1 month ago by Scott M. Davis
a fitting coda to the sprawl trilogy
mona lisa overdrive is not quite as action packed as count zero or neuromancer, but that is not to say it is without its share of suspense and cool cyberpunk stuff. Read more
Published 2 months ago by J. P. Kennon
an okay ending to the trilogy, but don't read it unless you've got the...
This starts off promising. The prose doesn't have quite the same manic, jazzy crackle that Neuromancer did, but it's better than count zero, more evocative, and for the first 100... Read more
Published 3 months ago by jafrank
A dark but relaxing read
This is the third and final book of Gibson's "Sprawl" trilogy, and the final sequel to "Neuromancer. Read more
Published 3 months ago by Rachel
Heady prose, brilliant settings, great action
Having established a pattern of publishing a book every two to three years (the exact opposite of Iain Banks, Philip K. Read more
Published 4 months ago by Han Jie
Stylish, lacks impact of prequels
In Mona Lisa Overdrive, the third and final novel in William Gibson's Sprawl trilogy, it's been seven years since Angie Mitchell (from Count Zero) was taken out of Maas Biolabs and... Read more
Published 7 months ago by Katherine Hooper
Almost Perfect
I read this book when it first came out on paperback at the ripe old age of twelve and thought I totally got it. Read more
Published 10 months ago by Chris Panagakis
Trilogy Ends, Rewarding But Returns Slightly Diminshed
[Trust me, this book should only be read after reading the prior two novels! Do not read this book first or else you will be very lost and confused about so much that is too... Read more
Published 13 months ago by M. Frost
Needs to be on Kindle
Come on publisher. This novel needs to be available on the Kindle. I don't buy novels any more unless I can get them in Kindle format so I will not be starting this trilogy until... Read more
Published 19 months ago by Stephen Miller
Don't bother, you'll just be annoyed
The story was completely disjointed and unbelievable. The characters weren't compelling in the least.
Published 20 months ago by Masurtiti
Inside This Book
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Key Phrases - Statistically Improbable Phrases (SIPs):
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piper hill, fighting fish, princess ballerina, apron bag, med tech Key Phrases - Capitalized Phrases (CAPs): (learn more)
Little Bird, Kid Afrika, Maas Neotek, Sense Net, Tessier Ashpool, Marie France, Sally Shears, New York, Ono Sendai, The Investigator, Robin Lanier, Special Branch, Bobby the Count, Hilton Swift, Danielle Stark, Hooky Green, Dog Solitude, Angie Mitchell, Atlantic City, Tally Isham, Margate Road, Ueno Park, Mamman Brigitte, Angie That, Angela Mitchell Browse Sample Pages:
Front Cover | First Pages | Surprise Me!
piper hill, fighting fish, princess ballerina, apron bag, med tech Key Phrases - Capitalized Phrases (CAPs): (learn more)
Little Bird, Kid Afrika, Maas Neotek, Sense Net, Tessier Ashpool, Marie France, Sally Shears, New York, Ono Sendai, The Investigator, Robin Lanier, Special Branch, Bobby the Count, Hilton Swift, Danielle Stark, Hooky Green, Dog Solitude, Angie Mitchell, Atlantic City, Tally Isham, Margate Road, Ueno Park, Mamman Brigitte, Angie That, Angela Mitchell Browse Sample Pages:
Front Cover | First Pages | Surprise Me!
Citations (learn more)
100
books
cite this book:
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- Hyperkultur: Zur Fiktion des Computerzeitalters (German Edition) on 8 pages
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