Customer Reviews

Money for Nothing: A History of the Music Video from the Beatles to the White Stripes

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As a child of the 80's who grew up in front of MTV, I have been waiting for a book like this to arrive. Music videos have been one of the most innovative and influential forms of media for the last twenty years, but there has been surprisingly little scholarship on the genre.
In that sense, Austerlitz is breaking new ground with this book. He is a savy tour guide for the visual landscape we all share. From the music video's early days, to the hair metal 80's into the ganster 90's, he manages to articulate in witty and insightful prose the nuances and salient features of the genre as a whole, and specific high points in particular.
With the explosion of youtube, and other self produced video formats, its about time we have some serious thinking published on the subject. Austerlitz does just that. At the same time, this is a book for the music video fan. Those of us who remember the glory days of Motley Crue's reign on DIAL-MTV, or that graffiti set of Parents Just Don't Understand, upto the great Guns and Roses triology will be thrilled to hear a wise and equally passionate voice take us back through these videos.
I only hope the sequal will shed some light on Trapped In the Closet.

The history of music videos is unwritten, even though the appeal of this strange, incandescent art form should be just as oversized for people of all ages as it is for those of us who grew up in the eighties and nineties. Austerlitz is a witty, thoughtful guide who writes with a gentle mix of scholarship and loving irreverence. Read this book no matter who you are--and then go to YouTube and burn his top 100 videos into the back of your brain.

Austerlitz is an insightful and funny guide through the world of music video, and it's a tour worth taking. I spent a good portion of my adolescence looking on in horror at the flopping fish in Faith No More's "Epic," taking style cues from MC Hammer, and watching the worms crawl around Peter Gabriel's head, but my middle school eyes didn't see much past the flash. For those of you like me who loved it (but maybe didn't get it) the first time around, this book is an eye-opener - as when Austerlitz takes points to the beginnings of music video in WWII "Soundies" - while still holding on to the fun and nostalgia of an afternoon (or maybe a good, solid year) watching VH1. There's plenty in here for cinephile, music geek, or the merely curious. In short: buy it, read it, and enjoy.

MONEY FOR NOTHING: A HISTORY OF THE MUSIC VIDEO FROM THE BEATLES TO THE WHITE STRIPES is a 'must' for any collection strong in media history. Such collections will find the narrowed focus on music videos to be involving: it covers the earliest days of the music video when fusions of animated films, Hollywood musicals and more preceded MTV clips. The blend of pop music and short films fostered by the Beatles would sweep the music world - but had its roots in early Hollywood history. From the development of music-backed promotional films to 1970s alternative experiments with the medium, MONEY FOR NOTHING is packed with insights perfect for college-level media history holdings.

Diane C. Donovan
California Bookwatch