Monkey Business (Dig)

The Black Eyed Peas | Format: Audio CD

Product Details

• Audio CD (June 7, 2005)
• Original Release Date: June 7, 2005
• Number of Discs: 1
• Label: A&M
• ASIN: B00096S3RC
• Also Available in: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 3.3 out of 5 stars  See all reviews (429 customer reviews)
• Amazon Best Sellers Rank: #1,697 in Music (See Top 100 in Music)
  • #3 in Music > Rap & Hip-Hop > West Coast
  • #17 in Music > Rock > Rap Rock
  • #45 in Music > Rap & Hip-Hop > Pop Rap

Editorial Reviews

Amazon.com

As with their last hit, Elephunk, Black Eyed Peas' new disc Monkey Business is a joyful cross-genre journey with musical props to hip-hop, rock, folk, funk, and pop. The reason the Black Eyed Peas have audience appeal that crosses over many styles is because the band members are such obvious fans of diverse music. Nowhere is this more apparent than on Monkey Business’s high-profile guest list. After Justin Timberlake’s contribution to the massive "Where Is the Love" breakout hit from Elephunk, their inclusion of big names once again was a smart, respectful move on the part of the band as well as their guests. "My Style" is Timberlake’s BEP foray number two; while the song is funky pop fun, those looking to hear Justin in the forefront are likely to be disappointed, as his vocals are mixed evenly, no sweet soulful solos this time. Other guests of note are Jack Johnson, who cowrote the bling-bashing "Gone Going," Sting on "Union" (sonically inspired by the former Police-man’s "Englishman in New York"), while funk legend James Brown contributes to a scorching soul track dubbed "They Don’t Want Music." The contribution of female vocalist Fergie--who joined the band partway through their last CD--has raised up considerably on the band’s fourth disc, their second as a quartet. Sassily fronting her way through songs like "My Humps," the "Hey Mama"-esque "Dum Diddly" and the first single "Don’t Phunk With My Heart," Fergie’s melodic contributions make for a record that will likely be heard by wider audiences than ever, making this a truly accessible ‘hip-pop’ CD. --Denise Sheppard

Recommended Black Eyed Peas Discography

Behind the Front

Bridging the Gap

Elephunk

Customer Reviews

Most Helpful Customer Reviews

13 of 14 people found the following review helpful:

5.0 out of 5 stars Lovin' Monkeyin' Around, July 18, 2005

By 

Jua Q'uino "Jua Q'uino" (L.A. & San Fran, California) - See all my reviews

This review is from: Monkey Business (Dig) (Audio CD)

Some people expect hip-hop to be confined in the tight spaces of "50 Cent," "Eminem," and the current trend of "crunk" hip-hop; fortunately for us, the Black Eyed Peas are not willing to be defined in the current state of hip-hop. They are themselves and yet continuing to bend and stretch into new boundaries. That is what makes the Black Eyed Peas special. It is also makes this album much more special.

When Elephunk came out, there was much dismay over the addition of Fergie and the seeming thrust into the mainstream for the Black Eyed Peas. Who knows how Fergie came about as a group member but it was obvious that she was welcomed and loved by the boys as well as the masses. What made her addition special is that she was not going to be the "new" member but rather an equal partner in the group. She was not relegated to being a backup singer but a true memebr of the band. Good for her, good for the boys, great for all of them. It makes you wonder how it is okay for men to change and grow into new areas (such as Andre from Outkast) but when a woman can create change for a group, it is seen as selling out. It would seem that some people's attitudes towards Fergie is rather sexist.

For me, the egalitarian partnership is "formulatively" refined in "Monkey Business" with applause. Witht he hip-hop scene relegated to either trendy Reggaeton (sp?), the tiresome "bling-hop," and "crunk," it is great to hear a hip-hop band stretch the boundaries into new areas. The album is simply fun and it takes you everywhere. I love it. There is a little bit of everything of everybody and everybody different moods. From the inclusion of raggae, dancehall, trip-hop, jazz, old soul, it invigorates a rather dead hip-hop scene. You can tell that BEP just has a lot of love for many different types of music. I would consider Los Angeles' BEP akin to the East Coast's Mos Def, Common, and Talib Kweli (though I would not say they have the same sound) who are willing to tread in groumds that "mainstream" hip-hop treads. Simply put, this album is great. For those who criticize BEP for not being great lyricists or not political, it's true that they are no Mos Def or Common, but they are very political. I think more political than they've ever been. Take a listen to Union, Don't Lie, My Humps, and Gone Going and you'll hear that they are really pushing a good message. Plus they are really creative in how they use beats, samples, and rhythm. Love it!

Pump It - energetically weird and great to dance too! 4/5
Don't Phunk With My Heart - Love the 80ish, Bollywood, drum-and-bassish sound. 4/5
My Style - It really sounds like everyone involved had a lot of fun with this one. Not my fave but seemed like a great group jam! 3/5
Don't Lie - Oooh! I love this song! Love the lyrics and Fergie's reggaish chorus! Such a great message! 5/5
My Humps - What could easily be misconstrued as an inappropriate sexist music is really a parody towards materialism specically materialistic women (aka golddiggers). If you listen to it, BEP isn't condoning but actually giving a warning about 'dem girls. Fergie is great in this one! I didn't think she could actually rhyme but she's way better than Ciara or any of them could be. 4/5
Like That - OOOOOHHHH!!!! My fave of the album! Love the collabos of the artists! Love Talib as guest on this one. 5/5
Dum Diddly - Had a little bit of dancehall and raggaeton in it. Great dance track. 3/5
Feel It - Yes I can feel it. Mellow party music! 4/5
Gone Going - I love how they are such speaking out against the "blingers." Love the chorus. I hope they put this video out. I wish our youngster would take a listen to this one. 5/5
They Don't Want Music - Unfortunately, tis true! It's not my favorite arrangement but it is one of my favorite set of lyrics. 4/5
Disco Club - Didn't really feel this one as much but maybe it'll grow on me. 3/5
Bebot - Apl's Song Part 2. Not my favorite music arrangement but I can understand it and can relate. I'm impressed Apl can actually rhyme in Tagalog. Good for him and good for the BEP for including this all Tagalog track! Salamat! 3/5
Ba Bump - Didn't feel this one but like Disco Club, maybe it'll grow on me. It has my head bobbin though. 3/5
Audio Delite at Low Fidelity - At first, I didn't like it all all, but I grew to really like the old skool approach of this un. This is an homage to th old skoolers. 4/5
Union - Another favorite! I love the arrangement. The best arrangement of the album. And Sting's addition was a serendipitous surprise. Maybe it's because I'm getting to my late 20s. It has such a great message and rather political. I really hope a video can come out for this one. 5/5

Go BEP!

113 of 145 people found the following review helpful:

4.0 out of 5 stars Yes! I Want Music!, June 7, 2005

By 

Amanda Richards (Georgetown, Guyana) - See all my reviews
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This review is from: Monkey Business (Dig) (Audio CD)

A big phunky follow up to 2003's Elephunk from a group that invented and perfected a revolutionary new hip hop beat. With their trademark crazy lyrics, irresistible dance beats and catchy hooks, along with their unmistakable appeal and charisma, will.i.am, apl.de.ap, Taboo and Fergie come across as fresh, different, and let's face it, interesting.

The album blasts off with an aptly named heart-pumper called "Pump It", and then smoothly slides into their first hit "Don't Phunk With My Heart", a dance floor conquering song. The next single may well be "My Style", thanks to the input of Justin Timberlake who was a lucky charm on the last album with "Where is the Love?"

The funniest song of the album is "My Humps", and another good one is "Dum Diddley" which adapts a Caribbean beat similar to Akon's "Belly Dancer". For a '70s trip down memory lane you can try "Feel It", and for a real old time funk experience you can't beat "They Don't Want Music" featuring the one and only James Brown.

Another interesting combination can be found on "Gone Going Gone" with Jack Johnson, and Sting's input on "Union" is unmistakable for anyone familiar with his "Englishman in New York".

Coming behind "Elephunk" this one does not disappoint, and is an "Audio Delite" at any fidelity.

Amanda Richards, June 7, 2005

59 of 76 people found the following review helpful:

4.0 out of 5 stars Broader Horizons, June 8, 2005

By 

K. Fontenot "Prairie Cajun Lives!" (Louisiana) - See all my reviews
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This review is from: Monkey Business (Dig) (Audio CD)

If "Elephunk" introduced the Black Eyed Peas to multiple genres of listeners, then "Monkey Business" is definitely the wake-up call for those lagging behind. With influences from pop, hip-hop, R&B, soul and roots music, BEP have melded their four minds together to make one heck of an album.

It's a definite step-up from "Elephunk," offering new and varied sounds on each song on the album. The initial release is "Don't Phunk With My Heart." It bridges the gap between "Elephunk" and "Monkey Business" but has a hard driving, almost techno feel to it. "Pump It" is probably my favorite song on this disc, being that it has some killer Dick Dale guitar loops in it. I wonder how many BEP fans actually know who Dick Dale is? Also, Justin Timberlake appears here again, but the real gems, the important ones, are James Brown and Sting. The Godfather of Soul lends some funk to "They Don't Want Music," another of my favorites that targets the modern music listener who doesn't really want music, just a beat to move to. "Bebot" is another cool tune on this disc.

The entire album is solid, no filler to be found.

If you enjoy funk, hip-hop, pop, or even a little surfer music, "Monkey Business" has a little of all of that here. Like I stated before, this is definitely an improvement on "Elephunk," because it will surely meet a larger audience AND the BEP won't sound like sell-outs. That's a hard thing to do these days.