Monkey Business: The Lives and Legends of The Marx Brothers [Paperback]

Simon Louvish (Author)

Book Description

Publication Date: September 25, 2001

Monkey Business is the first comprehensive biography of all five Marx brothers—Chico, Harpo, Groucho, Gummo and Zeppo. It features the first authentic account of their origins, their comedy roots, and their twenty-four years on stage prior to their first movie, The Cocoanuts, in 1929. Monkey Business brings to life the vanished world of America's variety circuits, leading to the Marx Brothers' Broadway success and their alliance with New York's theatrical lions, George S. Kaufman and the Algonquin Round Table.

Louvish showcases well-minted Marxian dialogue, and much madness and mayhem in this tale of the Brothers' Hollywood battles, their films, their loves and marriages, and the story of the forgotten brother Gummo, who never appeared on screen. Salvador Dali's "missing" script for Harpo, the true identity of the long-suffering Margaret Dumont, and the politics of "Marxism-à-la-Groucho" all contribute to this definitive biography of these beloved brothers.

Editorial Reviews

Amazon.com Review

A serious book hiding behind a goofy title, Monkey Business captures a tremendous amount of detail in its pages, enough to satisfy the most hard-core Marx Brothers aficionado. Author Simon Louvish has a talent for showcasing contrasts, and it's these contrasts--along with a few surprises--that make the brothers such fascinating characters. Among all the scripts, photos, and quotes are some unexpected discoveries, especially the real story of Margaret Dumont. While lamenting the tall tales that have circulated around this actress's life so far, Louvish applauds her image as the ultimate "straight" lady when she was really pulling a lifelong practical joke. And while the one-liners are as entertaining as always, it's refreshing to see glimpses of Groucho's serious side. One chapter begins with an earnest letter to his daughter's boyfriend about the young man's struggles with anti-Semitism, advising him to "comport yourself in such a manner that you will ultimately gain their respect." Of course, he immediately follows up with "Tomorrow we're having tea at the White House. I hope they have pumpernickel": this is Groucho we're talking about, after all. Louvish takes the same one-two narrative punch with the other brothers, interspersing real-life slapstick with tales of gambling debts, relationship difficulties, and professional disappointments and triumphs. Complete with a chronological list of life events and films, a complete reference list, and a thorough index, Monkey Business is the biography serious Marx Brothers fans have been waiting for. --Jill Lightner --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Told with tremendous style and sparkle, Louvish's composite portrait of the Marx Brothers offers an indispensable overview of the actors' saga. Decked out with photographs and sprinkled with excerpts from reviews, interviews, memoirs, film dialogue and hitherto unpublished skits and scripts, this biography captures the sheer exuberance of the foursome as they conquered vaudeville, Broadway and Hollywood. Louvish gives equal billing to all the brothersAJulius (Groucho), Leonard (Chico), Arthur (Harpo), Herbert (Zeppo), plus Milton (Gummo), who left the act to become a Hollywood agentAand vibrantly re-creates a supporting cast of characters that includes George Kaufman, Irving Berlin, Irving Thalberg, S.J. Perelman and Margaret Dumont. Yet the biographer of W.C. Fields (The Man on the Flying Trapeze) maintains critical detachment in assessing the brothers' onstage/onscreen antics and their often messy private lives. Groucho, for one, comes off as a lot more likable than in Stefan Kanfer's Groucho (Forecasts, Mar. 20). While Louvish fully acknowledges the abusive behavior that drove Groucho's first wife to alcoholism, Julius Marx seems more forgivably human here, and Louvish depicts Groucho's relationship with daughter Miriam as loving and solicitous. His fresh research clears up all manner of myths, embellishments and omissions in previous biographies and in the brothers' autobiographies. In this invigorating reappraisal, the Marx Brothers, more than "Minnie and Sam's boys who never grew up," are timeless satirists of pretension, folly, privilege and snobbery, in the tradition of Cervantes, Rabelais and Mark Twain. The "Four Horsemen of the Apoplexy," they embody an authentic acceptance of life's absurdity as well as a desperate need to leave one's mark. (June)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 480 pages
• Publisher: St. Martin's Griffin; 1st edition (September 25, 2001)
• Language: English
• ISBN-10: 0312283822
• ISBN-13: 978-0312283827
• Product Dimensions: 8.3 x 5.5 x 1.3 inches
• Shipping Weight: 1.1 pounds
• Average Customer Review: 3.7 out of 5 stars  See all reviews (26 customer reviews)
• Amazon Best Sellers Rank: #1,157,949 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

11 of 11 people found the following review helpful:

5.0 out of 5 stars Very Enjoyable, January 13, 2003

By 

Michael Samerdyke (Big Stone Gap, VA USA) - See all my reviews
(REAL NAME)   

This review is from: Monkey Business: The Lives and Legends of The Marx Brothers (Paperback)

I found "Monkey Business" very enjoyable and interesting. I had trouble putting the book down. It reads very quickly and is not dull or academic in the least.

The one drawback I found was that the book is not as focused as Louvish's bio of W. C. Fields, but then here he is following five people as opposed to one.

Still, this was a very good book. I liked the way Louvish challenged some old stories about the Marx Brothers, and I liked the way he made a case for Chico being the chief "behind the scenes" brother in business matters. His assessment of the films seemed quite fair to me, and I found it interesting that the Marxes (or their writers) originally intended "Duck Soup" to be more political, and that they made it after plans to film "Of Thee I Sing" fell through.

Still, this is perhaps not the best "first book to read" on the Marx Brothers. I would nominate Joe Adamson's "Groucho, Harpo, Chico and Sometimes Zeppo" for that.

11 of 11 people found the following review helpful:

5.0 out of 5 stars A window into their madcap world, May 30, 2000

By 

ron capshaw (new york) - See all my reviews

This review is from: Monkey Business: The Lives and Legends of The Marx Brothers (Hardcover)

An excellent book not only for Louvish's analysis of their films but for showing how their homelife at turn of the century New York influenced their humor. The author highlights the personality differences in each brother: Groucho was penny-pinching, cynical, and yes grouchy; Unlike his cinematic woman-chasing (literally) image, Harpo was happily-married and monogamous; and Chico was an inveterate gambler and womanizer.The author does a good job of highlighting their hilarous off-screen antics; of particular value is his recounting of their cruel but always hilarious practical jokes on the stiff and dignified Margaret Dumont.

10 of 10 people found the following review helpful:

5.0 out of 5 stars Well, "Monkey Business" IS my all time fave Marx movie......, June 5, 2004

By 

devotedmarxist (New Hampshire) - See all my reviews

This review is from: Monkey Business: The Lives and Legends of The Marx Brothers (Hardcover)

And I must say that this book of the same title is right up there too. I thought Simon Louvish did an excellent job of digging up the truth on the Marxian tales that have swirled around for many, many years. His research of the ancestral roots of Minnie and Sam "Frenchy" Marx are impeccable.....and Louvish's way of putting the "ages" of the brothers in their proper timeframe is first rate. I think he captured each brother perfectly. I was impressed at his case for giving Chico a hell of lot more credit in steering the brothers to superstardom. Chico was a go-getter, just like his mother Minnie, and I was happy to see Chico portrayed as something more than just the gambling, womanizing, loose cannon type of a guy we all know about (or thought we knew about). That's not to say Chico wasn't like that, it's just good to hear something else about him for a change (I'd kill to have the mathematical mind that guy had!). Harpo is always just the Harpo we all know (just like in "HARPO SPEAKS!") and love. He definitely marched to a beat of a different drummer (Louvish captures that perfectly), Harpo was his own man to say the least. That's a good thing. Groucho, is displayed (like usual) as cantankerous, moody and insulting (well, this IS Groucho we're talking about!). But Louvish gets into the reasons WHY Groucho was that way (let's just say insecurities MIGHT have played a small part in Groucho's disposition).

For me, reading of Zeppo's burden of being so much younger and feeling he was always an afterthought is sad. To be bearing the middle name of his deceased eldest brother, you have to feel some sympathy towards the poor guy. Zep's talents lie elsewhere, as subsequent chapters explain. Louvish's use of prime Marxist dialogue is superb, and he really outdid himself in research at the Libary of Congress, finding several vintage manuscripts just lying there waiting to have their moment in print.......speaking of moments, I was really intrigued by the true story of Margaret Dumont. This woman managed to pull off the ultimate lifelong-practical joke on GROUCHO of all people. Read the book to see what I'm talking about. Everything you'd want to know about the Marxes is here, and there's so much irony in the stories, it's mind boggling. What really got me was the sad way each of their lives ended. None of them (except maybe Gummo) just went along peacefully. Chico died of arteriosclerosis, with practically nothing to show for all the glory years in the movies, Harpo had a heart attack during open-heart surgery (on his 28th wedding anniversary no less), Zeppo died of lung cancer. Groucho's surviving relatives' feud with Erin Fleming (even after Grouch was gone) was a sad closing to an amazing, but sometimes painful life. But it's the laughter that kept the brothers (and brought all of us) together. That's what this book celebrates more than anything. The genius of their comedy, their anarchistic style, they brought THEMSELVES to us, the movie goer. That's why almost 80 years later, we're still interested in them, because there was no one else like them, probably never will be. But it's the legacy of laughter they left behind, the legacy that Louvish writes about so beautifully. First rate book, get this one.