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13 of 14 people found the following review helpful:
4.0 out of 5 stars
Monolith a Portent of Change, September 14, 2000
After the unexpected commercial success of 1977's Point of Know Return, Kansas was faced with the daunting task of following up their hit album. A fine live effort in Two For the Show bridged the gap to Monolith, #6 in what I like to call the "Lucky Seven" (seven consecutive quality albums in a row). This self-produced effort, however, is a portent of major change & eventual schism. A collection of eight 4-6 minute tracks, Monolith's rich packaging suggests a concept album, but the Native American theme so intriguingly presented on the cover is merely hinted at in the lyrics to just one song. This seemingly aborted concept, along with the exclusion of Kerry Livgren's mini-epic "No One Together" from the final LP (shelved for later inclusion on Audio Visions), and the lack of musical cohesion suggests that Monolith was an ambitious project that never came to fruition. Monolith and it's 1980 successor offer Kansas at it's most bi-polar: Livgren's full emergence as a born again Christian contrasted with Steve Walsh's more primal leanings into decidedly secular, straight-ahead rock. However, the mix makes for some fine moments: Livgren's oddly cryptic balladry of "The Other Side," the quality synth-pop of "People of the South Wind," Walsh's beautifully psychotic masterpiece, "Angels Have Fallen," and the blistering hard rock bloozer, "Stay Out of Trouble." The "Icarus" riff is resurrected amongst the ambitious prog of Livgren's "A Glimpse of Home," while Walsh's "Away From You" serves up some hook-laden, harmony infused prog/pop that Mozart would've loved if he were alive 20 years ago. Somewhat misplaced are Walsh's "How My Soul Cries Out For You," a "Heart of the Sunrise" on speed kicker which features an ill-conceived drum solo interrupted by restaurant drive-by audio, and Livgren's attempt to follow up "Dust in the Wind" with the fluffy, Styx-like "Reason to Be." Monolith's jagged path makes it apparent that Kansas would soon be split down the middle by its principle songwriters' respective runs for different borders.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
On a decline from Point of Know Return, but still a fine effort, September 5, 2005
If you compare this with their previous studio effort "Point Of Know Return", this one isn't nearly as good, but if you let this album stand alone on it's own this is a very good album. Some people wanted to hear a Point of know return part two, but I think they wanted too put out something different this time around. I just love the first track "On the other side", but I think it would sound better if it were remastered. Equally as good is "People of the Southwind", which is one of the great classic rock songs. "Glimpse of home" and "Away from you" are the other two songs that really stand out. I think that "Stay out of trouble" is an alright tune, but could you imagine that song fitting on the album "Point of know return". It would stick out like a sore thumb. It's not the kind of song that I like to hear from this great American progressive band. The final track "Reason to be" is a nice close to the album, but it's one of my least favorite KANSAS songs. I think when this album was being written Kerry Livgren was a new Christian and it show's in a handful of his compositions on this album. I really can't understand the several bad reviews on MONOLITH, but maybe these reviewers aren't diehard fans like me. DON'T HESITATE IN BUYING THIS UNDERRATED GEM!!!
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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Although not as proggy, this is still a decent album, March 14, 2007
Like a lot of progressive rock bands in the late 1970's there was pressure to adopt mainstream styles and Kansas was certainly not immune to this. Although the epic prog works of the 1974-1975 timeframe were well behind them, Kansas still managed to forge onwards with a good album that exhibited well-thought out compositions and a high standard of playing. Clearly, although the times were changing, Monolith (1979) is certainly more musically interesting than albums that were being released by the English prog giants at the time and even the sci-fi/fantasy influenced cover art suggested that the band may not have been willing to completely let go of the proggier material. Well, let us just say that they loosened their grip a bit on Monolith.
The lineup included Phil Ehart (drums, percussion); Dave Hope (electric bass guitar, Autogyro); Kerry Livgren (electric and acoustic guitars, synthesizers); Robby Steinhardt (lead vocals, viola, violin); Steve Walsh (lead vocals, synthesizers, organ, and piano); and Rich Williams (acoustic & electric guitars). The guys all turned in the typical high level of musicianship, although the keyboards seemed buried in the mix on this album - especially in contrast with albums like Song for America (1975) and the excellent Leftoverture (1976). As usual, Phil and Dave blast away and do a great job.
On Monolith, although the general sound is still that of the trademark progressive hard rock sound that characterized their output, the proggier aspects of the typical Kansas composition had been pushed to the background somewhat and more mainstream styles (e.g. disco) started to turn up here and there - the "breezy" tune People of the South Wind is a good example of this tendency. The songs range in length from 3'38" to 6'37" with most in the 3-5 minute range - as always though, the band still managed to say a great deal in a short amount of time and there are some extremely proggy moments on the album. Actually, in all fairness there are some excellent pieces on Monolith that feature fantastic playing, composing, and sophisticated arrangements including Angels Have Fallen, On the Other Side, Away from You, and the superb Reason to Be, which stands among some of my favorite Kansas compositions.
My hope is that this album will get remastered at some point - it really is in desperate need of an update. Maybe then I will be able to really hear the keyboards.
Well there you have it. Monolith is a good Kansas album that has a bit of the prog punch of earlier works, while moving in a more mainstream direction. For folks that are new to Kansas, I would personally recommend Song for America, Leftoverture, and Point of Know Return (1977) as good starting points. In conclusion, Monolith stands as a fitting bookend to a great series of adventurous albums of progressive hard rock released in the 1970's and is recommended.
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