Because a monolog comes from a great play, it doesn't necessarily follow that it's a great monologue for you. The writing may be fine and literary, but, from an actor's standpoint, there are other considerations. A great monologue for you is one that showcases you, lends itself best to your interpretation, makes auditors, instructors and casting directors sit up and say, 'Wow!' Every consideration has been taken to make Dramaline books easy on the actor, to make them readily usable, effective tools. The accent is on you.
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Most Helpful Customer Reviews
13 of 15 people found the following review helpful:
2.0 out of 5 stars
Waste of Time,
By A Customer
This review is from: Monologues for Teenage Girls (Paperback)
I found this book to be full of shallow, boring monologues. They do not showcase an actors ability at all, and the topics can be little off center to what you might like to perform for an audition (at least I felt so). Adding to that, the pieces are not from plays, which got annoying. They are just informative speeches, no acting required, monotonous ramblings.
2 of 2 people found the following review helpful:
2.0 out of 5 stars
not worth buying,
By
This review is from: Monologues for Teenage Girls (Paperback)
I'm glad I just borrowed this from the library.
There were a few monologues which were cute, and had witty ideas. However, many of them ended something like 'and that's why i'm never doing drugs/having sex/trusting boys/doing anything bad" . The author obviously had never spoken in depth with a teenage girl, writing 'like' way too often in strange places. Not worth buying, but maybe worth borrowing from the library?
1 of 1 people found the following review helpful:
1.0 out of 5 stars
bad book,
By A Customer
This review is from: Monologues for Teenage Girls (Paperback)
This is a very bad book. I suggest you dont get it. This is not a good book for auditions.
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