|
|
8 of 8 people found the following review helpful:
5.0 out of 5 stars
Dark, Sinster, Hopeless... and Scary as Hell., November 24, 2006
Don't expect another "To Mega Therion," anytime soon, folks. In fact, don't expect anything remotely predictable, up-tempo, or straight-forward, because "Monotheist" is far from any of that. With this comeback album, Celtic Frost not only immerse, but glorify themselves on their new brand of experimental, hellish, and doom-laden metal. The most explicit song you'll find on this album is the opening 2 tracks, "Progeny," and "Ground." After that, it's a dive into the obscure, the unknown, and the occult.
Peter Tagtren's production brings out the bleak, menacing, and suffocating undertones on this album wonderfully. Tom's vocals are abysmal, dark, and truly PISSED. Guitars are tuned REALLY low, which help add some gut-level punch, and the drums, as always at Abyss Studios, are produced wonderfully. The electronic elements aren't distracting, and actually add a more modern, sophisticated edge to the goth-laced doom metal. The song "Drown in Ashes" features spacious synths, detached female vocals, and lurching bass lines while still being able to fit in with the likes of the next track, "Os Abysmi Vel Daath," which is probably one of the most ominus, blackened doom metal songs I've heard in a while.
By integrating an occult influence into the music, the album is made that much darker. The closing trinity of the album features invocations written in German and Latin, and the slug-paced metal, resonating with feedback and hellish ambience, makes it come to life. All of the lyrics are explained in the booklet, and even for a very educated person of the occult, you would be baffled at the depth of the lyrics and can truly tell that there is some time and effort put into these works.
While old-schoolers may shake their heads in disapproval, lovers of the more obscure side of metal, such as myself, will be delighted at the sheer crushing weight of this album.
|