Customer Reviews

Little Sap and Monsieur Rodin

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They say not to judge a book by its cover. Obviously this rule is true some of the time. Some of the time, however, the cover is EXACTLY what you need to see in order to judge a book correctly. How many times have you seen a cheaply produced cover on a children's picture book also to find the story inside laughably simplistic? More than once, I'd wager. By and large, however, I do not seek out books based on what their covers look like. Then I took a gander at "Little Sap and Monsieur Rodin" and my little heart went pitter-pat. Oh how pretty. We've all seen those picture books that show a small child getting to know some great artistic figure. There was "Beethoven Lives Upstairs", and "Degas and the Little Dancer" (which bears no small resemblance to this book), and the truly disturbing "Picasso and the Girl With the Ponytail". What drew me to "Little Sap" however was partly its content. I don't know how many Cambodian picture books you can recite off the top of your head, but my count is pretty low. Add to that the fact that the book talks about Rodin (oddly ignored by picture books, by and large) and you've got yourself the makings of something particularly good.

The royal dance troupe of Cambodia is recruiting new members from a number of girls around the country. Little Sap is from a small village, but despite her dirty nails and awkward balance the child wins a place on the court's troupe. That means unceasing practice and training. Over the years she gains confidence and poise and is allowed to go to France with the troupe to perform abroad. While there they attract the attention of the great artist Auguste Rodin. Drawn to the dancers (no pun intended), Rodin spends much of his time in the villa where they stay, sketching their moves. Little Sap in particular gets his attention and by the end of their stay in France he purchases a pair of fancy French shoes and gives her a sketch of herself. The back of the book includes an Author's Note that describes the facts behind the story and what is and isn't true.

Rendered in ink, watercolor, acrylic, and paper collage the illustrations done by first-time picture book artist Felicia Hoshino are quite pleasant. Hoshino's girls wear silk sampot, or pantaloons, which let the girls look as if they're wearing slightly baggy pants all the time. This accurate detail has a dual purpose. On the one hand it means that the book is historically and culturally appropriate. On the other, it means that the girls in this book look particularly familiar to today's jean-shod young lasses. The style Hoshino uses here tends towards odd proportions in characters. Feet tend to be particularly small and heads particularly large. Just the same, this technique never strikes the reader as out of place. It's simply a different style.

Lord is careful to note at the back of her book that Little Sap's story is, for the most part, made up. There are elements to it, however, that were true. One thing I noticed in a photograph displayed of Rodin watching a dancer was that the performer is wearing a costume far more elaborate than any pictured in the book. During the professional dance of Robam Makaw the costumes are made evident, but we never get a scene similar to the one in the photo. One has to wonder why this is. Why, for example, did artist Felicia Hoshino choose to include plenty of scenes where the girls dance for Rodin, but not one where they are dressed up? Still, there was much to enjoy in this book. I was particularly pleased that Lord thought to include some of the hand motions mastered for the purpose of the dance. And though there isn't an official Bibliography at the back, a quick gander at the publication page shows the books, videos, and websites that Lord and Hoshino owe their aid to.

There are plenty of child-influences-great-artist type books out there, but by and large they are of white children with white artists. You'll still have the white artist in this book, but at least there's a bit of multiculturalism going on as well. You may be able to find Cambodian folktales in your local library, but not many will be stories based on real life occurrences involving the Khmer empire. A lovely little book and a nice story to boot.

I found this book delightful and culturally significant, as it's the first children's book I've seen to weave its story around Cambodian culture. A wonderful message of hope and commitment, I plan to donate copies of this book to our local libraries. It's the sweet story of a girl from a poor rice farming family who steps out of her little world to become a court dancer at the Royal Palace in Cambodia. With rigorous training and the special opportunity to perform with her troupe in Paris, she ultimately sees herself transformed from a simple country girl to a graceful dancer through the drawings of the famous French artist Monsieur Rodin. The book's illustrations beautifully bring the book to life. Enjoy!

A truly delightful childrens book about a young cambodian girl who leaves her family and her village to become a dancer for the princess's royal dance troupe so that her family can have a better life. Along the way, she learns hard work and self worth. I found this to be an inspiring and touching story with a unique cultural angle not normally seen in childrens books.
The bright and colorful drawings bring the story to life.

I highly recommend this book! An exceptional book from a first time author that I hope publishes many more in the years to come.

Young girls especially will be able to identify with Little Sap as she starts her first dance class, all awkward and clumsy compared with the more experienced girls in the room. But as Little Sap grows more comfortable dancing, the reader grows more comfortable in the world of early 20th century Cambodia. And then the reader feels the same thrill Little Sap does when her dance group boards a huge ocean liner -- bringing along costumes, props, and even elephants! -- and sails for France.

The story is like a magical time machine that sends us back to a time when the world was much larger than it is today and foreign cultures were much more exotic. Cambodia of a century ago was a very artistic society, and the illustrations are superb in communicating the details of the clothing, dance, music, and architecture of the period. Together, the words and pictures convey a genuine sense of being there and sharing in the experiences of Little Sap.

With two Cambodian-born children, this book is a treasured addition to our library. Beautifully told and illustrated, its graceful imagery draws children into the story, and with the muliple readings demanded soon has them practicing the hand poses and dreaming of dance.

My kids will be reading this for years, and I now give this as a gift for all new baby girls ... and Khmer boys, as well.

Little Sap And Monsieur Rodin combines Michelle Lord's engaging text with impressive illustrations by Felicia Hoshino to tell the remarkable story of a young woman who in the year 1906 was a member of the dance troupe from the Royal Palace in Cambodia when they all made a trip to the beautiful city of Paris. Carrying young readers through Little Sap's encounter with the famous French artist, Augustine Rodin, Little Sap And Monsieur Rodin follows the painter and sculptor's interest with the classic beauty of Cambodian dance in general, and the dancing girl Little Sap in particular. A beautifully presented picturebook story, Little Sap And Monsieur Rodin will delight young readers and prove a popular addition to school and/or community library picturebook collections.