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Monster: Living Off the Big Screen [Import] [Paperback]

John Gregory Dunne (Author)
2.9 out of 5 stars  See all reviews (18 customer reviews)


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Product Details

  • Paperback: 224 pages
  • Publisher: Pan Books (March 10, 2000)
  • Language: English
  • ISBN-10: 0330392468
  • ISBN-13: 978-0330392464
  • Product Dimensions: 7.7 x 5.2 x 0.7 inches
  • Shipping Weight: 5.6 ounces
  • Average Customer Review: 2.9 out of 5 stars  See all reviews (18 customer reviews)

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Customer Reviews

18 Reviews
5 star:
 (2)
4 star:
 (5)
3 star:
 (4)
2 star:
 (4)
1 star:
 (3)
 
 
 
 
 
Average Customer Review
2.9 out of 5 stars (18 customer reviews)
 
 
 
 
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9 of 10 people found the following review helpful:
3.0 out of 5 stars Arrogant, sloppy, and I can't put it down, March 18, 1999
By A Customer
John Gregory Dunne is an arrogant, name-dropping monster, himself. So much of the book is poisoned by his self-congratulatory tone. While he was a full participant in all of the events he recounts, he drips superiority as if he were floating (sneeringly) above the action rather than right down in it. The book is so lazily written. Abrupt, disjointed sections; his pacing and sense of time only confuse the reader. He indulges great detail on boring scenes that show himself off while he quickly glances over the scenes that would interest the reader the most. We have absolutely no sense of his wife, Joan Didion. We learn nothing about how he actually writes a script. Nevertheless, I couldn't put the darn thing down. I read it in a few hours and was captivated. It doesn't give nearly enough detail, the analysis is slight, the conclusions absent. But, somehow, I whipped through it and was glad I did. The subject matter is so fascinating that--while he forces us to peer at it through the haze of his ego--I still enjoyed looking. Perhaps more than anything, I enjoyed luxuriating in my hatred of the author.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars The Monster is the Studios Money..., July 17, 2006
At a lunch with a studio executive,screenwriter John Dunne was insisting on a story point in the script that he had written with his wife,Joan Didion, the excutive mimed reaching under the table and bringing out,"The Monster",their money, to win the argument. Seven or eight years they toiled on the script that became ,"Up Close and Personal",this is the chronicle of their experiences. Fascinating and sobering, when you realize how things can dissolve and then reappear in a completly different form. It is very well told and forshadows his health problems that cost him his life in 2003, that his wife wrote so exquisitly about in "The Year of Magical Thinking". If how movies get made is of any interest to you this and his other film making tale, "The Studio" will fascinate you.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars excellent insider's account, November 30, 2000
By A Customer
An excellent account of screenwriting and movie making, told in a very sardonic manner. If you liked Memo from David O. Selznick or William Goldman's Adventures in the Screen Trade, or Dunne's own The Studio, you'll probably enjoy this as well.
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Inside This Book (learn more)
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First Sentence:
"In the spring of 1988, my wife, Joan Didion, and I were approached about writing a screenplay based on a book by Alanna Nash called Golden Girl, a biography of the late network correspondent and anchorwoman Jessica Savitch." Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
prison sequence, deliver the moment, production rewrite, revised scene
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Los Angeles, Jessica Savitch, John Foreman, Patty Detroit, Ice Queen, Michelle Pfeiffer, Jeff Berg, Kate Guinzburg, Robert Redford, David Hoberman, Don Simpson, Jon Avnet, Star Is Born, John Davis, Dharma Blue, Dangerous Minds, Sallyanne Atwater, Culver City, Gale Force, Pretty Woman, San Diego, Academy Award, Central Park, Court of Honor
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