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Monsters in America: Our Historical Obsession with the Hideous and the Haunting [Hardcover]

W. Scott Poole
4.2 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

October 15, 2011

Salem witches, frontier wilderness beasts, freak show oddities, alien invasions, Freddie Krueger. From our colonial past to the present, the monster in all its various forms has been a staple of American culture. A masterful survey of our grim and often disturbing past, Monsters in America uniquely brings together history and culture studies to expose the dark obsessions that have helped create our national identity.

Monsters are not just fears of the individual psyche, historian Scott Poole explains, but are concoctions of the public imagination, reactions to cultural influences, social change, and historical events. Conflicting anxieties about race, class, gender, sexuality, religious beliefs, science, and politics manifest as haunting beings among the populace. From Victorian-era mad scientists to modern-day serial killers new monsters appear as American society evolves, paralleling fluctuating challenges to the cultural status quo. Consulting newspaper accounts, archival materials, personal papers, comic books, films, and oral histories, Poole adroitly illustrates how the creation of the monstrous "other" not only reflects society's fears but shapes actual historical behavior and becomes a cultural reminder of inhuman acts.


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Editorial Reviews

Review

"Poole brings to life American horror stories by framing them within folk belief, religion, and popular culture, broadly unraveling the idea of the monster. Thanks to Poole's insights we see the ubiquity of the monster lurking in and around us."
--John David Smith, Charles H. Stone Distinguished Professor of American History, The University of North Carolina at Charlotte

"Poole's connection of the monster to American history is a kind of Creature Features meets American cultural history. Here we not only meet such monsters but also discover America's cultural monstrosity."
--John W. Morehead, editor, TheoFantastique.com

"A well informed, thoughtful, and indeed frightening angle of vision to a persistent and compelling American desire to be entertained by the grotesque and the horrific."
--Gary Laderman, Professor of American Religious History and Cultures, Emory University

"With Monsters in America, W. Scott Poole has given us a guidebook for a journey into nightmare territory. Insightful and brilliant!"
--Jonathan Maberry, New York Times bestselling author of Patient Zero and Dead of Night

"An unexpected guilty pleasure! Poole invites us into an important and enlightening, if disturbing, conversation about the very real monsters that inhabit the dark spaces of Americas past."
--J. Gordon Melton, Director, Institute for the Study of American Religion

"From 19th century sea serpents to our current obsession with vampires and zombies, ... Poole plots America's past through its fears in this intriguing ...sociocultural history."
--Publishers Weekly

"Poole ... has set the bar ridiculously high for any future research exploring the locus of historical and cultural studies, particularly as it pertains to the horrific. ... Monsters In America challenges, enlightens, and, quite honestly, frightens in its prescient view of American history, as well as the seeming ubiquity of the monsters of our past and probable future."
--The Crawlspace

"After reading Monsters in America, a reader will view monsters in a completely different light. No longer just something that goes bump in the night, Mr. Poole showcases that monsters have more meaning and shed more insight into society than one might have previously suspected. Well-written and engaging, Monsters in America is a must-read for anyone fascinated by history or monsters or both."
--That's What She Read

"While we can never isolate all the elements contributing to our horror stories, Poole looks at the distinct soil that produced Monsters in America. He lurks in the forests and depths that gave rise to Moby Dick, the Headless Horseman and even Bigfoot. Writing from his faculty position at the College of Charleston, Poole locates many of our manias in racial fears and tensions.
--Purple State of Mind

"The story of monsters, Poole rightly observes, is actually the "underground history of the United States.... American monsters are born out of American history." Monsters reveal what simultaneously enthralls and repels us, whether it's leviathanesque sea monsters off the shores of 17th-century New England or Stephenie Meyer's puritanical, defanged Edward Cullen addressing contemporary America's split-personality longing for a supersexy Ozzie-and-Harriet family."
--Jana Riess, Beliefnet

"After reading Monsters in America, a reader will view monsters in a completely different light. No longer just something that goes bump in the night, Mr. Poole showcases that monsters have more meaning and shed more insight into society than one might have previously suspected. Well-written and engaging, Monsters in America is a must-read for anyone fascinated by history or monsters or both."
--That's What She Read

"While we can never isolate all the elements contributing to our horror stories, Poole looks at the distinct soil that produced Monsters in America. He lurks in the forests and depths that gave rise to Moby Dick, the Headless Horseman and even Bigfoot. Writing from his faculty position at the College of Charleston, Poole locates many of our manias in racial fears and tensions.
--Purple State of Mind

"The story of monsters, Poole rightly observes, is actually the "underground history of the United States.... American monsters are born out of American history." Monsters reveal what simultaneously enthralls and repels us, whether it's leviathanesque sea monsters off the shores of 17th-century New England or Stephenie Meyer's puritanical, defanged Edward Cullen addressing contemporary America's split-personality longing for a supersexy Ozzie-and-Harriet family."
--Jana Riess, Beliefnet

About the Author

W. Scott Poole is Associate Professor of History at the College of Charleston. His most recent publications include Satan in America: The Devil We Know, The Palmetto State: A Short History, and South Carolina's Civil War: A Narrative History. His book Never Surrender: Confederate Memory and Conservatism in the South Carolina Upcountry was the 2004 winner of the George C. Rogers Award for Best Book in South Carolina History.


Product Details

  • Hardcover: 290 pages
  • Publisher: Baylor University Press; First Edition edition (October 15, 2011)
  • Language: English
  • ISBN-10: 1602583145
  • ISBN-13: 978-1602583146
  • Product Dimensions: 9.1 x 0.9 x 6.1 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #160,497 in Books (See Top 100 in Books)

More About the Author

W. Scott Poole is the author of numerous books and articles on race, religion and popular culture in America.

His latest is _Monsters in America_ from Baylor University Press, forthcoming in October of 2011._Monsters_ explores the American fascination with vampires, zombies, serial killers and even sea serpents, showing how these creatures of our dark obsessions help us to understand the dark and forboding places in American history.

In 2009, Poole published _Satan in America: The Devil We Know__ (Rowman and Littlefield), a cultural history of the image of Satan in American religion, history and popular culture. This exciting work blends the study of horror films, comic books, religious texts and newspaper accounts of "satanic panics" into a highly readable analysis of the concept of the devil in American cultural history. Penn State folklorist Bill Ellis called the book "required reading for anyone who wants to understand the dark roots of America culture." In 2010, the book became available in paperback and in a Kindle edition.

Poole regularly writes book and film reviews for PopMatters.com, an international magazine of cultural criticism. He is currently writing a book about 1950s horror host and Ed Wood star "Vampira" that explores the history of American sexuality, gender relations and the rebirth of the gothic in post-WW2 America. Its a story that begins with the history of the dark lady of late night horror and branches out into a discussion of the Beats, Bebop Jazz, the birth of rock and roll and the social protest movements of the 1960s.

Poole is also an associate professor of History at the College of Charleston where he teaches courses on monsters in American history, Satan in folk belief and pop culture and the history of religion and race in American life .

Customer Reviews

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Most Helpful Customer Reviews
14 of 15 people found the following review helpful
Format:Kindle Edition|Amazon Verified Purchase
I suppose history could be read into just about any object. Suppose someone wanted to trace American history through the common coffee cup. What would be made of the differences of the heavy, utilitarian coffee cups of the 1940s compared to the cups featuring Gary Larson cartoons so popular in the 1990s? What could we extrapolate on the ways we lived and what we believed during each era?

In a way, that's the task W. Scott Poole sets for himself in Monsters in America: Our Historical Obsession with the Hideous and the Haunting when he deconstructs what scares us by looking at what was happening at a specific time in our history that hid beneath the particular monster du jour. The early portions of the book - those starting with Colonial America and running through the 19th century - are especially fascinating. Maybe that's because we are further removed from the subjects of sea monsters, witches and Native American curses. But that doesn't mean theses subjects didn't scare our forefathers. Poole deftly draws lines connecting Colonial boogymen to hotbutton issues of the day like slavery, the removal and eradication of indigenous populations, and religious conflicts. Poole's scholarship allows readers to view history from new perspectives.

Where Monsters in American isn't quite as successful is in conjuring up 20th century monsters. The ideas in later chapters seem less thought-out; almost as if they were either not fully formed or had to be made to fit within the author's framework. Or possibly that monsters have been such frequent products of the modern mass media. A frequent subject in Monsters in America is the religious right. Poole defines a number of his late 20th century monsters in relation to religious conservatives of the Reagan years. Take, for example, the cultural battles over sexual and gender issues. Poole seems to think that it was during this era that right wing fears of these issues and gays and lesbians in particular produced new types of monsters. Though he cites the 1935 Universal Studios production The Bride of Frankenstein in numerous places, he fails to note its rather obvious homosexual subtext. Did he not pick up on the subtext of "homosexual as monster" in the character of Dr. Praetorius? Or did he chose to disregard it because it didn't fit his timeline?

Obviously, writing a history of this sort - whether about monsters or coffee cups - will be highly subjective. Poole has at least provided us with a fascinating starting point for looking at history through a "monstrous" lens. He's also written a book that is as understandable for academics and social scientists as it is for the causual reader. (Well, to be accurate, he does toss around words like "metanarrative" and "posthuman" in the epilogue.) For the most part I enjoyed Poole's scholarship and the conclusions he reached, even if I had to stop and scratch my head in a few places.
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4 of 4 people found the following review helpful
5.0 out of 5 stars Scarey and Meaningful for these times April 15, 2012
Format:Hardcover|Amazon Verified Purchase
I heard the author on Coast to Coast, and even though he had that dry, flat Midwestern accent (sort of like Margaret Hamilton in "The Wizard of Oz") I knew I had to get the book. What is it that rumbles in the American unconscious that relates to the figures we see on the screen. In his comments on the 1931 "Frankenstein" W. Scott Poole, relates that the idea of the "abnormal brain" that Fritz grabs for Henry Frankenstein being the cause of the monster's murderous mentality being a reflection of the "scientific rascism" of the day. Just about all the scarey things that crawl into popular media hail from the leaf-littered shadowy forests that haunt the American mind. The kind of monsters depends on the era. Frankenstein (1931) happens when somebody tries to make a more perfect human. Dracula (1931) is based on the fear of foreigners and disease. Newer movies like "Terminator," shows what happens when we place our trust in machines. And I don't have to mention the meaning of all the zombie movies.

This book is great if you want a good read that sorts out all the socialogical issues springing forth like new shoots under the mold of old horror movies (and like a good metaphor). It's also an easy and informative read for anybody having to to a paper on the history of race and racism and how it's reflected in the popular culture. Poole is brutally honest about the horrors of our past and how it been softened by the big (and little) screen. The book also (maybe unintentionally) has insights for every aspiring horror filmmaker.
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5.0 out of 5 stars Here Be Monsters October 14, 2012
Format:Kindle Edition|Amazon Verified Purchase
Poole offers an insight on America's fascination with monsters. The author radically departs from the notion that monsters are a metaphor for our fears through the ages. Instead of representing the "us vs them" mentality, monsters are much closer so home: they are us. They are manifestations of our society. More than mere metaphors, they are creations of human fears and human ignorance.
Taking a rather more historical and anthropological approach to the subject matter, this book is not at all a collection of accounts of sightings. From monster movies to witch hunts, from serial killers to fossil hunting Washington, this book tries to broaden our understanding and appreciation of the very term "monster". Wonderfully engaging, Poole masterfully pushes the analysis of monsters in our society beyond the often uni-dimensional theses other authors have set. Instead of leaning on a single interpretation (such as Freudian psychology, for example), he explores a plethora of underlying sources to these monster myths and realities.
Do seek out this book in your nearest bookstore!
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