From Publishers Weekly
Although slow at first, the debut novel of 33-year-old Brit Leigh soon reveals itself to be a taut psychological thriller mostly worthy of its Kate Atkinson blurb. Popular crime novelist Lizbeth Greene is on the skids: secretly hooked on junk, she's pregnant by an indifferent boyfriend, and her new book is (surprise) a dud. Desperate to jump-start her declining career, Greene senses a hot story in Wilson Velez, the leader of New York's ultraviolent Sacred Incan Royals gang, who is serving a life sentence and has just finished five years in solitary confinement. Wilson plays a pitiful, demented wreck who still manages to advocate prison reform, write children's stories and claim his innocence; Lizbeth sees only a meal ticket. As the
Silence of the Lambs–like interviews progress, Lizbeth learns the graphic and brutal details of prison life and of Wilson's rise as gang leader, and he learns how to subtly blackmail her. The elements are familiar, but Leigh's depictions of prison life are unusually intense, and the smarmy lawyer, clever priest and cynical federal gang task force he introduces add who-are-the-good-guys depth. The ending feels a bit strained, playing on Lizbeth's fiction writer's sense of what's real and what's invented, but it nicely incorporates the title's monsters, who are threaded in menacingly throughout.
(Sept. 5) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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This thought-provoking thriller follows burned-out crime writer Lizbeth Greene, who has been roundly derided for her tired last novel. Looking for some real-life inspiration, she arranges to interview notorious gang leader Wilson "Three Vee" Velez, who has just finished serving five years in isolation. Lizbeth is shocked to discover that the notorious criminal has devolved into a stammering, withdrawn hypochondriac. But it doesn't take long before he begins to assert his old charisma, brokering a deal in which he will trade his life story for a publishing contract. It seems he is an accomplished if unpublished writer, and he hands over a gruesome children's story about gargoyles that contains eerie parallels to real-life events. Lizbeth suddenly finds herself revealing to Three Vee past crimes and deceptions, and it becomes unclear whose agenda holds sway in their interactions. Leigh's fresh characterizations--especially the lisping, well-read Three Vee--are the strong suit here. Although his plot suffers from too many complications, he consistently seeds his material with intriguing commentary, especially on the mercenary interplay between the publishing industry and the criminal world.
Joanne WilkinsonCopyright © American Library Association. All rights reserved
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