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Monteverdi: Vespers of the Blessed Virgin / Bach: Cantata No. 131 "Aus der Tiefen rufe ich"; Cantata No. 198 "Trauerode"
 
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Monteverdi: Vespers of the Blessed Virgin / Bach: Cantata No. 131 "Aus der Tiefen rufe ich"; Cantata No. 198 "Trauerode"

Gregg Smith Singers , Texas Boys Choir , Columbia Baroque Ensemble , Monteverdi , Bach , Robert Craft Audio CD
5.0 out of 5 stars  See all reviews (1 customer review)


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Product Details

  • Conductor: Robert Craft
  • Composer: Monteverdi, Bach
  • Audio CD (September 10, 1996)
  • Number of Discs: 2
  • Label: Sony
  • ASIN: B0000029SH
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #434,510 in Music (See Top 100 in Music)

Disc: 1
1. Vespers Of The Blessed Virgin: I. Versiculus & Responsorium: Deus In Adiutorium/Domine Ad... - Gloria Prosper/Adrienne Albert/Richard Levitt/Melvin Brown/Archie Drake/Greg Smith Singers....
2. Vespers Of The Blessed Virgin: II. Psalmus: Dixit Dominus - Gloria Prosper/Adrienne Albert/Richard Levitt/Melvin Brown/Archie Drake/Greg Smith Singers....
3. Vespers Of The Blessed Virgin: III. Con: Audi Coelum - Gloria Prosper/Adrienne Albert/Richard Levitt/Melvin Brown/Archie Drake/Greg Smith Singers....
4. Vespers Of The Blessed Virgin: IV. Psalmus: Nisi Dominus - Gloria Prosper/Adrienne Albert/Richard Levitt/Melvin Brown/Archie Drake/Greg Smith Singers....
5. Vespers Of The Blessed Virgin: V. Con: Pulchra Es - Gloria Prosper/Adrienne Albert/Richard Levitt/Melvin Brown/Archie Drake/Greg Smith Singers....
6. Vespers Of The Blessed Virgin: VI. Psalmus: Laetatus Sum - Gloria Prosper/Adrienne Albert/Richard Levitt/Melvin Brown/Archie Drake/Greg Smith Singers....
7. Vespers Of The Blessed Virgin: VII. Hymnus: Ave Maris Stella - Gloria Prosper/Adrienne Albert/Richard Levitt/Melvin Brown/Archie Drake/Greg Smith Singers....
8. Vespers Of The Blessed Virgin: VIII. Son Sopra Sancta Maria: Sancta Maria - Gloria Prosper/Adrienne Albert/Richard Levitt/Melvin Brown/Archie Drake/Greg Smith Singers....
9. Vespers Of The Blessed Virgin: IX. Psalmus: Laudate Pueri Dominum - Gloria Prosper/Adrienne Albert/Richard Levitt/Melvin Brown/Archie Drake/Greg Smith Singers....
10. Vespers Of The Blessed Virgin: X. Con: Duo Seraphim - Gloria Prosper/Adrienne Albert/Richard Levitt/Melvin Brown/Archie Drake/Greg Smith Singers....
See all 12 tracks on this disc
Disc: 2
1. Vespers Of The Blessed Virgin: XIII. Magnificat: Magnificat Anima Mea Dominum - Gloria Prosper/Adrienne Albert/Richard Levitt/Melvin Brown/Archie Drake/Greg Smith Singers....
2. Out Of The Depths I Cry To Thee, O Lord, Cantata BWV 131: I. Chor: Aus Der Tiefen Rufe Ich, Herr... - Loren Driscoll/Robert Oliver/Leonard/Arner
3. Out Of The Depths I Cry To Thee, O Lord, Cantata BWV 131: II. Aria Und Chor: So Willst, Herr... - Robert Oliver/American Con Chor/Margaret Hillis
4. Out Of The Depths I Cry To Thee, O Lord, Cantata BWV 131: III. Chor: Ich Harre Des Hern - American Con Chor/Margaret Hillis
5. Out Of The Depths I Cry To Thee, O Lord, Cantata BWV 131: IV. Aria Und Chor: Meine Seele Wartet... - Loren Driscoll/American Con Chor/Margaret Hillis
6. Out Of The Depths I Cry To Thee, O Lord, Cantata BWV 131: V. Chor: Israel, Hoffe Auf Den Hern - American Con Chor/Margaret Hillis
7. Let Princess, Let Another Ray, Cantata BWV 198: I. Coro: Lass, Furstin, Lass Noch Einen Strahl - American Con Chor/Margaret Hillis
8. Let Princess, Let Another Ray, Cantata BWV 198: II. Recitativo: Dein Sachsen, Dein Besturztes... - Marni Nixon
9. Let Princess, Let Another Ray, Cantata BWV 198: III. Aria: Verstummt, Verstummt, Ihr Holden Saiten! - Marni Nixon
10. Let Princess, Let Another Ray, Cantata BWV 198: IV. Recitativo: Der Glocken Bebendes Geton - Elaine Bonazzi
See all 16 tracks on this disc

 

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3 of 3 people found the following review helpful:
5.0 out of 5 stars Monteverdi with an Attitude, September 8, 2008
This review is from: Monteverdi: Vespers of the Blessed Virgin / Bach: Cantata No. 131 "Aus der Tiefen rufe ich"; Cantata No. 198 "Trauerode" (Audio CD)
Many listeners will associate the name of Robert Craft with Twentieth Century music, notably Stravinsky. Craft assisted Stravinsky during the composer's later years in the project of recording all of his major works for the Columbia label. Since Monteverdi was reputedly one of Stravinsky's favorite composers, it is not surprising to find Craft advocating the revolutionary Venetian's music. It could be said with some justification that Monteverdi effected for his generation what Stravinsky accomplished (along with a few others) during the first decades of the Twentieth Century--namely, a radical rethinking of what counts as music.

Whatever the affinities between Stravinsky and Monteverdi, the key question is whether Robert Craft in the mid-Sixties (when this recording was made), directing an ensemble of modern instruments and non-specialist singers, could do justice to an early-Seventeenth century idiom.

The answer is emphatically "yes," if in fact one is willing to listen with open ears and a certain flexibility when it comes to questions of timbre, articulation and ornamentation. Craft conjures up a thrilling spectacle in this work (or collection of works, if you prefer) by keeping textures clean, rhythmic articulation keen, and timbres lean. The Gregg Smith Singers of hallowed memory, sing this extremely tricky music with crisp diction and incisive attack, despite moments of homely intonation and some Americanized Latin. The Texas Boys Choir also makes a memorable contribution, as do the soloists. One does have to get used to the sound of modern instruments, some of which had not yet been invented during Monteverdi's time, though Craft sees to it that the ensemble avoids anything like an inflated, romanticized sound, such as that obtained by Leopold Stokowski in a privately-circulated live performance from the University of Illinois circa 1952--fascinating though that document is (listeners interested in obtaining a decently-transferred CD of that performance should Google "ReDiscovery").

This modestly-priced, and (for its day) well recorded 2-CD set also contains two Bach Cantatas (BWV 131 and 198), also directed by Craft, taken from another early stereo Columbia LP. Though tastefully played and sung, these performances are less successful than the Monteverdi; there is a certain reticence, even blandess, in Craft's approach to Bach that is all the more noticeable after the splendor of the *Vespers.*

Despite these caveats, however, this is a significant historical document. If nothing else, it affords an opportunity to hear how Stravinsky--by proxy as it were--might have heard and interpreted the music of two great Baroque masters. Moreover, it adds significantly to Robert Craft's distinguished discography. Recommended not as a first version of either the Monteverdi or the Bach, but as an essential supplement for adventurous listeners, and admirers of Craft.
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