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Most Helpful Customer Reviews
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Just buy it: Its Brilliant,
By A Customer
This review is from: Monty Meets Sly & Robbie (Audio CD)
Quite simple: if you don't have this, then get it right now. This is the second in whats becoming a brilliant series of reggae tinged jazz records for his new label. This time out Monty meets with the all time killer rhythm team of Sly and Robbie. The result is a groovin, funk filled disk of pure joy. From Herbie Hancocks Chameleon, Ramsey Lewis, The in crowd, to Zawinal's Mercy Mercy Mercy. But there's also Lee Morgans Sidewinder and Art Blakeys Moanin. Add a brilliant original called Monty's Groove, and the CD just rocks. I thought His last Stir it up album was brilliant (and overlooked, it should have sold gizillions)but this album is almost more fun. I cant wait to catch Monty live playing this, but meanwhile do your self a favor and get this disc. Its the right thing to do
5 of 5 people found the following review helpful:
4.0 out of 5 stars
Great Caribbean/Funk Music,
By
This review is from: Monty Meets Sly & Robbie (Audio CD)
Monty Alexander is one great pianist. Most of his music is jazz based with a hint of the islands. That all changed with his last release in which he covers some of Bob Marley's most popular songs. That CD is a great amalgamation of island and jazz music. It's a must just as "Monty Meets Sly and Robbie" is. It works on many levels. The rhythms are bouncy enough to clean the apartment to yet the depth of the piano solos make it perfect to sit down and really listen to. Great stuff!
3 of 3 people found the following review helpful:
2.0 out of 5 stars
Rarely Rises Above Annoying,
By
This review is from: Monty Meets Sly & Robbie (Audio CD)
Although Alexander's previous Telarc effort, a tribute to the music of Bob Marley, had at times a cocktail jazz feel to it, it was musically entertaining. This one, however, on which Alexander is joined by the veteran reggae rhythm section of Sly Dunbar on drums and Robbie Shakespeare on bass, rarely rises above the merely annoying. How three veteran musicians could combine to produce such claptrap is something I just cannot quite understand. Although the sound is quite punchy and will give an audiophile's system a good workout, neither reggae fans nor jazz fans are likely to find anything of musical value here, so I would advise both groups to pass on this one.
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