Monuments, Objects, Histories: Institutions of Art in Colonial and Post-Colonial India (Cultures of History) [Hardcover]

Tapati Guha-Thakurta (Author)

Book Description

Publication Date: June 9, 2004 | Series: Cultures of History

Art history as it is largely practiced in Asia as well as in the West is a western invention. In India, works of art-sculptures, monuments, paintings-were first viewed under colonial rule as archaeological antiquities, later as architectural relics, and by the mid-20th century as works of art within an elaborate art-historical classification. Tied to these views were narratives in which the works figured, respectively, as sources from which to recover India's history, markers of a lost, antique civilization, and symbols of a nation's unique aesthetic, reflecting the progression from colonialism to nationalism. The nationalist canon continues to dominate the image of Indian art in India and abroad, and yet its uncritical acceptance of the discipline's western orthodoxies remains unquestioned, the original motives and means of creation unexplored. The book examines the role of art and art history from both an insider and outsider point of view, always revealing how the demands of nationalism have shaped the concept and meaning of art in India. The author shows how western custodianship of Indian "antiquities" structured a historical interpretation of art; how indigenous Bengali scholarship in the late 19th and early 20th centuries attempted to bring Indian art into the nationalist sphere; how the importance of art as a representation of national culture crystallized in the period after Independence; and how cultural and religious clashes in modern India have resulted in conflicting "histories" and interpretations of Indian art. In particular, the author uses the depiction of Hindu goddesses to elicit conflicting scenarios of condemnation and celebration, both of which have at their core the threat and lure of the female form, which has been constructed and narrativized in art history.

(Vidya Dehejia, Columbia University 3/14/05)

Editorial Reviews

Review

Guha-Thakurta has the rare ability to present extremely passionate issues in clear prose and to offer a well-thought-out position...This wonderful book will surely play an essential role in all future discussions of Indian art.

(David Carrier CAA Reviews )

This is an important new scholarly work... An astutely written analysis.

(Helen Asquine Fazio Journal of Asian Studies )

This is an important book for all libraries with collections in art history, archaeology and South Asian studies.

(Lynn Zastoupil Journal of Asian History )

Tapati Guha-Thakurta's book is a far-reaching study whose implications go well beyond in the case of India.

(Julie F. Codell Journal of Colonialism and Colonial History )

Compulsory reading for those who study South Asia.

(Contemporary South Asia )

Guha-Thakurta provides the most penetrating and conceptual frame for the institutional history of Indian art.

(Valdas Jaskunas ACTA Orientalia Vilnensia )

Review

Monuments, Objects, Histories presents new, imaginative, and incisive analyses of the political pasts of India's art and architecture. Guha-Thakurta's impressively researched and wide-ranging book will be compulsory reading for students of colonial and postcolonial nationalism in South Asia.

(Dipesh Chakrabarty, University of Chicago vol. 64 no. 3)

See all Editorial Reviews

Product Details

• Hardcover: 432 pages
• Publisher: Columbia University Press (June 9, 2004)
• Language: English
• ISBN-10: 023112998X
• ISBN-13: 978-0231129985
• Product Dimensions: 10 x 7 x 1.3 inches
• Shipping Weight: 2.1 pounds (View shipping rates and policies)
• Amazon Best Sellers Rank: #1,541,882 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.