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Moo, You Bloody Choir
 
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Moo, You Bloody Choir

Augie MarchAudio CD
3.7 out of 5 stars  See all reviews (100 customer reviews)


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MP3 Download, 13 Songs, 2007 $7.99  
Audio CD, 2007 $8.78  
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Product Details

  • Audio CD
  • ASIN: B000RZJB4O
  • In-Print Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (100 customer reviews)
  • Amazon Best Sellers Rank: #1,692,375 in Music (See Top 100 in Music)

1. One Crowded Hours
2. Victoria's Secrets
3. The Cold Acre
4. Strangers Strange
5. Mother Greer
6. The Honey Month
7. Just Passing Through
8. Thin Captain Crackers
9. Bottle Baby
10. The Baron of Sentiment
11. There is No Such Place
12. Clockwork
13. Vernoona

Editorial Reviews

UK pressing of the 2006 album from this Australian Alternative band includes one bonus track: 'Mt Wellington Reverie'. After a three year wait, this is Augie March's most accomplished record to date - the amazing record they have always threatened to deliver. The album was produced by Australian studio legend Paul Mckercher, Eric Drew Feldman and the band and was mixed by Mark Howard (Bob Dylan's Out Of Time). Columbia. 2007. --This text refers to an alternate Audio CD edition.

 

Customer Reviews

100 Reviews
5 star:
 (24)
4 star:
 (37)
3 star:
 (28)
2 star:
 (7)
1 star:
 (4)
 
 
 
 
 
Average Customer Review
3.7 out of 5 stars (100 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

7 of 7 people found the following review helpful:
5.0 out of 5 stars Oh Augie, you've done it again, April 15, 2006
This review is from: Moo, You Bloody Choir (Audio CD)
Another brilliant release from what is becoming one of my favorite bands. If you've never heard Augie March before, their much-heralded previous release "Strange Bird" may serve as a better introduction. If you have, you may be a bit surprised by this album at first; but like all Augie albums, it is far too rich and subtle to be judged on one or two listens.

No, it is not Strange Bird 2, nor should it be. A band of this caliber is not going to rehash previously successful musical ventures. They will continuously grow and challenge. But comparisons to their prior albums are inevitable, so lets dive right in...

Pros: Immediately apparent is that this is a much more consistent album than their previous two releases (the first being "Sunset Studies", the second the aforementioned "Strange Bird"). The former of those two was a good, occasionally great album with lots of dead spots. The latter was a great album that started great, ended great, but dragged a bit in the middle. I feel this album is a marked improvement in this regard. It starts off strong, ends strong, but the best songs in my opinion are tracks 6-10. Add to this the fact that the songs are very diverse musically (though not as much as Strange Bird!).The result is an album that is very easy to listen to all the way through, even though it is a bit long (>1 hour). Personally, this is what I value most from a great album, and what impresses me the most- the ability to listen from beginning to end, without needing or wanting to skip songs.

Another area I feel is improved is the lyrics. Glen Richards is a hell of a songwriter, and the lyrics are what makes Augie really special. "Strange Bird" had some of the best lyrics I've ever heard, but a lot of songs were too esoteric, borderline pretentious. "Moo" reveals lines that are a bit less grandiose; easier to get the first time around, more introspective- even perhaps confessional- but still displaying the mastery of the language that is Glenn's trademark. The best example of this is the song "Bottle Baby"; the lyrics are direct and simple (for Augie March, anyways), almost humble; but still using vivid imagery and clever wordplay. They are some of Glenn's best.

Cons: Like the prior two albums, it is a bit long. An album with 8 great songs is better than one with 8 great and 4 mediocre! This album could be trimmed down to a lean 50 minutes or so of pure brillinace. However I feel this is less of an issue with "Moo" for the reasons mentioned above.

Perhaps more disapointing is the lack of one really killer song. It's like all the songs are 7's, 8's, or 9's, but there are no 10's. On the other 2 albums there is one song each that just made me stop and wonder "how the hell did someone write that?". On "Sunset" it's the heartbreaking "Owen's Lament". On "Bird" it's the driving-off-a-cliff-with-a-wicked-laugh "This Train Will Be Taking No Passengers". There are many great ones here- "Crowded Hour", the wonderful "Cold Acre", the title track (actually entitled "The Honey Month", and perhaps the best example of their unique style), "Bottle Baby", and "Clockwork" (a hypnotic pagan theme that reminds me of Ravel's "Bolero"). My favorite here is probably "Just Passing Through"; but none of these are quite as awesome as the first 2 I mentioned.

Observations: This is the first Augie album where their influences are blatantly obvious. The dewey, clean guitars and dreamy chord voicings of "Stranger Strange" recall '90's-era Radiohead...."Mother Greer" has the meandering melodic sense of Elvis Costello...."The Baron of Sentiment" actually reminds me of Oasis (don't know why, just does.); the most obvious one is the previously mentioned "Bottle Baby", which is drenched in Dylan. This is not a criticism, just an observation. This is a highly unique band that could not be formulaic or derivative if they tried. Just listen to "The Honey Month" or "Thin Captain Crackers" (though the title sounds like something off side 2 of Abbey Road) for evidence of the Augie March sound; No other band I've heard could write those songs. Incidentally, not since '90's-era Radiohead and their back-to-back masterpeices have I been this excited about a band!

I specifically waited a few months to review this album because I wanted to see if I would still be listening to it enough to warrant the praise I'm giving it. Well, I still listen to it almost every day. Despite some other really good albums that have been released since I got this on the first of April, it is still in heavy rotation in my personal playlist. To sum up, if you've not heard these guys before, "Strange Bird" might be a better introduction. If you have, get this album now, while the weather is nice (at least here above the equator). Listen to it all summer and let the beauty of the season mate with the beauty of the music and you'll have something very special indeed. (And don't wait for it to be released in the States- splurge like I did and just get the import).
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Victoria's secrets unravelling, March 14, 2006
This review is from: Moo, You Bloody Choir (Audio CD)
If you're already a fan of Augie March, you don't need to read this review to know that you want to buy this album, so stop reading and go out and get it. If you're not yet a fan of Augie March, then I envy the fact that you have three albums still to fall in love with. It's like having three beautiful girlfriends that you're yet to know. Put a bit of effort into a relationship with an Augie March album, and you will have a soul mate for years to come.

Today is the second day of my relationship with the latest release, "Moo, You Bloody Choir", and like the previous two album releases, its beauty is slowly being revealed to me with every listen.

The first album "Sunset Studies" was once compared to a sepia photograph, and the follow up "Strange Bird" was therefore described as a photograph in full colour. Following on, one would have to say that "Moo, Yoo Bloody Choir" shows a photographer with oodles of natural talent in the process of honing that talent. It is certainly much more constrained and ordered, perhaps more focused. I'm reluctant to give too detailed a description, because although I may have listened to the new album five or six times, based on past experience I know that Augie March albums continue to offer rewards long after others have lost their shine. What I'm certain of is that in time, many of these songs will cause the hairs on the back of neck to stand on end, and I'll share many pleasant moments with them.

Perhaps I was spoiled by my introduction to Augie March, as I watched them play at an outdoor music festival just as the sun was setting behind the stage. Although I was vaguely familiar with their recorded material prior to then, it was the live performance (and perhaps just the right amount of beer) that picked me up and transported me to a place of wonderful imagery and insightful observations. Maybe I have a special affinity with this band as they are country Victorians/Melbournians just like myself, and much of what songwriter/singer/guitarist Glenn Richards describes is familiar to me, but regardless, this music is world class. Ignore the comparisons to other bands like Radiohead, Augie March are absolutely in a class of their own.

Okay, I'll stop banging on. Buy this album if you don't have it, and buy the other two albums if haven't had the pleasure of getting to know them. Whatever you do, if you come into the possession of any Augie March songs, give yourself over to them and let them unravel their secrets.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Not casual listening, but wonderful time investment, September 23, 2007
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This review is from: Moo, You Bloody Choir (Audio CD)
Front man Glenn Richards is a poet first, and if you are a first-time Augie March listener, this music may not be immediately accessible. The lyrics are full of literary and musical references that take pondering, and the seamless musicianship of all of band members gives it all a real coherence without slickness. The music is beautiful, not because it is easy or clever or flashy, but because of the emotional punch it packs if you let it. Anything by Augie March is worth the small monetary investment and the larger time investment. Buy and listen and read the lyrics and google the references you can't figure out and listen and listen.
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