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  • In the Mood for Love (The Criterion Collection) [Blu-ray]
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In the Mood for Love (The Criterion Collection) [Blu-ray]


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Product Details

  • Actors: Maggie Cheung Man-yuk, Tony Leung Chiu-wai
  • Directors: Wong Kar-wai
  • Format: Multiple Formats, Blu-ray, Dolby, DTS Surround Sound, NTSC, Special Edition, Subtitled, Widescreen
  • Language: Cantonese
  • Subtitles: English
  • Region: Region A/1 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 1.77:1
  • Number of discs: 1
  • Rated: PG (Parental Guidance Suggested)
  • Studio: Criterion Collection
  • DVD Release Date: October 2, 2012
  • Run Time: 98 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (181 customer reviews)
  • ASIN: B008MPQ0R2
  • Amazon Best Sellers Rank: #55,397 in Movies & TV (See Top 100 in Movies & TV)

Special Features

  • High-definition digital restoration, approved by cinematographer Mark Lee Ping-bin, with 5.1 surround DTS-HD Master Audio soundtrack
  • “In the Mood for Love,” director Wong Kar-wai’s documentary on the making of the film
  • Deleted scenes, with commentary by Wong
  • Hua yang de nian hua (2000), a short film by Wong
  • Archival interview with Wong and a “cinema lesson” given by the director at the 2001 Cannes Film Festival
  • Toronto International Film Festival press conference from 2000, with stars Maggie Cheung Man-yuk and Tony Leung Chiu-wai
  • Two new interviews with critic Tony Rayns, one about the film and the other about the soundtrack
  • Trailers and TV spots
  • Plus: A booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi-chang story that provided thematic inspiration for the film

  • Editorial Reviews

    Hong Kong, 1962: Chow Mo-wan (Hero’s Tony Leung Chiu-wai) and Su Li-zhen (Irma Vep’s Maggie Cheung Man-yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses sparks an intimate bond between them. At once delicately mannered and visually extravagant, In the Mood for Love, directed by Wong Kar-wai (Chungking Express), is a masterful evocation of romantic longing and fleeting moments. With its aching musical soundtrack and its exquisitely abstract cinematography by Christopher Doyle (2046) and Mark Lee Ping-bin (Flight of the Red Balloon), this film has been a major stylistic influence on the past decade of cinema, as well as a milestone in Wong’s redoubtable career.

    Customer Reviews

    By now this one is the most beautiful movie I had ever seen.
    Galitt
    I believe some people will love this film, some will like it, and some will not but either way you will have to be in the mood for In the Mood for Love.
    Keith A. Jones
    Wong Kar-Wai's In the Mood for Love is a beautiful film in every since of the word.
    Ryan Rogers

    Most Helpful Customer Reviews

    113 of 123 people found the following review helpful By E. Kim on June 7, 2002
    Format: DVD
    Perfection in cinema is an almost impossible goal to achieve. Mostly because spectators have varying taste and perspectives. But you can't help but feel that Wong Kar-Wai's "In the Mood for Love" is anything short of perfection. The imagery with its lush colors and breathtaking movements is enough to elevate this film. The simple, yet somewhat complicated tale is both heartfelt and authentic. And the performances by Tony Leung and Maggie Cheung are a marvel. But it's none of these that really makes this film, it's rather the manner that Kar-Wai so magically molds all these factors to set a mood that I have never felt before while watching a movie. In all honesty, I'm really not too fond of "forbidden love" movies, but this film really startled me.
    Ironically, "In the Mood for Love" feels nothing like a Wong Kar-Wai film. It's a very slow moving film which uses lots of fades and dissolves. The Criterion edition of this film is probably the best dvd package I've seen to date. There are just so many extras on it, it's hard to believe. Deleted scenes, interviews, and promotional material, are just a few of the extras. The way Kar-Wai shoots his films (without a script) also adds to the suprise of picture. You see in the extras how much different the original concept was for "In the Mood for Love." There is also an alternate ending that seems very plain, but at the same time very heartbreaking.
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    62 of 66 people found the following review helpful By Galitt on November 27, 2001
    Format: VHS Tape
    Tony Leung is a journalist in Hong Kong, who rents a room with his wife in a family apartment. Next door, Maggie Cheung has done the same thing with her husband, who is almost always away on business.
    As part of Kar-wai's game plan, neither the wife, nor the husband, is seen. They exist and are talked about, but never introduced.
    Both Leung and Cheung's characters are painfully polite, which means you don't know what they're thinking. Even when it becomes obvious that their other halves are having an affair, it takes ages for either of them to respond. The idea of an emotional outburst would be unthinkable.
    The film is so subtle and slow and internalized that it crystallizes into a thing of beauty. Longing has been choked by a thousand years of acceptable behavior. The cut of Cheung's dresses and the sheen of Leung's hair take on an unexpected importance in what appears to be Kar-wai's experiment into the purity of unconsummated passion.
    By now this one is the most beautiful movie I had ever seen.
    Every shot is like a poem. Each picture is a work of art.
    I couldn't help myself from repeating the scenes again and again just to make sure i hadn't miss a thing.
    A masterpiece.
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    73 of 81 people found the following review helpful By Matthew M. Yau on March 21, 2003
    Format: DVD
    In the Mood for Love is such a charm despite a very simple plot. The year was 1962. Chow Mo Wan, a newspaper editor, recently moved into a dwelling populated by Shanghai immigrants with his wife. Through casual and accidental encounters Chow exchanged pleasantry with So Lai Jun (Mrs. Chan) who later found out about her husband's affair with Chow's wife. Heartbroken and devastated of the cruel truth, Chow buried himself in his job while So indulged in nightly movie screening. They began to let down the guard for one another and spent time during the mahjong sessions of their landlords. The characters forced themselves to abide by inveterate conventions and cultural morale that forbid an affair to become fruition. ...
    Tony Leung and Maggie Cheung as usual deliver an impeccable performance in this 2001 Wong Kar-Wai release. Leung portraited a man who is unsatisfied about his marriage and denied his spouse's infidelity. Cheung seizes the empathy of her character who is accustomed to hush about reason for his husband's frequent absence. Maggie Cheung is elegant and charming in this movie. Not to mention the dazzling wardrobe she wears consistently over the entire movie. Her leg movements are captured in slow motion. Her arms dangling with the thermos meant for the late-night porridge order-to-go from the street vendor.
    The movie is shot through a minimalist scope, that is, message is conveyed through very succinct scripts and imagery full of lush colors and meticulously chosen soundtracks. The film is shot in a very stealthy manner; it is as if a pin camera being fastened on the wall of the apartment. Conversations between Leung and Cheung are shot in an eavesdropping manner. The director seeks to de-emphasize other characters in order to focus on Leung and Cheung.
    Read more ›
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    24 of 26 people found the following review helpful By "sunkelly" on May 4, 2001
    For all of you who are mystified with sensual, sensitive, delicate yet stunning beauty of Asian movies, this movie is all that you have been waiting for. Unknown to many, this movie came out at the same time as Crouching Tiger, Hidden Dragon, and it was MUCH more appreaciated than CTHD in majority in Asia, in term of acting, cinematography and story. The actors are well recognized by their work, Tony Leung won the Cannes Best Actor award for this piece, Maggie Cheung, who holds a large collection of european and asian awards for extradinary acting skills, was crowned the queen of Hong Kong Film Festive for the 5th time this year for her role. A word for those of you who enjoyed action movies, this movie does not have any flying fists or alike. Yet, it is a movie which emits a deep feeling of nolstagia, and it will remind you of the bits and pieces of the "lost sentiments" in your life. The cinematography is so stunning and every little detail is so delicately brushed up, you feel as if you can even smell the scent from the redwood furnitures. The movie is visually breathetaking, in fact, the Chinese dresses wore by Maggie Cheung so beautifully blended into the dim-lit scenes, it started a new fashion movement in Asia! The plot is deeply moving. The two people who are next door neighbors both knew their spouses were having an affair and left them behind. Confused and eager to know what happened, they came to each other. Slowly, the attraction grows between them, yet bound by their morals and impacted by their spouses' betrayal, they silently denied and resisted the growing affection.Read more ›
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